13 research outputs found
A supplement to the Guida armonica , with examples shewing it's use in composition : by F. Geminiani.
No full textTitre uniforme : Geminiani, Francesco (1687-1762). Compositeur. [A supplement to the Guida armonica]Appartient à l’ensemble documentaire : RISMImpOuvrages avant 180
Noceur en herbe : créée par Marius U. le transformiste ultra-rapide [photo non-créditée de Marius U.] [illustration H. Viollet]
No full textNoceur en herbe : [chansonnette] créée par Marius U. le transformiste ultra-rapide ; photo non-créditée de Marius U. ; illustration H. Viollet (série Vercolier fresia) ; paroles Disle [Fernand Disle] & Géraum ; musique de J. Vercolier [Jules Vercolier] ; Vercolier édition, 81 passage Brady, Xe, Paris ; imprimerie Jumentier ; (tampon propriétaire) “G. Vincent” ; [intérieur : “chansonnette typique créée par Marius U. le transformiste” ; sans cotage ; F. Sarrazin gravure ; imprimerie Marrot] ; verso non-imprimée ; incipit “Au lieu d’ m’abrutir sur un thème” ; datation titre par catalogue BNF 1908 ; datation exemplaire recherche en cours
Noceur en herbe : créée par Marius U. le transformiste ultra-rapide [photo non-créditée de Marius U.] [illustration H. Viollet]
No full textNoceur en herbe : [chansonnette] créée par Marius U. le transformiste ultra-rapide ; photo non-créditée de Marius U. ; illustration H. Viollet (série Vercolier fresia) ; paroles Disle [Fernand Disle] & Géraum ; musique de J. Vercolier [Jules Vercolier] ; Vercolier édition, 81 passage Brady, Xe, Paris ; imprimerie Jumentier ; (tampon propriétaire) “G. Vincent” ; [intérieur : “chansonnette typique créée par Marius U. le transformiste” ; sans cotage ; F. Sarrazin gravure ; imprimerie Marrot] ; verso non-imprimée ; incipit “Au lieu d’ m’abrutir sur un thème” ; datation titre par catalogue BNF 1908 ; datation exemplaire recherche en cours
[Arias extraites de Siroe / Gaetano Latilla]
No full textAncien possesseur : Stillingfleet, Benjamin (1702-1771). Ancien possesseurAncien possesseur : Prunières, Henry (1886-1942). Ancien possesseurAncien possesseur : Thibault, Geneviève (1902-1975). Ancien possesseurTitre uniforme : Latilla, Gaetano (1711-1788). Compositeur. [Siroe]. ChoixTitre uniforme : Latilla, Gaetano (1711-1788). Compositeur. [Siroe. Acte 1, scène 15. Vedeste mai sul prato]Titre uniforme : Latilla, Gaetano (1711-1788). Compositeur. [Siroe. Acte 2, scène 7. Fra sdegno ed amore]Titre uniforme : Latilla, Gaetano (1711-1788). Compositeur. [Siroe. Acte 1, scène 1. Se il mio paterno amore]Titre uniforme : Latilla, Gaetano (1711-1788). Compositeur. [Siroe. Acte 2, scène 3. Mi credi infedele]Comprend : Alle Dame 1740 // Del Sig.r // Gaetano Latilla ; Alle Dame 1740 Del Sig.r Gaetano Latilla ; Alle Dame 1740 Del Sig.r Gaetano Latilla ; Alle Dame // 1740 // Del Sig.r // Gaetano LatillaContient 4 arias extraites de "Siroe", dramma per musica en 3 actes. - Livret de Pietro Metastasio. - 1re exécution : Rome, Théâtre alle Dame, carnaval 1740. - Mention ms. sur la p. de garde : "Benjamin Stillingfleet whose signature as the owner of this Ms. appears above, was author of "Principles & Power of Harmony". 4to. 1771_ in which year he died (15 Dec.), aged 69 or 70. He was an English Poet, Dramatist & Naturalist & wrote also the words of 5 oratorios.The treatise on Harmony is a commentary on (or a translation of) Tartini's "Trattato di Musica". - Table au dos de la f. de garde. - Mentions au plat : "Orig.l binding", "N°1240" et "H. Pr. 5. p. 3". - Reliure cartonnée, papier marbréPrésentation musicale : [Partition]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : Chambure1Appartient à l’ensemble documentaire : RISMMssAirs d'opéra -- +* 1700......- 1799......+:18e siècle
PROFILI DELL'IMPUGNAZIONE DELLE DECISIONI RESE SECONDO EQUITÀ
No full textThe thesis dealts with the challenge of ex aequo et bono judgements. First of all, the author analyses the way to challenge the judgment rendered by state courts or by arbitrators authorized to decide as amiable compositeur who, despite this, judge by strict law and the way to challenge the judgment rendered ex aequo et bono notwithstanding the parties have not authorized the judge or the arbitrators to act as amiable compositeur. Secondly, the author describes the system of appeal of the equitable judgements of the conciliator and of the judge of the peace, in particular in the light of the new article 339, par. 3 code of civil procedure. Finally, the work focuses on the particularity of the challenge of the ex aequo et bono awards
Fortune and desire in Guillaume de Machaut
No full textThere is a pervasive tendency, in Machaut scholarship, to read his poetry as having
value only insofar as it speaks to our postmodern age: either it is fragmented and
riven with ambiguities, or it celebrates eroticism and the things of this world for their
own sake; in any case, it resists religious and moral orthodoxy. Such readings, while
often valuable in themselves, fail to take sufficient account of the influence which
Boethian and Neoplatonic ideas had upon Machaut, and thus misunderstand his work
on a fundamental level. By paying attention to the Boethian content in the narrative
dits, and by analysing Machaut's verse more thoroughly than has been done before,
my thesis demonstrates not only this author's moral orthodoxy, but also his extremely
sophisticated didactic methods. I begin with the Confort d'ami, Machaut's most
overtly moral work. The Confort engages with the supposed 'worldly' perspective of
its imprisoned addressee, adapting biblical and classical exempla in order to coax
Charles of Navarre towards a deeper understanding of worldly fortune. In Chapter 2 I
show how, in the Prologue and the Dit du vergier, the ambiguity so beloved of critics
can serve as a moral commentary on the carnality and self-absorption of the erotic
and artistic points of view. Having established, in the preceding chapters, that this
author's approach to his subject is ambiguous and critical, in Chapter 3 I explore the
extremes of his pessimism, and show how his love poetry can incorporate
sophisticated philosophical ideas, through my analysis of the Jugement du roy de
Behaigne. The thesis culminates in a detailed reading of the Remede de Fortune.
Through his deliberately idealised statements about education, through his application
of these views to the art of courtly love, through his composition (and setting to
music) of a sequence of virtuoso lyrics, and through his explicit invocations of and
borrowings from Boethius, Machaut develops an empathic but ultimately, as I argue,
deeply sceptical vision of earthly love
