3,257 research outputs found

    Good grief

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    Choreography and direction: Anna M. Maynard Performers: Serena Anne Cattau, Talia Preis, Grace Privett-Mendoza, Delphine Zhu, Emma Cano, Sara Demby, Haylee Denham, Mekenna Finch, Noli Rosen Music: Gillian Welch, Mountain Main, Lankum, Beautiful Chorus Lighting design: Kathy Couch Costume design: Emily Justice Dunn in collaboration with Anna M. Maynard Note: This thesis is a video of choreography and performance. It is part of the MFA Thesis Dance Concert We

    “Veiling The Controversies with Dubious Moral Attitudes”? Creditors and Debtors in Keynes’s Ethics of International Economic Relations

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    This paper addresses the enduring insistence on the moral dimension of international economic relations in Keynes’s economics and diplomacy. The issue has so far raised scarce attention in the literature, which tend to attribute some outstanding failures of Keynes’s economic diplomacy to the presumed instrumental use Keynes made of moral arguments. The paper provides a comprehensive account of the ethical arguments used by Keynes in his lifelong attempt to design a fair international order, and aims to demonstrate that this moral dimension is part of a well-defined ethics of international relations which privileges national policy space and freedom to choose.John Maynard Keynes, international economic relations, ethics, complexity

    Chapter 18 of the General Theory “Further Analysed”: The Theory of Economics as A Method

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    In 1987, Greenwald and Stiglitz accused Keynes’s summary of the General Theory in chapter 18 of relying upon “neoclassical and Marshallian tools”. A number of contributions have on the contrary emphasized the methodological importance of this chapter, which this paper revisits in the light of A Treatise on Probability. It thereby shows that the notions of cause and dependence used to discuss the relationships between independent and dependent variables of the General Theory are related to the concept of “independence for knowledge”, which concerns logical connections between arguments rather than material connections between events. We demonstrate that such logical connections established in chapter 18 are rediscussed in chapters 19-21, where Keynes allows for probable repercussions between the factors and removes the simplifying assumptions previously introduced. After stressing the methodological continuity this method provides with the analysis of credit cycles in A Treatise on Money, we argue that chapter 18 is an indispensable tool to decode the internal text structure of the General Theory. We thus characterize the latter as a vademecum to the complex economic world, the author providing an analytical method allowing – and requiring – the readers to emulate his efforts to grasp the complexity and interdependence of the economic material.John Maynard Keynes, The General Theory, complexity, economic methodology

    The Economic Problem of Happiness. Keynes on Happiness and Economics

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    In their latest book (2008), Bruno Frey and the members of the research group he chairs at the University of Zurich announce that happiness research is leading a revolution in economics. More precisely, the revolutionary character of happiness economics would draw on measurement, on how people value goods and social conditions, as well as on policies. This paper aims to discuss critically this claim and what we identified as five crucial issues of mainstream happiness economics, i.e.: 1. the ambiguous relationship between income and happiness, 2. the “back to Bentham” approach, 3. problems of incommensurability, 4. heterogeneity and multidimensionality, 5. the scope of economics in relation to happiness. In so doing, we attempt to review John Maynard Keynes’s vision about happiness and economics, starting from a revisiting of his essay Economic Possibilities for Our Grandchildren in the light of his early unpublished writings on ethics as well as of the whole bulk of his writings in economics. We then provide reasons to argue that the rediscovery of Keynes’s legacy in this respect can be of help to point out and examine the most controversial aspects of today’s happiness research.Happiness, Happiness economics, John Maynard Keynes, Economic Possibilities for Our Grandchildren

    A Radon-Nikodym theorem for a pair of Banach-valued finitely additive measures

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    One of the most interesting problems arising in the study of finitely additive measures (f.a.m.) concerns the existence of a Radon-Nikodým derivative for a pair of f.a.m. /λ/,/m/, with /λ/<</m/. It is known that the classical Radon-Nikodým theorem fails to be true in the finitely additive case unless some further assumption is fulfilled. The first result in this direction dates back to H. B. Maynard, who investigated the case of two scalar f.a.m. defined on an algebra of sets. The scalar case as well as the vector-valued case have been studied by various authors. In this paper, using a recent integration theory with respect to a Banach-valued finitely additive measure, we extend Maynard's result for a pair of Banach-valued f.a.m.; to do this we make use of a condition that is equivalent to that assumed by Maynard and by J. W. Hagood, but which turns out to be strictly stronger in the case here considered, as shown by means of an example

    Richardson, Barbauld, and the construction of an early modern fan club

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    MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him. This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director

    On characterization of (E,M)-structures in procategories,

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    Mardesic introduced the concept of pro-reflective (dense) subcategory of a category C in order to define a categorical shape theory for topological spaces. Following the results obtained by the author introducing the (E,M)-factorisation structure on C w.r.t ProC, it is given a characterisation of those classes M for which there exists the class E in the ProC morphisms such that the pair (E,M) is a factorisation structure on C w.r.t. Pro

    Intertekstualiteit en die Bose in <i>Kroniek van Perdepoort</i> (Anna M. Louw)

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    In Anna M. Louw’s novel Kroniek van Perdepoort the primal conflict between good and evil is an important constituent element. Well-known authors in world literature have been fascinated by this problem, and it is an enriching experience to bring together allusions and to investigate points of contact with authors such as Feodor Dostoyevsky, Thomas Mann. William Faulkner and Patrick White. In Kroniek van Perdepoort there is a meeting between Klaas Kamer and the devil. Similarities between this meeting and similar meetings in Dr Faustus (Thomas Mann) and The Brothers Karamazov (Dostoyevsky) are pointed out. Subsequently the portrayal of sin in Kroniek van Perdepoort is compared with Faulkner’s novels The Sound and the Fury and Absalom, Absalom!, in which a similar theme is represented. Patrick White is also an author of religious literature to whom Anna M. Louw is attracted by her own admission. His novels. The solid Mandala and Riders in the Chariot are studied, and similarities with Kroniek van Perdepoort indicated
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