3,736 research outputs found
Confirmation Class, Palm Sunday, April 15, 1962
No full textThe Golden Anniversary Confirmation Class, assembled in the chancel of St. Luke\u27s Lutheran Church, with Pastor Stephen M. Tuhy, on Palm Sunday, April 15, 1962. Boys (left to right): Charles Chuck) Best, William (Billy) Mikler, Glenn Knowles, Harley Cox, Timothy Colbert, Arden Arndt, Charlie Beasley, Andy Mikler, Charles Pula, Jonathan Lukas. Girls: Kathleen Rook, Lue Ann Murphy, Sandra Mikler, Lynn Eustice, Joyc.e Bellhorn; Scan from church publication: Fifty Years of Grace and Mercy 1912-1962.https://stars.library.ucf.edu/cfm-images/1307/thumbnail.jp
A Ceremony of Carols, Our Lady of Mercy Glee Club Sunday, December 18th
No full textA Ceremony of Carols, Our Lady of Mercy Glee Club Sunday, December 18t
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Composing Sacred Renaissance Polyphony: Setting the Divine Mercy Sunday Texts for the Liturgy
No full textThe goal of this project was to set the Divine Mercy Sunday Entrance Antiphon, Psalm, Alleluia, and Communion Antiphon in the style of Sacred Renaissance Polyphony. The first step was to study Johann Joseph Fux’s Gradus Ad Parnassum, a classic book about the step-by-step process of learning to write renaissance polyphony, which taught many famous composers such as Haydn, Mozart, and Beethoven. The second step was to study the great composers of this style and their works, including William Byrd, Thomas Tallis, Tomás Luis de Victoria, and Giovanni Pierluigi da Palestrina. Next the text was analyzed to find accents and patterns in flow and meaning. The text was set based on those accents and patterns, following Fux’s rules and the examples of the great composers. This project partnered with St John’s and St Bernard’s in Worcester to sing the project live at Catholic Mass for Divine Mercy Sunday
Program Page For Celebration of the 50th Anniversary Service, May 27, 1962
No full textThe program for the Golden Anniversary Services (8:30 am and 10:30am) on Sunday, May 27, 1962 at St. Luke\u27s Lutheran Church, Slavia, Florida. Names of officiants and musicians are listed on this page.; Scan from church publication: Fifty Years of Grace and Mercy 1912-1962.https://stars.library.ucf.edu/cfm-images/1304/thumbnail.jp
Sunday Bulletin, September 9, 1979
No full textThe Sunday bulletin for September 9, 1979 offers additional insight as to the pastors and laity who served as church and school leaders during this period and on the very day the new Founders Hall facility was dedicated.https://stars.library.ucf.edu/cfm-images/1327/thumbnail.jp
Miss Mercy Of 1956
No full textPhotograph taken for a story in the Daily Oklahoman newspaper. Caption: "Sue Fay Corley, of 1500 SW 60, receives her diploma from Rev, Louis Hugo, Mercy hospital school of nursing graduation ceremonies Sunday afternoon.
Sunday School Class, c. 1990
No full textSeven middle school age students gather for a Sunday School class in one of St. Luke\u27s school classrooms in 1990. Far left (in blue), Jessica Lukas; far right, (blue sweater) Danny Viles. Other students are not identified.https://stars.library.ucf.edu/cfm-images/1351/thumbnail.jp
Sexagesima/Quinquagesima Sunday
No full textSermons for Sexagesima Sunday, including Shortness of Earthly Things (1840), Apparently but Not Really Good Deaths (1850), The Loss of Time (1850), Hardness of Heart (1857), The Divine Mercy (1858), and Beautiful but Not Happy Deaths (n.d.). Also contains one sermon for Quinquagesima Sunday entitled Bad Thoughts (1853).Item is part of "Sermons, 1829-1860" subseries
‘A Unique Situation in the History of Cinema’: Crowhurst (2018), The Mercy (2018) and the Biopic Too Much
Full text linkDonald Crowhurst entered the 1968 Sunday Times boat race hoping to secure fame and fortune, but his voyage ended in disaster. His trimaran was found empty in the Atlantic Ocean, and his logbooks revealed that he had grossly exaggerated his progress to the media. There were two ‘Crowhursts’ in this race: an amateur out of his depth, and an alter ego he presented to the world. The two films about Crowhurst released in 2018 illustrated the phenomenon of ‘duelling’ biopics, while reflecting the two ‘Crowhursts’ at the mystery’s heart. StudioCanal purchased the distribution rights to the low-budget Crowhurst with the obligation to release it in cinemas shortly after The Mercy, their prestige production. The arrangement ensured that The Mercy would overshadow Crowhurst’s release and not vice-versa. These films approach Crowhurst’s life in very different ways: whereas The Mercy charts a formulaic route through the biopic’s generic waters, Crowhurst departs from convention by plunging the sailor into uncharted territory between biopic and horror. Hence the uncanniness of Crowhurst’s own fabricated double was reflected in the films which portray his life: each offers a different representation of Crowhurst’s race, a different set of generic coordinates to reflect Crowhurst’s own fabrications at sea
Manx Radio: Sunday Opinion
Full text linkQuayle's invitation to participate in this broadcast emerged as a result of his research into the writing of Malcolm Lowry. Quayle featured an extract from Lowry's story 'Elephant and Colosseum' in his 2003 catalogue for the public, site-specific artwork 'Return Ticket' (Manx National Heritage & Isle of Man Arts Councl). In 2009 Quayle took part in the exhibition 'Under the Volcano' (curated by Bryan Biggs) at the Bluecoat, Liverpool. The exhibition was accompanied by a book publication entitled 'From the Mersey to the World' (eds. Bryan Biggs and Helen Tookey) published by the Bluecoat and Liverpool University Press.As part of Manx Litfest 2016 and a forerunner for a planned Manx Radio podcast of Malcolm Lowry's 'Elephant and Colosseum': Cian Quayle, Jane Killey and Doug Sandle (the author of the podcast transcript) were invited to take part in a discussion with broadcaster Roger Watterson on Manx Radio's Sunday Opinion. The contributors discussed Malcolm Lowry's life and writing and its connections with the Isle of Man, which feature in 'Hear Us O Lord from Heaven Thy Dwelling Place' (1961) with specific reference to Elephant and Colosseum
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