197,859 research outputs found
Merlin P., L'aménagement du territoire
No full textDupuy Gabriel, Merlin C. Merlin P., L'aménagement du territoire. In: Annales de Géographie, t. 112, n°631, 2003. p. 330
Rollup for the H2020 MERLIN project
No full textThe consortium of the H2020 MERLIN project (ref. 780460) has worked in the preparation of this rollup.
http://merlin-ict.eu</p
Hi-Lumi LHC Collimation Studies with MERLIN Code
No full textThe collimation system is key to the successful operation of the LHC. Measurements and simulations of the previous run at 4 TeV have shown that the system is ready for the next step, running at 7 TeV, but at the same time some sensitive cleaning locations have been identified. In particular the dispersion suppressors downstream of the betatron
cleaning region in IR7 are sensitive to single diffractive scattered protons from the collimator jaws. These particles can lead to magnet quenching. The MERLIN C++ library has been developed to exploit the functionality of an object oriented code, with improved collective effects and scattering routines. New single diffractive and elastic scattering routines, based on a fit of existing experimental data with the Regge theory of soft interactions of high energy scattering, is implemented in MERLIN. In this paper we present the impact of the new single diffractive scattering physics on the cleaning inefficiency of the LHC collimation system for the Achromatic Telescope Squeezing (ATS) PreSqueeze optics scheme, for the HL-LHC project. The results are compared with the same loss map calculated using a SixTrack+K2 like scattering routine
Hazel valley blues
No full textharmonicas; guitarsCollected by Merlin Mitchell
Transcribed by Kyle Perrin
Reel 27 Item 4-5
Ewell Napier
Hazel Valley, Ark.
March 8, 1950
Hazel Valley Blues
I believe I'll give you a little sample on this little starvation box I got here--The Hazel Valley Blues. Boy, you don't know just how blue they get around here sometimes.
Casey Jones
Now, me and Merlin Mitchell are gonna play just a dab or a dab and a half of Casey Jones.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Two men outside William Thompson & McGregor's Times Bakery, Gulgong, New South Wales, ca. 1872 [picture].
No full textTitle devised by cataloguer based on information from acquisitions documentation and reference source.; Part of the collection: B.O. Holtermann archive of Merlin and Bayliss photographic prints of New South Wales and Victoria.; Inscriptions: "Beaufoy Merlin, American & Australasian Photographic Company Sydney Office 324 George Street"--Stamp on verso; "18362"--In pencil on verso.; Condition: Yellowing, insect damage edges.; Image used on the original Australian $10 note--Ref. "Gold & silver" p.259.; Also available in electronic version via the Internet at: http://nla.gov.au/nla.pic-vn465205; Purchased through Sydney dealer Josef Lebovic, 2008.; Published in: Gold and silver: an album of Hill End and Gulgong photographs from the Holtermann Collection / Keast Burke. Melb., Vic. : Heinemann, 1973, p. 116
When King Arthur met the Venus : Romantic Antiquarianism and the Illustration of Anne Bannerman’s “The Prophecy of Merlin”
No full textThe first edition of Bannerman’s Tales of Superstition and Chivalry (1802) contained an erotic engraving of a naked Venus figure, which was declared ‘offensive to decency’ by Scottish audiences in the poet’s native Edinburgh. Garner’s account investigates the controversy surrounding the engraving and the puzzling disparity between it and the ballad it illustrated: the Arthurian-themed ‘Prophecy of Merlin’. Using evidence from Bannerman’s correspondence with noted Scottish male publishers and antiquarians, this essay argues that decision to include the dangerous engraving was symptomatic of current anxieties surrounding a female-authored text which threatened to encroach on antiquarian and Arthurian enquiry.Peer reviewe
Green corn
No full textbanjos; guitarsCollected by Merlin Mitchell
Transcribed by Kyle Perrin
Reel 11 Items 1-14
Jim Means (Banjo & fiddle)
Goshen, Arkansas
November 9, 1949
Banjo
Girl I left Behind
Cripple Creek
Buffalo Gals
Green Corn
Blue Be ls of Scotland
Horses on the Bridge
Chicken Reel
Fiddle
Girl I left Behind
Texas Cow Thief
Natchez Under the Hill
Rose of the Garden
Peek-a-boo Waltz
Forked Deer
Richett's HornpipeFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Peek-a-boo waltz
No full textfiddles; guitarsCollected by Merlin Mitchell
Transcribed by Kyle Perrin
Reel 11
Items 1-14
Jim Means (Banjo & fiddle)
Goshen, Arkansas
Banjo
Girl I left Behind
Cripple Creek
Buffalo Gals
Green Corn
November 9, 1949
Blue Be ls of Scotland
Horses on the Bridge
Chicken Reel
Fiddle
Girl I left Behind
Texas Cow Thief
Natchez Under the Hill
Rose of the Garden
Peek-a-boo Waltz
Forked Deer
Richett's HornpipeFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Natchez under the hill
No full textfiddles; guitarsCollected by Merlin Mitchell
Transcribed by Kyle Perrin
Reel 11 Items 1-14
Jim Means (Banjo & fiddle)
Goshen, Arkansas
November 9, 1949
Banjo
Girl I left Behind
Cripple Creek
Buffalo Gals
Green Corn
Blue Be ls of Scotland
Horses on the Bridge
Chicken Reel
Fiddle
Girl I left Behind
Texas Cow Thief
Natchez Under the Hill
Rose of the Garden
Peek-a-boo Waltz
Forked Deer
Richett's HornpipeFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
I'm a drunker and a gambler; I'm a long way from home,
No full textvoiceCollected by Merlin Mitchell
Transcribed by Kyle Perrin
Reel 14
Item 8
Tommy Johnston
Springdale, Ark.
January 11, 1950
Irish Rye Whiskey
I'm a drunker and a gambler; I'm a long way from home,
If you don't like me, just leave me alone,
I'll eat when I'm hungry and I'll drink when I'm dry,
And if the moonshiner don't get me, I'll live 'til I die.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
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