263 research outputs found
<i>Timon of Athens</i> with Thomas Middleton
No full textAbstract
This chapter reports the history of Timon of Athens and its authorship. Since the play's represented action was not as violent as Titus Andronicus, it offended fewer critics. Middleton also wrote The Revenger's Tragedy. The division of authorship between Shakespeare and his co-author was solidly established by metrical and linguistic studies. With Timon of Athens, the impressive feature of authorship studies from the 1840s to the 1990s is that widely differing methodologies have converged, supporting sound attributions and discrediting others. All these methods agree in assigning to Middleton a substantial part of Timon, and Shakespearians who continue to deny this point risk forfeiting their scholarly credibility.</jats:p
Systematic design of Cauchy symmetric structures through Bayesian optimization
No full textUsing a new Bayesian Optimization algorithm to guide the design of mechanical metamaterials, we design nonhomogeneous 3D structures possessing the Cauchy symmetry, which dictates the relationship between continuum and atomic deformations. Recent efforts to merge optimization techniques with the design of mechanical metamaterials has resulted in a concentrated effort to tailor their elastic and post elastic properties. Even though these properties of either individual unit cells or homogenized continua can be simulated using multi-physics solvers and well established optimization schemes, they are often computationally expensive and require many design iterations, rendering the validation stage a significant obstacle in the design of new metamaterial designs. This study aims to provide a framework on how to utilize miniscule computational cost to control the elastic properties of metamaterials such that specific symmetries can be accomplished. Using the Cauchy symmetry as a design objective, we engineer structures through the strategic arrangement of 5 different unit cells in a 5 × 5 × 5 cubic symmetric microlattice structure. This lattice design, despite constituting a design space with 510 3D lattice configurations, can converge to an effective solution in only 69 function calls as a result of the efficiency of the new Bayesian optimization scheme. To validate the mechanical behavior of the design, the lattice structures were fabricated using multiphoton lithography and mechanically tested, revealing a close correlation between experiments and simulated results in the elastic regime. Ultimately, a similar methodology can be utilized to design metamaterials with other material properties, aspiring to control properties at different length scales, an endeavor that requires inordinate computation cost
Technische und ökonomische Analyse und Optimierung eines Photovoltaik-Systems in Kombination mit elektrischem und thermischem Energiespeicher für den Einfamilienhaushalt
No full textkein Abstract vorhande
Correction to: Physics-informed deep learning for three-dimensional transient heat transfer analysis of functionally graded materials
No full textIn the original publication of the article, the author wanted to correct the authors group and affiliation as it was wrongly updated. The correct authors group and affiliation should be: Hongwei Guo1,2, Xiaoying Zhuang1,2, Xiaolong Fu3, Yunzheng Zhu4 and Timon Rabczuk5 1 Department of Geotechnical Engineering,Tongji University,Shanghai, 200092, P.R. China. 2 Chair of Computational Science and Simulation Technology, Leibniz Universitat Hannover, Hannover, Germany. 3 Xi’an Modern Chemistry Research Institute, Xi’an, China. 4 Department of Electrical and Computer Engineering, UCLA, 420 Westwood Plaza, Los Angeles, CA 90095, USA. 5 Institute of Structural Mechanics, Bauhaus Universität Weimar, Weimar, Germany Now, the original article has been updated
Timon of Athens : its relationship to other plays of the Shakespeare canon. A study of the play with special reference to themes related to Judaic-Christian thought and expressed through the plot, characterization and imagery of the drama
No full textTimon of Athens has been the subject of conflicting interpretations and evaluations. Those who have found it somewhat unsatisfactory have outnumbered those who have approved it. To explain its more troubling features critics have advanced two theories: first, that the play is written by Shakespeare in collaboration with another author; and second, that the play is all Shakespeare's but lacks final revision. This thesis reviews the critical history of the play, supporting the current general tendency to reject the theory of dual authorship and seeing design in the form of the play and consistency in the development of character and plot.
The writer investigates the themes presented in the play, noting relationships to themes in other plays of the canon. The marked similarities in ideas, imagery, and diction between Timon of Athens and other Shakespearian dramas supports the view of those who regard the play as entirely Shakespeare's. In particular, the treatment given the themes of justice, mercy, grace, and regeneration and the manner in which death is shown to affect character demonstrates that the play is a link between the tragedies and the final tragi-comedies.
The writer believes that the play is satisfactory and understandable if it is regarded as depicting the movement of the soul from the finite to the infinite conception of being. Timon is accordingly viewed as a type of Everyman. Biblical imagery and echoes are noted, particularly those lines recalling passages (in both the Old and New Testaments) dealing with atonement. The principal characters of the play, other than the soldier Alcibiades and the faithful steward, exemplify various phases of worldliness and material-mindedness. Alcibiades stands in a special relationship to Timon in that he remains loyal to him, punishes Timon’s enemies, purges the state, and finally restores order. However, Alcibiades is not above criticism for his actions involve the evils of civil war and disease. The steward, also, remains loyal to Timon. Through his pure love he is able to touch Timon and thus penetrate his misanthropy. As Timon grows towards death there are hints of his moving into a state in which sin is absolved and all faults forgiven.
