1,720,975 research outputs found
La fotografia per il restauro delle opere d’arte negli anni Trenta del Novecento. Cesare Brandi e Traiano Finamore
No full textSichtbare Leere – nachfühlbar gemacht
No full textRaccolta iconografica redatta nell'ambito del progetto internazionale "Translocations – Historical Enquiries into the Displacement of Cultural Assets" (2017-2021) presso la Technische Universität di Berlino (Prof. Dr. B. Savoy - Gottfried-Wilhelm-Leibniz Preis 2015
Ein Wahlspruch für die italienischen Forderungen
No full textRaccolta antologica redatta nell'ambito del progetto internazionale "Translocations – Historical Enquiries into the Displacement of Cultural Assets" (2017-2021) presso la Technische Universität di Berlino (Prof. Dr. B. Savoy - Gottfried-Wilhelm-Leibniz Preis 2015
Eine erträumte Papstaudienz
No full textRaccolta iconografica redatta nell'ambito del progetto internazionale "Translocations – Historical Enquiries into the Displacement of Cultural Assets" (2017-2021) presso la Technische Universität di Berlino (Prof. Dr. B. Savoy - Gottfried-Wilhelm-Leibniz Preis 2015
Legitimation der neuen Schutzmacht
No full textRaccolta iconografica redatta nell'ambito del progetto internazionale "Translocations – Historical Enquiries into the Displacement of Cultural Assets" (2017-2021) presso la Technische Universität di Berlino (Prof. Dr. B. Savoy - Gottfried-Wilhelm-Leibniz Preis 2015
1830 (ca.): Canova presenting recovered Roman treasures to the Pope
No full textKommentiert von: Matilde Cartolari After surrendering to Napoleonic troops in 1797, the Papal States had to cede to the French government one hundred selected masterpieces from their collections. In accordance with revolutionary ideology, this process represented a way to democratize the former aristocratic and clerical culture by exhibiting it in the newborn French public museums. Napoleon’s defeat in 1815, however, prompted claims for restitution by the restored sovereigns. Given the diffic..
Cicogna: The visit of the Archduke of Austria in Venice (1817)
No full textThe page of a diary written by a Venetian public official in 1817 provides us with a revealing insight into the issue of outstanding restitutions following the Napoleonic spoliations of 1797. A diplomatic visit becomes the stage to show the sense of loss and illegitimate oppression felt by the dispossessed, along with their attempt to channel such emotions into a claim instead of surrendering in weary resignation. commented by Matilde Cartolari → read mor
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