317 research outputs found
FORTUNA, VIRTÙ Y GLORIA CONSIDERACIONES SOBRE LA MORAL REPUBLICANA DE MAQUIAVELO
No full textIn this paper some key concepts, such as fortune, virtù, and glory,are considered in order to seek clarification regarding the problemof the relation between morality and politics in Machiavelli. TheMachiavellian virtù certainly includes a good deal of energy andtalent, but does not completely lack moral components. From theconcept of fortune we can derive a number of criteria for politicalaction, which form a part of the Machiavellian virtù, which, thoughdistant from the Christian morals of his time, places him within arepublican conception of morality. Starting from an inquiry into the concept of glory, we discover how glory is a reward for virtù, but itis not awarded to every politician who is successful in his ventures,but only to those who are able to save their country by benign mean
Senjata Api dan Maskulinitas dalam Cerita Pendek “The Man Who was Almost A Man”
No full textAbstrakMaskulinitas adalah bagian dari kajian gender. Untuk memahami maskulinitas, kita perlu mengidentifikasi laki-laki sebagai pusat dari kajian ini dari beberapa aspek. Artikel ini akan membahas mengenai hubungan kepemilikan senjata sebagai simbol dari pencapaian maskulinitas laki-laki. Kemudian dalam artikel juga mengungkapkan mengenai berbagai macam sumber dan karya sastra bahwa memiliki senjata bisa memberikan kesan kekuatan dan maskulinitas (kelaki-lakian). Cerpen dengan judul “The Man Who Was Almost a Man” adalah contoh karya sastra yang mengambarkan kepemilikan senjata api sebagai sesuatu hal yang mendukung atau memberikan kemaskulinitasan pada laki-laki. Senjata api ditangan bisa berarti kekuatan dalam diri laki-laki. Hal ini digambarkan oleh tokoh utama (Dave Saunders) yang mengaggap senjata api sebagai simbol dari kehormatan. Sejalan dengan cerita pendek ini, ada beberapa banyak penyalahgunaan senjata api yang dilakukan demi meraih kehormatan (dihargai) dan maskulinitas dalam lingkungannya. ---AbstractMasculinity is a part of gender studies. To understand masculinity, it needs to identify man as the center of the study from various aspects. Here within the article, it would be discussed about the relationship between possessing arms (gun) as the symbol of earning men’s masculinity. Then, it is implied from many sources and literary work, that possessing arms might give the impression of strength and masculinity. The short story entitled “The Man Who Was Almost a Man” is the example of literary work that gun possession will support someone in gaining his masculinity. Gun in hands means power or strength inside a man. It was showed by the protagonist (Dave Saunders) who considered gun as the symbol of respect and the real man thing (being masculine). Align with the short story, there are many gun violence happened in the name of gaining the identity of being called masculine and respect from people
Masculinity : Male Traits in 1930s Portrayed in Public Enemies
No full textThis article discusses the masculinity of John Dillinger as the main male character inPublic Enemies Film (2009); directed by Michael Mann, and produced by Universal Pictures. This film is clearly described that men who appear strong, physically attractive, charming, and smart fall into the category of masculine.This study used descriptive qualitative method by using Janet Saltzman Chafetz’s concept of masculinity in seven areas or forms such as the physical image, the function in life, the sexual aggressiveness, the emotion, the intelligence, the personality, and other personality characteristics. In the first part of analysis, the research reveals the characteristics of John Dillinger utilizing Edward Jones’ Characterization theory, before assigning them to the seven areas or forms of Chafetz’s concept of masculinity.The result shows that the main male character,John Dillinger adjusts his characteristics based on the person he interacts with.John Dillinger as the main male character in Public Enemies film defines his position as a man in the society in the 1930s. He plays andtakes a dominant role as a leader for his gang members; his lover, Billie Frechette,by caring, protecting, and supporting them. On the other side, Dillinger is apathetic against the authority. He also takes pride in his reputation, and believes that he can achieve ambitions to be on top of the world.DOI: 10.15408/insaniyat.v2i2.7814</p
The Clown (Pennywise) As Inferiority Of The Main Characters And Their Compensation In It Chapter 2 (2019)
No full textix, 38 hlm.: ill.; 25 c
The Representation Of Homosexuallity In Beauty And The Beast Live Action (2017) Film
No full textvii.39 hlm.ilus 25c
The Influence of Chinese Culture Towards Female Masculinity In Shang-Chi and the Legend of the Ten Rings Film (2021)
