12,914 research outputs found
Gavan McCormack, Chang Tso-lin in Northeast China, 1911-1928. China, Japan and the Mandchurian Idea
No full textBergère Marie-Claire. Gavan McCormack, Chang Tso-lin in Northeast China, 1911-1928. China, Japan and the Mandchurian Idea. In: Annales. Économies, Sociétés, Civilisations. 34ᵉ année, N. 5, 1979. pp. 1125-1127
The Immense Ventriloquism - Part.2
No full textThe Immense Ventriloquism - Part.2 presents new work by TC McCormack, and showcases new and existing artworks by seven guest artists. Presenting a new installation; Hybrid Display Structures, with an accompanying film: Magic isn’t Magic, it is Always Something Else, and displayed in conjunction with a selection of paintings and prints by guest artists Clara Bausch, Matthew Burbidge, Ingo Gerken, Marie von Heyl, Michael Schultze, Raaf van der Sman and Oliver Zwink.
The second in a series of exhibitions; The Immense Ventriloquism – Part.2 explores the conditions of exhibiting, the nature of display and the manner in which we address artworks. TC’s installation Hybrid Display Structures foregrounds the exhibition’s curatorial mode of address, by directly corresponding with the paintings and prints of the guest artists, while adopting the physiognomy of exhibition display architecture - in order to examine the autonomous and authorial positions of artworks.
Taking the shape of floor to ceiling panels, the fabric based digital prints are orientated across the gallery walls and suspended from a lightweight framework that reaches into the exhibition space. The visual language of these hybrid panels speaks of calibration and optical registers, as well as decentred patterns and a slippage of surface.
The Immense Ventriloquism - Part.2 presents an intimate and immersive selection of paintings and prints, which when viewed collectively reveal liminal and emergent qualities. Certainly these artworks elude and challenge any positional or situational play, as this gathering of exquisite voices pass up on the measures: indeed they seem to speak through us.
At the centre of Magic isn’t Magic, it is Always Something Else is a voice that challenges the viewer’s expectations of the role and content of the film, through a deciphering of its visual information, while loosening the pervasive traditions of narrative. Magic isn’t Magic extends the curatorial premise of The Immense Ventriloquism – Part.2, in part through referencing the visual language of the hybrid panels, and by speaking back to or ventriloquizing those artworks by the guest artists.
Paintings featured:
Paravent, by Michael Schultze (2020) Wood, Tempera on Canvas, S. 180/145
Mask, by Raaf van der Sman (2020) Egg tempera on paper, S. 55/32
‘Untitled’ (BVFS, Nr.1) & ‘Untitled’ (BVFS, Nr.7) by Oliver Zwink (2017) Acrylic, wax and coloured pencil on paper S. 110 x 155 & (2018) Acrylic on paper, S. 110 x 155
Prints featured:
Shadows, by Clara Bausch (2019) silkscreen mounted on dibond, S.68/98
An Image to Be Read, by Matthew Burbidge (2011) Print S.61/43
BIBLIOSCULPTURE 012 (GROSSES TUCH) & BIBLIOSCULPTURE 016 (BEI BUCHHOLZ) by Ingo Gerken (2012) Photographic print, S. 348/349
“Phantom Limb” by Marie von Heyl (2015) Photographic print diptych & cast metal, S. 22.8/31.3
Film: Magic isn’t Magic, it is Always Something Else (2020) Single channel digital video with audio (08.24)
The first exhibition in the series The Immense Ventriloquism was presented at nationalmuseum, Kruezberg, Berlin in 2017 and featured a video diptych and an Assemblage platform by TC, in dialogue with a selection of sculptures and drawings by eight guest artists.
The title The Immense Ventriloquism takes inspiration from a poem by Wallace Stevens, ‘Not Ideas About the Thing but the Thing Itself’ (The Collected Poems of Wallace Stevens, Alfred A Knopf, New York 1954.
