86,674 research outputs found

    The role of rotation on the formation of second generation stars in globular clusters

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    By means of 3D hydrodynamic simulations, we explore the effects of rotation in the formation of second-generation (SG) stars in globular clusters (GC). Our simulations follow the SG formation in a first-generation (FG) internally rotating GC; SG stars form out of FG asymptotic giant branch (AGB) ejecta and external pristine gas accreted by the system. We have explored two different initial rotational velocity profiles for the FG cluster and two different inclinations of the rotational axis with respect to the direction of motion of the external infalling gas, whose density has also been varied. For a low (10-24 g cm-3) external gas density, a disc of SG helium-enhanced stars is formed. The SG is characterized by distinct chemo-dynamical phase space patterns: it shows a more rapid rotation than the FG with the helium-enhanced SG subsystem rotating more rapidly than the moderate helium-enhanced one. In models with high external gas density (1023g cm310{-23}\, {\rm g\ cm{-3}}), the inner SG disc is disrupted by the early arrival of external gas and only a small fraction of highly enhanced helium stars preserves the rotation acquired at birth. Variations in the inclination angle between the rotation axis and the direction of the infalling gas and the velocity profile can slightly alter the extent of the stellar disc and the rotational amplitude. The results of our simulations illustrate the complex link between dynamical and chemical properties of multiple populations and provide new elements for the interpretation of observational studies and future investigations of the dynamics of multiple-population GCs

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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