80 research outputs found

    "Rivers of the soul" by Miyamoto Yuriko : biography of the author, translation, discussion

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    Miyamoto Yuriko has been acclaimed as a writer for many years, although it is perhaps only since the war that her works have been made more readily available to the public. During much of her life, she was placed under a writing ban by the authorities and could publish little. Moreover, the works she wrote as a Communist, and her works on women in particular, were more readily accepted by the public after various social changes occurred in post-war Japan. Most of her works, apart from essays and criticisms of which she wrote a great many, are autobiographical. This lends a deep credibility and vitality to her writing since her growth and development, both as a woman and as a writer, are vividly portrayed. One of her works, "Kokoro no Kawa", is a short story describing in semi-autobiographical style her first marriage to Araki Shigeru. It depicts the protagonist's development, and her increasing awareness and understanding of her position, to the final climax of the story. A translation of "Kokoro no Kawa" is here presented, together with a biography of Yuriko and a detailed analysis of the story itself

    Miyamoto Yuriko: A trajetória de um "eu" feminino na história japonesa

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    The watakushi shōsetsu, or shishōsetsu — translated as I novel or narrative of the self — is a term used to classify many literary works written in Japan, especially those from the first half of the 20th, it brings together the most diverse types of texts under its name as long as the subject dealt with in them can be associated with reality, understood as the experiences lived by its author. This article deals with the trajectory of the Japanese writer Miyamoto Yuriko (1899-1951) in whose work political engagement and efforts to denounce the female condition in Japanese society play a central role, and examines the extent to which her writing, in which many autobiographical elements are present, would be further or closer to the notion of watakushi shōsetsu.O watakushi shōsetsu, ou shishōsetsu — que pode ser traduzido como romance, escrita ou narrativa do eu — é um termo usado para classificar muitas obras escritas no Japão, especialmente aquelas da primeira metade do século XX, e reúne os mais diversos tipos de textos sob a sua rubrica, bastando que o assunto tratado neles possa ser associado à realidade, entendida como as experiências vividas por seu autor. Este artigo trata da trajetória da escritora japonesa Miyamoto Yuriko (1899-1951), em cuja obra, o engajamento político e os esforços para denunciar a condição feminina na sociedade japonesa ocupam um papel central, e examina em que medida sua escrita, na qual muitos elementos autobiográficos estão presentes, se afastaria ou se aproximaria do watakushi shōsetsu

    Everyday Aesthetics and Philosophy of John Dewey

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    In this bachelor thesis, the work Everyday Aesthetics of the author Yuriko Saito will be explored, concernig the theme "everyday aesthetics". Ideas shared in the work will be introduced and there will be an attepmt to relate them to some specific tendencies of the contemporary world with the awareness of the philosophy of John Dewey took down in his work Art as Experienc

    Care as Key to Political Aesthetics

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    The paper investigates the concept of care starting from Socrates and Plato to Italian Humanism, as the art of educating ourselves and others to live a good life. Taking into account some contemporary philosophical perspectives (Richard Shusterman; Yuriko Saito; Ellen Dissanayake) the author focuses on care in relation to the notion of sensitiveness, education and community. Then she claims that care has a key role within political aesthetics, understanding aesthetics as “theory of perception”, in line with the German philosopher Alexander Baumgarten

    Oceans

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    24 p.The author describes her collection of Japanese inspired paintings

    “Reading guidance as a part of Guidance”: A popular philosophy of reading guidance in Japan developed by Michio Namekawa in the 1940s

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    In this study, the author examines the development of Michio Namekawa’s philosophy on reading guidance, dokusho shido, which has been since the late 1940s one of the two pillars of school library philosophy in Japan. Namekawa is recognized as one of the key persons to cultivate the practice and philosophy of reading guidance in post-war Japan. To conduct the research, the author collects and examines all of Namekawa’s historical documents from the pre- to early post- WWII periods, when he developed his theory of reading guidance. The author finds that Namekawa’s philosophy can partially be traced back to the war period at which time a children’s cultural improvement movement occurred. Then, under the occupation after the war, the CIE Education Division led Namekawa to shape his philosophy and curriculum more concretely. Around 1949, he found important components of the concept of integrating reading guidance into a students’ personal life-Guidance, which Namekawa maintained  throughout the post-war period

    VERBA TEMIRU: KAJIAN STRUKTUR

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    The author analyzes the shape and function of the verb temiru and structure modification studies. The purpose of this study is to describe the shape and function of temiru verb in the sentence contained in the work of Banana Yoshimoto kitchin novel and novel Totto - chan Tetsuko Kuroyanagi work through the study of form and function. In this paper the author uses descriptive analysis method according to the theory Sudaryanto. According to research methods of descriptive analysis is done solely based on facts or phenomena that are empirically still used by native speakers so it can be described as is. For data analysis the authors use the method agih, namely the basic techniques Element For Direct ( BUL ). To analyze the data, the author uses the theory Yuriko Sunagawa et al. Based on this theory can be found in general function temiru verb meaning to try

    « Du ‘ayyār au šāṭer : l’évolution du personnage à travers le roman persan en prose », in : Michele Bernardini, Masashi Haneda and Maria Szuppe, eds., Eurasian Studies [Liber Amicorum : Études sur l’Iran médiéval et moderne offertes à Jean Calmard]. Vol. V/1-2, 2006, pp. 143-173.

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    Expanding her previous research on the literary representation of ‘ayyār, in this stimulating article the author offers a new insight into the evolution of this character type. M. Gaillard, who has already made important contributions to the study of the Samak-e ‘Ayyār (ca. 12 c.), here bases her investigation on a number of other works within the genre of Persian prose romance, namely, Qeṣṣe-ye Ḥamze (10-13 c.), Joneyd-nāme (ca. 15 c.), Dārāb-nāme-ye Bīġamī (14-15 c.), and ‘Ālam Ārā-ye Nāder..
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