912 research outputs found
Designing 21st Century Standard Ware: The Cultural Heritage of Leach and the Potential Applications of Digital Technologies
This practice-based research investigates the potential applications of digital manufacturing technologies in the design and production of hand-made tableware at the Leach Pottery. The methodology for the research establishes an approach grounded in my previous experience as a maker that is informed by an open, experimental, emergent, and responsive framework based on Naturalistic Inquiry.
A critical contextual review describes the cultural heritage of Leach which, for the purposes of the research, is developed through the Leach Pottery as a significant site, the historical production of the iconic Leach Standard Ware and the contemporary production of Leach Tableware. This is followed by an examination of Potter’s Tools in the Leach production environment, and a review of makers’ digital ceramic practice.
The contextual review is followed by an explication of ‘standards’ presented through visual lineages of Standard Ware and Leach Tableware to define ‘standard’ at a design (macro) level, followed by an examination of how ‘standard’ operates at a making (micro level) level. This chapter presents new knowledge in relation to defining the visual field of Leach Pottery tableware production and its standards of design.
A chapter focussed on practice presents the outcomes and analysis of my engagement with digital manufacturing technologies which resulted in the development of new tools to support Leach Tableware production and the interrogation of Leach forms, in different mediums, which led to the creation of Digital-Analogue Leach forms. The practice culminated in the design and development of new 21st century Standard Ware: a range of 9 forms, called Echo of Leach, that were developed by myself using digital and analogue methods: the designs were realised by myself, the Leach Studio, and a further four makers. The outcomes of the research were presented in a three month exhibition at the Leach Pottery in 2013.
The conclusions of the research draw on the key points raised in the analysis of the practice and relate these to the approaches to making pottery that are highlighted in the cultural heritage of Leach in the contextual review. These are also discussed in relation to ways in which these findings could be taken forward into development of knowledge about Standard Ware, especially in a broader studio pottery context
Data for Clarkson, Dwyer, Flecknell, Leach and Rowe, 'Handling method alters the hedonic value of reward in laboratory mice'
<p>Raw data files for the paper 'Handling method alters the hedonic value of reward in laboratory mice' by Jasmine M Clarkson, Dominic M Dwyer, Paul A Flecknell, Matthew C Leach and Candy Rowe.</p>This work was funded by a BBSRC DTP studentship grant (BB/J014516/1)
Testing the human factor: Radiocarbon dating the first peoples of the South Pacific
Archaeologists have long debated the origins and mode of dispersal of the immediate predecessors of all Polynesians and many populations in Island Melanesia. Such debates are inextricably linked to a chronological framework provided, in part, by radiocarbon dates. Human remains have the greatest potential for providing answers to many questions pertinent to these debates. Unfortunately, bone is one of the most complicated materials to date reliably because of bone degradation, sample pretreatment and diet. This is of particular concern in the Pacific where humidity contributes to the rapid decay of bone protein, and a combination of marine, reef, C₄, C₃ and freshwater foods complicate the interpretation of ¹⁴C determinations. Independent advances in bone pretreatment, isotope multivariate modelling and radiocarbon calibration techniques provide us, for the first time, with the tools to obtain reliable calibrated ages for Pacific burials. Here we present research that combines these techniques, enabling us to re-evaluate the age of burials from key archaeological sites in the Pacific
Data Set for "Support induced charge transfer effects on electrochemical characteristics of Pt nanoparticle electrocatalysts"
Data Set for: C. Jackson, G.T. Smith, M. Markiewicz, D.W. Inwood, A.S. Leach, P.S. Whalley, A. Kucernak A.E. Russell, D. Kramer, P.B.J. Leveque, “Support induced charge transfer effects on electrochemical characteristics of Pt nanoparticle electrocatalysts,” J. Electroanal. Chem., DOI: 10.1016/j.jelechem.2017.10.010 </span
Ethogram of rabbit behaviour (adapted from Leach et al. [17]).
<p>Ethogram of rabbit behaviour (adapted from Leach et al. <a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0044437#pone.0044437-Leach2" target="_blank">[17]</a>).</p
Behaviour of buried pipelines subjected to external loading.
The research presented in this Thesis was carried out at the University of Sheffield under
the supervision of Dr I. C. Pyrah and Dr W. F. Anderson, and Mr G. Leach at British Gas
Engineering Research Station (ERS). The research was financially supported by a British
Gas Research Scholarship and by the Overseas Research Students Awards Scheme.
