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Alex McCann
An unexploded bomb - a remnant of the bombing of Darwin 1942.McCann, A.Date: Unknow
[Connie Ford McCann is photographed with a friend]
Connie Ford McCann, right, poses with a friend during his time in a CCC camp in Pineland, Texas
[Letter of Recommendation for Connie Ford McCann]
A letter of recommendation for Connie Ford McCann. It is dated April 27, 1934 and signed by Captain Frank G. Carrico. In the letter McCann is described as "above the average in intelligence, initiative, and judgment." The letter was mounted on cardboard
[Connie Ford McCann rests against a tree]
Connie Ford McCann is photographed resting against a tree. "Picture of laziness" is written on the back of the photograph.
The photograph was taken during one of McCann's two six-month tours in the Civilian Conservation Corps located in Pineland, Texas during the Great Depression
[Connie Ford McCann rests on steps]
Connie Ford McCann rests on the steps of a CCC camp building in Pineland, Texas. "Ford and Feet" is written on the back of the photograph.
The photograph was taken during one of McCann's two six-month tours in the Civilian Conservation Corps located in Pineland, Texas during the Great Depression
[Connie Ford McCann and friend at Texas CCC camp]
Photograph of Connie Ford McCann (left) and a friend posing together at the Civilian Conservation Corp camp in Pineland, Texas. A wooden building is visible in the background, amid trees
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[News Clip: Mayor McCann]
Video footage from the WBAP-TV station in Fort Worth, Texas to accompany a news story about Fort Worth's Mayor, Thomas A. McCann, announcing a small tax increase starting in 1959
2nd Annual Bob Berry Sports Law Lecture: Michael McCann
BC Law\u27s annual sports law lecture, named after the late professor Bob Berry, featured Michael McCann from the University of New Hampshire School of Law this year.
McCann is one of the nation\u27s leading experts in sports law, a seasoned sports attorney, and an award-winning teacher and scholar. He is Sports Illustrated \u27s legal analyst, a writer for both Sports Illustrated and SI.com, and the on-air Legal Analyst for NBA TV. McCann has covered the Boston Marathon bombings, NBA, NFL & NHL lockouts, the Penn State scandal, O\u27Bannon v. NCAA, Lance Armstrong & other stories. McCann was the first member of the media to interview Lance Armstrong after Armstrong\u27s interview with Oprah Winfrey. He interviewed Armstrong at his home in Austin, TX and authored My Dance With Lance (Sports Illustrated, March 11 2013 issue, pages 14-15).
Professor McCann is the author of 18 law review articles and nearly 200 legal columns and investigative articles for Sports Illustrated and SI.com. His law review articles have been published in the Yale Law Journal, Wisconsin Law Review, and Boston College Law Review, among other prominent law reviews. One notable article is American Needle v. NFL: An Opportunity to Reshape Sports Law, 119 YALE L.J. 726 (2010).
In addition to his sports law expertise, Professor McCann is an established expert in media and broadcasting law, antitrust law, contract law, law and technology, food and drug law, disability law, and law and analytics. Along with Jon Hanson, the Alfred Smart Professor of Law at Harvard Law School, Professor McCann is co-founder of The Project on Law and Mind Sciences at Harvard Law School
Colum McCann, 39th Annual ODU Literary Festival
Colum McCann is the author of six novels and three story collections. Born and raised in Dublin, Ireland, he has received many international honors, including the National Book Award, the International Dublin Impac Prize, a Chevalier des Arts et Lettres from the French government, election to the Irish arts academy, the Best Foreign Novel Award in China, and an Oscar nomination. His work has been published in more than 35 languages. He is the co-founder of the non-profit global story exchange organization Narrative 4, and he teaches in the MFA program at Hunter College
Introduction Colum McCann and the Aesthetics of Redemption
This is the introduction to the book Colum McCann And The Aesthetics Of Redemption.At the beginning of the RTÉ Arts Lives documentary, ‘Colum McCann – Becoming a New Yorker’ (2009), Colum McCann asks, selfconsciously, why anyone would want to follow him around with a camera and make a film about his life as a resident of Manhattan’s Upper East Side. The newly inaugurated winner of the prestigious National Book Award, 2009, is unsure as to why a permanent and public televisual narrative record, with him as the central topic, would be of interest to a broad audience. Yet, this is only true if we consider McCann’s National Book Award triumph as a kind of departure point and if we treat of McCann as a bolting ingénue to the world of contemporary literary fiction. When, in fact, it is the culmination, thus far, of a virtuoso writing career, which has garnered widespread acclaim, a generous haul of literary prizes, and secured a faculty position on the creative writing programme at CUNY’s Hunter College, alongside Peter Carey and Nathan Englander. The weight of McCann’s 2009 award cannot be underestimated, given the pedigree of previous recipients such as: Cormac McCarthy, Susan Sontag, Don DeLillo, Philip Roth, E. Annie Proulx, John Barth, and E.L. Doctorow. The National Book Award can be added to a host of achievements by McCann, numbered among which are: the Rooney Prize for Irish Literature (1994), for Fishing the Sloe-Black River; two Sunday Tribune Hennessy Literary Awards (1995), for his story, ‘Tresses’; a Pushcart Prize (1997), for his story ‘As Kingfishers Catch Fire’; the Princess Grace Memorial Literary Prize (2000); a nomination in 1995 and a short-listing in 2000 for the IMPAC Dublin Literary Prize for Songdogs and This Side of Brightness respectively; and in 2003 he was Esquire’s ‘Writer of the Year’. More recently, McCann has been inducted into the Hennessy Literary Hall of Fame and, in 2009, he became a member of Aosdána and was granted a French Chevalier des arts et lettres by the French government. In light of these and other distinctions, McCann’s querying of his selection as a subject for an RTÉ Arts Lives feature seems excessively modest.Ye
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