Some attention has been given to the stage history of Timon of Athens, in particular to the 1965 Royal Shakespeare Company production which proved theatrically successful. The treatment of themes similar to those of Timon in other plays is discussed from a theatrical point of view in an attempt to explain the greater popularity with theatre audiences of plays such as King Lear.Arts, Faculty ofEnglish, Department ofGraduat
Das Bild von Männlichkeit in der stationären Jugendarbeit (Jugendheime) - Welches Bild von Männlichkeit haben Jungen und männliche Erzieher in stationären Jugendheimen?
No full textIn dieser Arbeit wird also die Frage gestellt:“ Welches Bild von Männlichkeit haben Jungs in stationären Jugendheimen, verglichen mit ihren männlichen Erziehern?“ Die Beantwortung dieser Frage kann für die Praxis sehr hilfreich sein, um ich mit Rollenbildern und Vorurteilen auseinanderzusetzen. Der Übertrag in die Praxis ist insofern wichtig, dass die stetige Verbindung zwischen Theorie und Praxis gerade in der Sozialen Arbeit sehr stark sein sollte, damit beide Bereiche in stetigem Dialog bleiben und so ihre Methoden ausgebaut werden können
Musikstädte as real and imaginary soundscapes: urban musical images as literary motifs in twentieth-century German modernism
No full textPhDThis study examines German literary images of musical life as part of the wider sound identity of the modern German city at the turn of the twentieth century. Focussing on a forty-year period from 1890 to 1930, synonymous with the emergence of the modern German metropolis as an aesthetic object, the project assesses, compares and contrasts how musical life in the Musikstädte was perceived and portrayed by writers in an increasingly noisy urban environment. How does urban musical life influence and condition city writings? What are the differences and similarities between the writings on various musical cities? Can an urban textual sound identity be derived from these differences and similarities? The approach employed to answer these questions is a new, cross-disciplinary one to urban sound in literature, moving beyond reading the key sounds of the urban soundscape using urban musicology, sensorial anthropology and cultural poetics towards a literary contextualisation of the urban aural experience.
The literary motifs of the symphony, the gramophone and urban noise are put under the spotlight through the analysis of a wide range of modernist works by authors who have a special relationship with music. At the centre of this analysis are the Kaffeehausliteratur authors Hermann Bahr, Alfred Polgar and Peter Altenberg, the then Munich-based author Thomas Mann and the lesser known René Schickele. The analysis of these particular works is framed in the music-geographical context of the Musikstadt and literary underpinnings of this topos, ranging from Ingeborg Bachmann to Hans Mayer and, once again, Thomas Mann. In analysing these texts, the methodological approach devised by Strohm, who identifies the blending of a range of urban sounds as a definition of urban space and identity, is applied. His ideas combine historical literary
analysis, musical history and urban sociology. They are rarely used in the analysis of the auditory environment.Arts and Humanities Research Council
Westfield TrustWestfield Trust Studentship
Arts and Humanities Reseach Council (AHRC
Shakespeare, Co-Author
No full textAbstract
No issue in Shakespeare studies is more important than determining what he wrote. For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays, and have used a variety of methods to differentiate their contributions from his. In this wide-ranging study the author takes up and extends these discussions, presenting compelling evidence that Shakespeare wrote Titus Andronicus together with George Peele, Timon of Athens with Thomas Middleton, Pericles with George Wilkins, and Henry VIII and The Two Noble Kinsmen with John Fletcher. Part one of the book reviews the standard processes of co-authorship as they can be reconstructed from documents connected with the Elizabethan stage, and shows that all major, and most minor, dramatists in the Elizabethan, Jacobean, and Caroline theatres, collaborated in getting plays written and staged. This is combined with a survey of the types of methodology used since the early nineteenth century to identify co-authorship, and a critical evaluation of some ‘stylometric’ techniques. Part two gives detailed analyses of the five collaborative plays, discussing every significant case made for and against Shakespeare's co-authorship. Synthesizing two centuries of discussion, the author reveals a scholarly tradition, builds on and extends previous work, and identifies the co-authors' contributions in increasing detail. The range and quantity of close verbal analysis brought together in this book present a case to counter those ‘conservators’ of Shakespeare who maintain that he is the sole author of his plays.</jats:p
Interactions between model inclusions on closed lipid bilayer membranes
No full textProtein inclusions in the membranes of living cells interact via the deformations they impose on that membrane. Such membrane-mediated interactions lead to sorting and self-assembly of the inclusions, as well as to membrane remodelling, crucial for many biological processes. For the past decades, theory, numerical calculations and experiments have been using simplified models for proteins to gain quantitative insights into their behaviour. Despite challenges arising from nonlinearities in the equations, the multiple length scales involved and the nonadditive nature of the interactions, recent progress now enables for the first time a direct comparison between theoretical and numerical predictions and experiments. We review the current knowledge on the biologically most relevant case, inclusions on lipid membranes with a closed surface and discuss challenges and opportunities for further progress.Accepted Author ManuscriptBN/Timon Idema La
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