No full textThis research aims to find out the characterization of the main femalecharacter and how the character represents female masculinity in the film Shang-Chi and the Legend of the Ten Rings. Researcher analyzed the film through thescoop of Chinese culture, with the help of female masculinity theory by JudithHalberstam and Character and Characterization by M. Boggs and Petrie. To find theresearch findings, the researcher used a qualitative method with descriptiveanalysis. The Shang-Chi and the Legend of the Ten Rings films dialogue text andpicture scene footage were used as the data. In the characterization analysis, it wasfound that Xialing has the characteristics of being independent, strong, calm,forgiving, caring and ambitious. The value of masculinity in Xialing is influencedby Chinese culture, she is characterized by the elements of power, courage, heroism,and leadership. In line with Judith Halberstam's theory of female masculinity(1998), which says that female masculinity refers to a woman's body that displaysmasculine performatives which can be seen from the way she behaves and herphysical appearance
Totalitarianism Concept In The Lego Movie (2014)
No full textThis thesis examines the character and totalitarian of The Lego Movie(2014) film, directed by Phill Lord and Christopher Miller and produced by DanLin and Roy Lee. The purpose and significance of this research are to understand,analyze and explain the characterization and the totalitarianism concept in the film.Using qualitative and descriptive analysis technique, this research explains the mainantagonize character using characterization theory to reveal totalitarian concept.The findings of this research are the antagonist character has several traits ordemeanor such as powerful, merciless, perfectionist, manipulative, superior, andinsecure. These traits can support the idea of totalitarian ideology that brought byLord Business character which is affect the policies such as political play on history,repressive action towards intellectuals, spiritualists, and artists, installing agenciesand making alienation to its people, and guiding ideology through propaganda.However, at the end of the film, Lord Business character reject his totalitarian reignbecause the conviction by the protagonist, Emmet. The conclusion of this thesis areafter analyzing the character, the character then analyzed by concept oftotalitarianism which it can be concluded that Lord Business having totalitarianismideology through his reign, although in the end of the movie he rejects the conceptand therefore he has conducted an anti-totalitarian concept, the total opposite of hisprevious concept.vii,45 hlm.;ilus,25 c
The Influence of Chinese Culture Towards Female Masculinity In Shang-Chi and the Legend of the Ten Rings Film (2021)
No full textThis research aims to find out the characterization of the main femalecharacter and how the character represents female masculinity in the film Shang-Chi and the Legend of the Ten Rings. Researcher analyzed the film through thescoop of Chinese culture, with the help of female masculinity theory by JudithHalberstam and Character and Characterization by M. Boggs and Petrie. To find theresearch findings, the researcher used a qualitative method with descriptiveanalysis. The Shang-Chi and the Legend of the Ten Rings films dialogue text andpicture scene footage were used as the data. In the characterization analysis, it wasfound that Xialing has the characteristics of being independent, strong, calm,forgiving, caring and ambitious. The value of masculinity in Xialing is influencedby Chinese culture, she is characterized by the elements of power, courage, heroism,and leadership. In line with Judith Halberstam's theory of female masculinity(1998), which says that female masculinity refers to a woman's body that displaysmasculine performatives which can be seen from the way she behaves and herphysical appearance
Flame princess and patriarchal culture in adventure time animated series
No full textNur Alawiyah. Flame Princess and Patriarchal Culture in Adventure Time Animated Series, Thesis, English Letters Department, Faculty of Adab and Humanities, State Islamic University Syarif Hidayatullah, Jakarta 2015.Purpose of this research is to explain how Flame Princess, as a strong woman character in Adventure Time, animated series is shown and to reveal how patriarchal culture is presented. To examine mentioned problems, descriptive-qualitative is used as the method of research. This research explains how Flame Princess, as a main character of the nine episodes, is shown and how patriarchal culture is presented in the series. Feminist film theory is applied to answer both problems.The result shows that Flame Princess is categorized as an ordinary woman who turns into extraordinary because she raises and struggles to be a new leader of Fire Kingdom. However, even though Flame Princess is shown as a strong and a leading female character, she always depends on male characters to help and support her which indicates that patriarchal culture presents in the series.viii, 49 lemba
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