312,474 research outputs found
Gerald R. McMaster : Ancients' Singing
No full textMcMaster briefly discusses the role of tradition for his imagery. Biographical notes
The Cowboy/Indian Show : Recent Work by Gerald McMaster = Le spectacle cowboy/indien : Oeuvre récente de Gerald McMaster
No full textRyan traces the evolution since the early 1980s of McMaster's humourous approach, culminating in the "Cowboy/Indian Show" (1990). McMaster outlines the genesis of this series, which deals with the clichés and prejudices that have characterized White/Amerindian relations; a commentary on each canvas is provided. Biographical notes. 28 bibl. ref
Shelley Niro : Unbury My Heart
No full textThis catalogue for an exhibition of Niro’s work contains an artist’s statement, a poem by Daniel David Moses, and an essay by Gerald McMaster. McMaster describes each work and elaborates on the symbolism he discerns, relating it to his overarching theme: the spiritual core of humanity. He concludes that Niro’s reworking of the elements and motifs of Native culture contributes to the sovereignty of aboriginal peoples. List of works. Bio-bibliography 3 p
Marketing through the Japanese distribution system
No full textiii, 66 leaves ; Includes bibliographical references. ; Cover title. The writer would like to first of all thank the many executives in Tokyo who gave both their time and frank assessment of the problems faced by their organizations. The commercial staff at the Canadian Embassy, and in particular Mr. Peter Campbell, were extremely helpful in providing both advice and corporate introductions. In this regard, the American Chamber of Commerce in Japan also provided many valuable introductions to the American business community. I would also like to express my appreciation to the administrations of the Institute for International Studies and Training in Japan and McMaster University for providing me with the opportunity to be in Japan for the four months during which this study was undertaken. The financial support provided by the Department of Industry , Trade and Commerce of the Canadian government and the Joint-Center on Modem East Asia in Toronto made the project possible .</p
Arte contemporânea indígena e indigeneidade global: entrevista de Gerald McMaster a Idjahure Kadiwel
No full textGerald McMaster é artista, curador e professor de Cultura Visual Indígena e Estudos Curatoriais Críticos, no Ontario College of Art and Design (OCAD) em Toronto, Canadá. Pertencente aos povos indígenas Blackfoot (Siksika) e Plains Cree (Nehiyaw) e com mais de três décadas de uma trajetória profissional dedicada ao estudo das artes visuais ameríndias na contemporaneidade, McMaster assinou a curadoria de diversas exposições internacionais, como o pavilhão canadense da 46a Bienal de Veneza em 1995 – quando Edward Poitras expôs como o primeiro artista indígena representando o Canadá – , e a direção artística, compartilhada com Catherine de Zegher, da 18a Bienal de Sidney em 2012, intitulada All Our Relations.Tendo como foco a produção artística indígena contemporânea, McMaster desenvolve uma série de projetos acadêmicos que promovem o diálogo entre artistas indígenas de diferentes partes do mundo. Em sua visita ao Brasil no âmbito de seu projeto Arctic/Amazon, no qual busca estabelecer conexões entre obras e artistas indígenas das regiões do Ártico e da Amazônia, McMaster ofereceu em 19 de setembro de 2018, a convite da professora Elsje Lagrou, uma palestra no Instituto de Filosofia e Ciências Sociais (IFCS/UFRJ).Na entrevista a seguir, concedida ao antropólogo Idjahure Kadiwel enquanto correspondente da Rádio Yandê, McMaster expõe questões relacionadas à produção artística indígena contemporânea, destacando-se as relações entre arte e política; as tensões entre o circuito artístico e os valores espirituais dos povos indígenas; assim como a globalização da luta indígena e os obstáculos para os intercâmbios e as comunicações entre os povos ameríndios do Sul e do Norte
Portraits from the Dancing Grounds
No full textMcMaster proposes a critical examination of Thomas's photographic work which he compares to that of Edward S. Curtis (1862-1952). The author approaches the issue of the photographic representation of Amerindians under three angles: The relation to the past, the practice of the pow-wow and the urban phenomenon. 5 bibl. ref
Meryl McMaster : Confluence
No full text"Featuring texts by Gabrielle Moser and Cheyanne Turions as well as an interview with Meryl McMaster by Heather Anderson
Published on the occasion of this first survey of Meryl McMaster’s work, Confluence features essays and an interview exploring the Ottawa artist’s stunning self-portraits selected from three major series: Wanderings, In-Between Worlds, and Ancestral. The intriguing, unbounded identities McMaster imagines and records with her camera posit subjectivity as fluid, always in process, and even opaque." -- Publisher's website
Performance of the McMaster rheumatoid arthritis measurement questionnaire in Brazilian patients
No full textMCMASTER UNIV,DEPT CLIN EPIDEMIOL & BIOSTAT,HAMILTON L8S 4L8,ONTARIO,CANADAWeb of Scienc
The Levy Legacy : A Commemorative Book to Celebrate the Contribution of the Levy Family, Ontario and the Exceptional Gifts of Dr. Herman Herzog Levy, O.B.E. to McMaster University
No full textWhile Watson proposes a history of the Levy family in Hamilton since the middle of the 19th century, Ness draws a portrait of Dr. H.H. Levy (1902-1990) as an art collector and follows his long association with McMaster University. Includes a list of the Levy collection and an extensively annotated catalogue of the Levy bequest which includes historical, modern, and contemporary art works. Bibl. 4 p
Edward Poitras : Canada XLVI Biennale di Venizia
No full textMcMaster discusses Native-Canadian artist Poitras' intallations in terms of a Canadian conception of Other and how the Native artist succeeds at a subtle play on this theme. Includes a biographical essay which explores Poitras' artistic development. Biographical notes. 27 bibl. ref
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