1,721,775 research outputs found
Martin Wagner (1885-1957)
Arquitectos alemanes. Arquitextos desconocidos; 3. Martin Wagner (1885-1957
Himmels-Leiter : sechs Staffeln in sich haltend: durch welche man von den Trübsalen dieser Welt, zur Freud des Himmels auff-steigen kan: erkläret bey der traurigen Begräbnuss, des ... Johann von Waldkirch, von Schaffhausen. ... so den 27. Aprilis dises 1629. Jahrs ... zu Basel, ehrlich bestattet worden
durch Wolgangum Mayerum, S. Theol. D.Drucker nach Kolophon S. 48: "Getruckt zu Basel, durch Martin Wagner"Gelegenheitsschrift: TodBestattungsdatum: 29.04.1629Lebensdaten: [1610?]-27.04.1629Enthält Personalia sowie Epicedia in lat., dt. und frz. Sprache und Epitaphiu
Die gesuchte, Jn der Römisch-Catholischen Kirchen gefundene, und wider Ertz-falsche Auflagen verthätigte Wahrheit: Das ist Copia Eines gründlich- und Schrifftmässigen Antwort-Schreibens Christiani Romani Eines zur Heil. Römisch-Catholischen Kirchen sich bekehrten einigen Sohns, an seine ... Lutherische Mutter ... / Nun bey ander weiter Communication hin und wider vermehrt und verbessert, Herausgegeben Mit einem kurtzen Vorbericht Durch Joannem Nicolaum Weislinger, Evangelisch-Catholischen Prediger des Göttlichen Worts zu Capell unter Rodeck
Titelbl. in Rot- und Schwarzdr.Autopsie nach Exemplar der ULB Sachsen-AnhaltVorlageform des Erscheinungsvermerks: Augspurg und Freyburg in Breißgau, verlegts Martin Wagner und Sohn Buchhändler An. 1751
Martin Wagner, in charge of maintaining temperature in Cold Storage Warehouse
Martin Wagner, in charge of maintaining temperature in Cold Storage Warehouse at Seabrook Farms
Tres arquitectos alemanes. Bruno Taut. Hugo Häring. Martin Wagner. Neues Bauen - Metrópoli - Arquitectura
Tres arquitectos alemanes. Bruno Taut. Hugo Häring. Martin Wagner. Neues Bauen - Metrópoli - Arquitectur
Synagoga Iudaica
Drucker aus Kolophon: Getruckt zu Basel, bey Martin Wagner, im Jahr Christi, 164
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Die technokratische Utopie: Das Haus wächst, die Stadt schrumpft
In 1931, Martin Wagner, head of planning for Berlin, set up a working group tasked with developing a design for a »growing« house. The group included Egon Eiermann, Walter Gropius, Ludwig Hilberseimer, Erich Mendelssohn, Hans Poelzig, and Hans Scharoun. As an architectural response to the Great Depression and the collapse of the building industry, they formulated plans for adaptable micro-houses, which were to provide only what was necessary and expedient and whose design should be capable of being modified in accordance with the socio-economic circumstances of the inhabitants. These models were exhibited in Berlin and documented in the publication »Das wachsende Haus« (The Growing House)
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