The Author would like to express his sincere gratitude to his supervisors for their invaluable
help, guidance and encouragement during the development of the research.
The Author is also grateful to Dr S. R. Mi for his interest and assistance throughout the
research. Special thanks also go to Dr S. J. Wheeler for his supervision during the first year
of the research and sound advice in the initial stage of the work.
The Author would like to express his gratitude to all members of the geotechnics group at
the University of Sheffield for the useful discussions and comments. Special thanks and
appreciation are extended to the staff at the ERS, particularly Mr E. Middleton for
providing the data of the field tests and constructive comments.
The laboratory tests were performed at ERS Soils Laboratory for which the Author is
thankful to the laboratory staff. The Author must also thank British Gas for providing the
computer hardware and software for performing the numerical analyses, and the printing
facilities to produce the Thesis. Thanks also go to Mr D. Reay and Mr B. Bellwood at the
Gas Research Centre of British Gas for ensuring continuous financial support throughout
the award period.
Finally, the Author wishes to thank his family and friends for their endless support and
encouragement throughout the period of study in the UK. Without them, this Thesis may
never have been completed
The psychological adjustment of siblings of children with disabilities: the role of school factors
Hydaticus Leach 1817
Genus Hydaticus Leach So far, five species have been recorded from Pakistan: Hydaticus fabricii fabricii (W.S. Macleay); Hydaticus histrio Clark, 1864; Hydaticus pictus (Sharp); Hydaticus vittatus vittatus (Fabricius); Hydaticus ricinus Wewalka, 1979 (Ghosh and Nilsson 2012). The latter species is recorded here also for Pakistan. However, Hydaticus leander (Rossi) was recorded from Pakistan by Darilmaz and Ahmed (2009). Afterwards, the first author rechecked this specimen and concluded the specimen belongs to Hydaticus ponticus Sharp.Published as part of Darilmaz, Mustafa C. & Ahmed, Zubair, 2015, Aquatic Coleoptera from Pakistan: faunistic and zoogeographical contribution (Coleoptera: Gyrinidae: Dytiscidae: Hydrophilidae), pp. 149-162 in Journal of Natural History 50 on page 152, DOI: 10.1080/00222933.2015.1059515, http://zenodo.org/record/399184
Jeux-partis and their contrafacts in C
In studies of the jeu-parti, a genre of vernacular sung debate composed and copied in northern and eastern France from the 1230s to the 1310s, scholars have tended to focus on the largest material collections of debate songs. These are the deluxe chansonniers whose provenance is assumed to be the Arras puy: chansonniers a (seventy-nine jeux-partis), A (thirty-two) and Z (twenty-four). The small selection of jeux-partis in chansonnier C has not been widely examined, in part because of the lack of musical notation in the source, which has deterred any serious musicological study. The jeux-partis in C have suffered, too, from scholarly neglect because of the source's eastern provenance. Arthur Långfors, for example, groups jeux-partis from chansonniers C, I, O, and U together at the end of his landmark edition of jeu-parti texts, literally presenting jeux-partis from these eastern manuscripts as peripheral to his conception of the genre. In a passage that characterises the contents of I (and by extension, C) as late, over-ripe, epigonist, and parodic, Langfors effectively dismisses the jeux-partis of eastern chansonniers as objects unworthy of scholarly attention, a characterisation that has left its mark on scholarship today.
While the jeux-partis of C have largely been ignored by twentieth-century scholars, the scribes and compilers of C considered jeux-partis to be of great importance to the songbook that they were making. At the start of each letter-section, scribes copied a devotional song, as Paola Moreno explains in her contribution to this volume (Chapter 3). The genre of the next song to be copied varies between letter-sections, but frequently it is a jeu-parti that is then copied. This suggests that scribes considered the genre of the jeu-parti to be of no less importance than grand chant or the pastourelle: C stands in contrast to other trouvère chansonniers organised by genre, such as a, A, Z, W, or I, in which grands chants are copied first and jeux-partis occupy the less-prestigious second or third place. The jeux-partis of C therefore offer a very different perspective on the role of the jeu-parti in thirteenth-century musical life. This chapter considers the jeux-partis of C in relation to the wider corpus of jeux-partis, and, through a close reading of one jeu-parti contrafact group, shows the extent to which C might have been embedded in networks of musical exchange
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