Letter from W. C. Gorgas to Dr. J. N. McCormack, Washington, D. C., April 26, 1910
No full textThis is an item from the William Crawford Gorgas papers. This collection includes material created by and written about Gorgas, as well as material created by other Gorgas family members. His diaries and journals illuminate his life and work for the U.S. Army as a surgeon and span the years he worked in Cuba and Panama. The collection includes official reports and other documents Gorgas wrote and collected, as well as articles and other publications written about Gorgas and his work in sanitation and disease prevention, particularly yellow fever. Correspondence, articles, and other items document the numerous awards and tributes Gorgas received during his life and memorials after his death in 1920. In addition to William Crawford Gorgas material, the collection includes other material belonging to Gorgas family members including Marie Gorgas and their daughter, Aileen Gorgas Wrightson. In 1924, his widow Marie Gorgas published William Crawford Gorgas: His Life and Work. This collection includes manuscripts, galley proofs, and published versions of her work
The Australian Musical News. volume 4 issue 11, 1915
No full textCesar Franck (Franck, Cesar, 1822-1890); Edward Grieg (AUTHORS (1-12 of 817) Grieg, Edvard, 1843-1907); Fritz Hart (Hart, Fritz Bennicke, 1874-1949.); Henri Verbrugghen (Verbrugghen, Henri Adrien Marie, 1873-1934); Hermann Lohr (Lohr, Hermann, 1871-1943); John McCormack (McCormack, John, 1884-1945); Liza Lehman (Lehmann, Liza, 1862-1918); Mansell Kirby (Kirby, Mansell, 1897-1996); Van Bern; Walter Anthony (Ward, Anthony); Barbara Allen.; Drink to me only with thine eyes.; Humoresque: Edward Grieg (AUTHORS (1-12 of 817) Grieg, Edvard, 1843-1907); O'Donnell Aboo. An old Irish war song; The Nightingale. Alabieff.: Van Bern, arr
Letter from J. N. McCormack, Washington, D. C., to Dr. Gorgas, Ancon, Panama, April 22, 1910
No full textThis is an item from the William Crawford Gorgas papers. This collection includes material created by and written about Gorgas, as well as material created by other Gorgas family members. His diaries and journals illuminate his life and work for the U.S. Army as a surgeon and span the years he worked in Cuba and Panama. The collection includes official reports and other documents Gorgas wrote and collected, as well as articles and other publications written about Gorgas and his work in sanitation and disease prevention, particularly yellow fever. Correspondence, articles, and other items document the numerous awards and tributes Gorgas received during his life and memorials after his death in 1920. In addition to William Crawford Gorgas material, the collection includes other material belonging to Gorgas family members including Marie Gorgas and their daughter, Aileen Gorgas Wrightson. In 1924, his widow Marie Gorgas published William Crawford Gorgas: His Life and Work. This collection includes manuscripts, galley proofs, and published versions of her work
Interview: Anne-Marie Fortier
No full textThis paper is an edited version of an email interview conducted by Debra Ferreday and Adi Kuntsman with Anne-Marie Fortier, the author of Multicultural Horizons: Diversity and the Limits of the Civil Nation (Routledge, 2008). Fortier’s work has been informative in the development of some of the arguments explored in this special issue; in their conversation Ferreday and Kuntsman asked her to comment on the ideas of haunting, racial imaginaries, nostalgia, national anxieties, political feelings and hopes for the future
The Absolute Outside
No full textPresented at SPOR KLÜBÜ, Berlin, this exhibition features five artists from Berlin and the UK:
Marie von Heyl, TC McCormack, Matthew Noel Tod, Richard Sides & Oliver Zwink. Group exhibition curated by TC McCormack.
The absolute outside, is a term coined by Quentin Meillassoux to describe a space that exists beyond the limits of our thoughts, of being genuinely elsewhere. He argues that thought ‘can never get outside itself to encounter the world as it really is’. All we can ever know is ‘how the world is for us, not how it is in itself.’
The potential to entertain this speculative exteriority can be glimpsed in the selected work of the exhibiting artists; though their practices each have distinct concerns, all have strayed onto this speculative territory.
In this spirit of being genuinely elsewhere, there is the hope that this exhibition can offer the viewer a moment of self-doubt; to see the viewer ask a simple question; where should-I-stand-in-here?</p
Beholder halfway #25: beyond unwanted sound with Marie Thompson
No full textOn this month's episode I discuss the recent book Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism with its author, Marie Thompson. We discuss different conceptions of 'noise', as anti-music or the cacophony of industrial society, competing theories of noise and Marie's powerful argument that noise is neither inherently bothersome nor transgressive. We end by discussing some of the musicians and sound artists that Marie argues transcend the dominant morality by which noise is related to.</p
Marie-Rose: She Who Believed in Tomorrow: The Story of the Foundress of the Sisters of the Holy Names of Jesus and Mary (Expanded Edition 2015)
No full text40 leaves; a brief history of Mother Marie-Rose, née Eulalie Durocher, and her life of service
Précisions sur les vagues/On Waves
No full textPowerful and poetic prose meditation on oceanic energy by French author, Marie Darrieussecq. Translated from the French by Peter Schulman, ODU Professor of French and International Studies.https://digitalcommons.odu.edu/worldlanguages_books/1022/thumbnail.jp
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