6,614 research outputs found
Artful living and the eradication of worry in Søren Kierkegaard's interpretation of Matthew 6:24-34
Danish thinker Søren Kierkegaard published fourteen discourses, across four collections, on Matthew 6:24-34. The repeated readings of the biblical text, whose themes include the choice between God and mammon, worry, what it means to consider the birds and lilies, and how to seek first the kingdom of God, converge with Kierkegaard’s interest in anxiety, despair, worry, subjectivity, indirect communication, choice, the moment, and life before God. Accordingly, the discourses make connections with his larger works, elucidate frequently explored Kierkegaardian themes in recent scholarship, and contribute to his critique of nineteenth-century Copenhagen. Additionally, the collections present an interpretation of each verse and phrase of Matthew’s text and, held up against modern Matthew scholarship, they correlate with and contribute to Sermon on the Mount and New Testament studies. Kierkegaard’s reading of Matthew also holds implications for the practice of biblical interpretation as it promotes the importance of awareness of sin, interestedness, and appropriation as central to proper reading. His emphasis on Christ as the primary exemplar of Matthew’s text adds an additional Christological element to his hermeneutic. Furthermore, the discourses serve as spiritual treatises which provide the reader with theological terminology to help confront the problem of worry and suffering. In light of a human being’s distinctiveness as imago Dei, Kierkegaard elucidates ways an individual may respond artfully to the ongoing possibility of worry, a possibility which the discourses connect with Christian anthropology and external labels associated with possessions and status. The Matthew 6 discourses intimate Kierkegaard’s sympathy with classic Christian spirituality and, in combination with the cultural-ecclesiastical critique, the creative exegesis, and the in-depth analysis of the cause of and cure for worry, his work emerges as an excellent example of spiritual theology
Taboos & Transgressions: In Conversation with Darren Elliott-Smith
Dr. Darren Elliott-Smith is Senior Lecturer in Film and Television at University of Stirling, Scotland. His research is focused on representations of queerness, gender, and the body in horror film and television. He has published numerous academic articles, contributed to book collections, and is the author of Queer Horror Film and Television (I.B. Tauris, 2016) and co-editor of New Queer Horror Film and Television (UWP, 2020) with Dr John Edgar Browning. I was able to sit down with him for a chat about his work, the link between horror and eroticism, and the current queer horror moment
Dancing through early music
Program from a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, December 3, 1986, 8:00 p.m., the 125th concert of the School of Music’s 1986-1987 season.Collegium Musicum ; Matthew Steel, director.Information from performance program.No audio. Tape missing.Kalenda maya (Matthew Elliott, singer) / Raimbaut de Vaqueiras -- A l'entrada del tens clar (Kelly Weaver, singer) / Anonymous, 13th Century -- Veris ad imperia / Anonymous, 13th Century -- Estampie from the Robertsbridge Codex (Valerie Priuska, harpsichord) / Anonymous -- Souvent souspire mon cuer (Kelly Weaver and Matthew Elliott, singers) / Anonymous, 13th Century -- Mari, je songay l'aultre jour (Kelly Weaver and Matthew Elliott, singers) / Jacotin -- Branle Mari je songeois lautre jouer from Second livre de da.nceries (1547) / Pierre Attaingnant -- Belle qui tiens ma vie from Orchésographie (1588) / Arbeau -- Basse-danse Saint Roch from Quatorze Gaillardes (1531) (Valerie Priuska, harpsichord) / Pierre Attaingnant -- Schafertanz and Nachtanz from Danserye (1551) / Tielman Susato -- Flow, My Tears from Second Booke of Songs (1600) / John Dowland -- Lachrimae antiquae from Lachrimae (1604) / John Dowland -- Fantasia for Cornetto, Sackbutt, and Continuo (James McCarthy, Matthew Steel, and Matthew Elliott) / John Hingeston -- Alman and Galliard / Giovanni Coperario -- The King's Morisk (Matthew Elliott and Matthew Steel) / Anonymous, 17th Century -- lntrada and Padouana from Banchetto musicale (1617) / Johann Schein -- Galliard, Alamande, and Courant from Paduane, Galliarde (1621) / Samuel Scheidt -- Volta from Terpischore (1612) / Michael Praetorius
Note to Sarah Leverette regarding nomination for Matthew Bender Award, April 27, 1954
A note from Lucile Elliott to Sarah Leverette agreeing that Mary Oliver should be nominated as the SEAALL candidate for the Matthew Bender Award
Graduate recital, trumpet. Gowen, D., 1987
Recorded during a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, March 15, 1987, the 351st concert of the School of Music's 1986-1987 season.Dennis Gowen, trumpet with various instrumental accompaniment.In partial fulfillment of the requirements of the Master of Music degree in instrumental conducting and trumpet performance, Western Michigan University, 1987.Information from performance program.Quiet city / Aaron Copland (Nancy Prior, English horn ; Roy Taghon, piano) -- Konzert, op. 68 / Armin Schibler (Matthew Elliott, piano) -- Concerto in E-flat major / Jan Křtitel Jiři Neruda (Matthew Elliott, piano) -- Concerto in C major / Tomaso Albinoni (Wendy Griffen, Nancy Prior, Vicki Strong, oboes ; Mike Curtis, bassoon ; Matthew Elliott, harpsichord
Ritual in the Damascus document and the Gospel of Matthew
This thesis examines the ritual content of the Damascus Document and the Gospel of
Matthew, demonstrating how community identity is constructed and developed through
the interpretation of the Law represented in each. The content is arranged according to
the ritual typology of Catherine Bell, which organises ritual into six categories:
calendrical ritual, rites of exchange and communion, political ritual, rites of passage, rites of affliction and rites of feasting and fasting. Analysis by type enables comparison and comment on the features and effects of ritual. I identify the Scriptural precedent for the discussions of ritual and any similar texts from the same period. These two ritually dense texts provide a great deal of material representing different perspectives on ritual
function and obligations within a Jewish community setting. The Damascus Document is a non-sectarian legal text from the Second Temple period. The Gospel of Matthew presents the narrative of Jesus with considerable comment on ritual matters, reflecting an audience steeped in Jewish ritual praxis while looking towards an eschatological inclusion of Gentiles who adhere to Jewish obligations. Each offers an insight into a community dissenting from aspects of mainstream Judaism without withdrawing completely. Each community maintains traditional ritual obligations to some extent, but claims additional information clarifying the correct interpretations of the Law. This thesis analyses how they negotiate the practical, and often theological, issues that accompany their distinct practices, creating a community identity through ritual
Letter to Lucile Elliott regarding Matthew Bender Award, May 5, 1954
A letter from Sarah Leverette to Lucile Elliott discussing their nomination of Mary Oliver for the Matthew Bender Award
Letter to Lucile Elliott regarding Matthew Bender Award, April 29, 1954
A letter from Sarah Leverette to Lucile Elliott discussing their nomination of Mary Oliver for the Matthew Bender Award
Supersonic 'oblique all wing' airfoil design
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Aeronautics and Astronautics, 1993.Includes bibliographical references (leaves 81-83).by Matthew Elliott Butler.M.S
Fanshawe College Presents: Author Alicia Elliott
Author Alicia Elliott discusses her new book “A Mind Spread Out On The Ground”
Buy her book here: https://www.amazon.ca/Mind-Spread-Out...https://first.fanshawec.ca/firstnationscentre_visualcontent_videos_additionalvideos/1009/thumbnail.jp
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