1,973 research outputs found
Diagramming movement between the cartographic and the choreographic: research report
No full text"Diagramming Movement between the Cartographic and the Choreographic" was an experimental interdisciplinary research project, which in part was concerned with exploring a collaborative research methodology that had a heterarchical structure. Undertaken with geographer Dr Derek McCormack, from Oxford Univerrsity, PhD students and independent artists the project was strand of a larger research project, "Society of Molecules" run by the Senselab, a Research Centre with a global reach that was initiated by Dr Erin Manning of Concordia University, Montreal, and involved researchers from all over the world. "Society of Molecules" employed a global distributive participatory research model, which we echoed at a smaller scale in our UK 'molecule'. Each international molecule was invited to initiate aesthetico-political interventions. The theme that guided our research was the diagramming of movement between the cartographic and the choreographic, using Deleuzian-induced understandings of the cartographic, and introducing the notions of affect that emerged in Deleuze and Guattari's work. The research involved practice-based experimentations/interventions alongside readings of the work of geographers, philosophers and other theorists whose work addressed issues consonant with our concerns, conceptual traces of which could be detected in the practical results of the research experiment. The above are all described and reflected upon in this research report
I Am The Coin
No full textI Am the Coin was a year-long installation consisting of thousands of coins mounted directly on one wall of the BMO "project room in 2010. Each custom-minted coin is imprinted with a single letter of the alphabet. What at first appears to be a random grid of letters reveals itself, upon closer inspection, to be a series of words and sentences uninterrupted by spaces or punctuation marks. The words and sentences combine to tell a story that was written specifically for this project by toronto writer Derek McCormack. The bottom half of the grid spells out the story, which can be read like a book, from left to right; the top half of the grid is a mirror image of the bottom. The story is all about coins, the installation itself, and the people behind it." - Official website
Nobel Prize-winning Author Derek Walcott to Speak March 28
No full textOXFORD, Miss. - Nobel Prize-winning author Derek Walcott is a featured lecturer March 28 at the University of Mississippi
Diagramming practice and performance
No full textIn this paper I seek to apprehend some of the powers of nonrepresentational practice and performance through an encounter with the rhythmic movement of the body. I concentrate on eurhythmics, a practice that emerged in Geneva in the late 19th century and early 20th century as an effort to improve musical appreciation through rhythmic movement. Drawing on work in cultural and architectural theory, I argue that the historical and cultural geographies of eurhythmics can best be apprehended diagrammatically. Specifically, I situate eurhythmics in diagrammatic relation to the corporeal kinaesthetics of rhythmic movement, to practices of social and cultural transformation, and to architectures of performative potential. By apprehending the geographies of eurhythmics in this way, I not only work to demonstrate that nonrepresentational styles of thinking and working multiply rather than undermine the field of power in which geographers move, but also present a sense of how these powers can become implicated in the very practice and performance of geographical research
A conversation with Dr. Derek Schuurman about developing responsible technology
No full textIn this episode, I am joined by Dr. Derek Schuurman, professor of computer science at Calvin University and co-author of a new book entitled A Christian Field Guide to Technology for Engineers and Designers with IVP Academic. Today, we talk about how to responsibly develop technology in light of the Christian worldview
Derek Mahon as translator
No full textDerek Mahon has devoted much of his productive life to translation, especially from the French. This paper studies his handling of French texts, distinguishing those which he has freely recreated from those which he has assimilated to his own style and those where he has made himself subservient to the character of the original author. Attention is drawn to his inventiveness, his wit, his moderation and rationality, his concern for effective and relevant communication with the reader, his rhythmic sense and his concern for emphasis and coherence. It is argued that the practice of translation affords Mahon the opportunity to write "at one remove" from direct feeling, and in so doing to combine breadth of feeling and of cultural reference with self-awareness and self-discipline
Interview with Derek Nikitas, part 1 of 2 [video]
No full textDerek Nikitas is a faculty member in the Creative Writing MFA Program and author of two recent mystery novels, The Long Division (2009) and Pyres (2007). Nikitas\u27 first novel was nominated for the prestigious Edgar award, and has been optioned for film adaptation by Vox3 Films. His second novel, The Long Division, is receiving rave reviews
Interview with Derek Nikitas, part 2 of 2 [video]
No full textDerek Nikitas is a faculty member in the Creative Writing MFA Program and author of two recent mystery novels, The Long Division (2009) and Pyres (2007). Nikitas\u27 first novel was nominated for the prestigious Edgar award, and has been optioned for film adaptation by Vox3 Films. His second novel, The Long Division, is receiving rave reviews
A critical edition of Derek Walcott's Omeros
No full textThe thesis is a Critical Edition of Derek Walcott’s Omeros, consisting of a Critical
Introduction and Annotations. The Critical Introduction analyses:
- Narrative
- Settings
- Metaphor and Paronomasia
- Symbolism
- Historiography
- Intertexts
- Dualism
- Autobiography
- Dialects
- Prosody.
The Annotations comment on more than 1000 references that may be obscure and on
specifics of narrative, language and prosody.
This study presents new conclusions about some aspects of Omeros:
- It challenges the prevailing view that the work is written substantially in a
variation of terza rima and shows that regular quatrains predominate.
- It demonstrates ways in which the metrics follow the sense of the narrative and
takes a more balanced position on the use of Caribbean as opposed to classical
metrics than that put forward previously.
- It identifies a paragraphic structure to the verse.
- It proposes a new prosodic structure for the significant Chapter XXX/iii.
- It extends Walcott’s recognised use of numerology into word counting the
names of characters.
- It develops the idea of Walcott’s dualism and his use of pairing and
contradiction as a dialectical method.
- It defines his wide use of paronomasia and shows that many of the puns have a
metaphorical aspect beyond mere word-play.
- It analyses some of Walcott’s symbolism.
- It identifies intertextual links to his earlier works and to some thirty other
writers, and suggests homage to Hemingway and possibly Heaney.
- It provides the first complete analysis of Walcott’s rhyme types in Omeros.
In its analysis of Omeros and in the Annotations it has included commentary from
across the critical literature, to provide some sense of other views on Walcott’s
writing, and has included as many as possible of Walcott’s own comments on Omeros
and on the writer’s task, as a background to understanding the poem
A partnership in the Maghreb: the first ten years of the Peace Corps in Tunisia
No full textIn 1962, Tunisia became the first Arab country to receive Peace Corps volunteers. Traditional scholarship has focused on the Peace Corps as a uniquely American experience; volunteers’ engagement with host country nationals is often reduced to a list of accomplishments and obstacles. Archival documents and volunteer testimony indicates, however, that the relationship between volunteer and host in the Tunisia Program’s first ten years was both fluid and complex. Volunteers did not perform their work in a vacuum and the Peace Corps was far from a one-way experience. Tunisia was a newly post-colonial society and its citizens oftentimes had conflicting visions for their development. Volunteers had to work themselves into Tunisian life, and in doing so, found that they learned as much—if not more—than they had taught.M.A.Includes bibliographical referencesIncludes vitaby Derek Khoudj
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