1,721,775 research outputs found

    Martin Wagner (1885-1957)

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    Arquitectos alemanes. Arquitextos desconocidos; 3. Martin Wagner (1885-1957

    Himmels-Leiter : sechs Staffeln in sich haltend: durch welche man von den Trübsalen dieser Welt, zur Freud des Himmels auff-steigen kan: erkläret bey der traurigen Begräbnuss, des ... Johann von Waldkirch, von Schaffhausen. ... so den 27. Aprilis dises 1629. Jahrs ... zu Basel, ehrlich bestattet worden

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    durch Wolgangum Mayerum, S. Theol. D.Drucker nach Kolophon S. 48: "Getruckt zu Basel, durch Martin Wagner"Gelegenheitsschrift: TodBestattungsdatum: 29.04.1629Lebensdaten: [1610?]-27.04.1629Enthält Personalia sowie Epicedia in lat., dt. und frz. Sprache und Epitaphiu

    Martin Wagner, in charge of maintaining temperature in Cold Storage Warehouse

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    Martin Wagner, in charge of maintaining temperature in Cold Storage Warehouse at Seabrook Farms

    Tres arquitectos alemanes. Bruno Taut. Hugo Häring. Martin Wagner. Neues Bauen - Metrópoli - Arquitectura

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    Tres arquitectos alemanes. Bruno Taut. Hugo Häring. Martin Wagner. Neues Bauen - Metrópoli - Arquitectur

    Synagoga Iudaica

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    Drucker aus Kolophon: Getruckt zu Basel, bey Martin Wagner, im Jahr Christi, 164

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Die technokratische Utopie: Das Haus wächst, die Stadt schrumpft

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    In 1931, Martin Wagner, head of planning for Berlin, set up a working group tasked with developing a design for a »growing« house. The group included Egon Eiermann, Walter Gropius, Ludwig Hilberseimer, Erich Mendelssohn, Hans Poelzig, and Hans Scharoun. As an architectural response to the Great Depression and the collapse of the building industry, they formulated plans for adaptable micro-houses, which were to provide only what was necessary and expedient and whose design should be capable of being modified in accordance with the socio-economic circumstances of the inhabitants. These models were exhibited in Berlin and documented in the publication »Das wachsende Haus« (The Growing House)
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