5,588 research outputs found
Manuscripts and Medieval Song: Inscription, Performance, Context by Helen Deeming and Elizabeth Leach
No full textTimothy McGee reviews and discusses Helen Deeming and Elizabeth Leach\u27s 2015 work. Deeming, Helen and Elizabeth Leach. Manuscripts and Medieval Song: Inscription, Performance, Context. Cambridge: Cambridge University Press, 2015. ISBN: 1107062632
Timothy Turnley - Bachelor of Music - Senior Recital
No full textStrange Adaptions, Miles Locke, (b.1992) -- Brandon Ortega, bass clarinet -- Partita No. 2: Giga/ Johann Sebastian Bach, 1685-1750 -- Garage Drummer/ James Campbell, 1953 -- Intermission -- Fear of Silence/ Joel Harrison, 1957 -- Hero’s Journey/ Jarryd Elias, 1993 --Piazonore/ Alexej Gerassimez, 1987 -- Christian McGee, pianoMusic, Moores School o
Medieval Music, The Library of Essays on Music Performance Practice edited by Honey Meconi and Mary Cyr
No full textTimothy McGee discusses and reviews Meconi\u27s 2011 work.
Meconi, Honey ed. Medieval Music, The Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.
ISBN 978-0-75462-851-4
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Coastal erosion along the Monterey Bay
No full textDistinguished Alumni Award Program author. RDML Timothy J. McGee, USN (Presented 11 May 06)Coastal erosion, as inferred by measuring bluff recession is correlated with wave height at 12 sites along the Monterey Bay coastline. Bluff recession rates are established by applying precise photogrammetric techniques to a 44-year time series of aerial photographs. Wave heights are determined from the USACE Wave Information Studies spectral wave climatology, where deep water gravity waves are hindcast from historic wind fields at three-hour intervals from Jan 56-Dec 75. The deep water spectra are refracted to shallow water spectra at a nominal depth of 4m. An erosion model is developed for Monterey Bay where the erosion process is modelled as a non-linear function of the 4-m significant wave height: R=(AHs sq) + BHs + C(Tide + 1.02Hs - Clifftoe)/Beach Slope. The coefficients A, B, C are computed from a least squares regression of the modelled and observed recession rate values. The erosion model provides a reasonable representation of the erosion process in Monterey Bay, where the mean standard error between observed and modelled erosion rates is + or - 0.17 m/yr. Adjustment of the wave energy coefficient, A, allows tuning of the model for high and low wave energy locations. Keywords: Ocean waves; California; Photogrammetry; Refraction; Cliffshttp://archive.org/details/coastalerosionlo109452171
The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee by Maureen Epp and Brian E. Power
No full textRoland Jackson discusses and critiques the 2009 work of Maureen Epp and Brian E. Power.
Epp, Maureen, Brian E. Power, eds. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee. Surrey (UK) and Burlington (VT): Ashgate Publishing Company, 2009.
ISBN 978-0-7546-5483-4
FIT Menswear Fashion Show: 1990
No full textFIT student fashion show featuring menswear designs.Menswear 1990. Student designers include: John Shrader, Curt Tornow, Timothy Erkins, Michael Troya, Jazz Ramcheritar, .Dawn Brandl, Nestor Marti, Callory McGee, Tonya Hollingsworth, Julio Rivera, Carlos Molina, Ross Beardsley, Jose Chan, Rosemary Flavia Pinnock, Michael Shaw, Anita Smith, Timothy Sorensen, Tony Chan, Gregory Ma, Hiroko Ito, Produced and directed by John Karl. Staged by Martin Shows Inc. Hair and Make-up styling by Charles Ruffin
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McGee Creek Archaeological Project Reports
No full textThis volume presents findings from an excavation at the Quince Site of McGee Creek Reservoir project area. Excavations at the Quince Site disclosed deep alluvial deposits with several occupations throughout the Holocene Period. The site contains a well-preserved culturally stratified deposit dating from Paleoindian to Woodland Indian periods
Sara McGee - Bachelor of Music - Senior Recital
No full textSix Metamorphoses after Ovid / Benjamin Britten (1913-1976) – Trio for Piano, Oboe, and Horn, Op. 188 / Carl Reinecke (1824-1910)Music, Moores School o
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