2,557 research outputs found
Mark Owens Letter to Dan Foley
No full textLetter to Montgomery County Commissioner Dan Foley, from Mark Owens, Chair of the Montgomery County Democratic Party, in which Owens expresses his and others\u27 concerns about the proposed changes to Dayton and Montgomery County, Ohio\u27s government structure
Faculty recital. [sound recording] : featuring the music of Mark Alan Taggart and Britton Theurer.
No full textSix windy city vignettes [premiere performance] : Confused ; Useless ; Bluster ; Fatigue ; Alacrity ; Nonchalance / Mark Alan Taggart -- The greatest show on earth [American premiere] : Celebration ; Side show ; Fortune-teller ; Carousel / Britton Theurer -- Concerto for chamber ensemble / Mark Alan Taggart. Brad Foley, alto saxophone ; Britton Theurer, trumpet ; John O'Brien, piano (1st work) ; Brad Foley, soprano saxophone ; Mark Ford, vibraphone ; Britton Theurer, trumpet ; John O'Brien, piano (2nd work) ; Carroll V. Dashiell, double bass ; Brad Foley, saxophone ; Britton Theurer, trumpet ; Chris Ulffers, bassoon ; Nathan Williams, clarinet ; John O'Brien, piano (3rd work)
Alien Registration- Foley, Mark (Portland, Cumberland County)
No full texthttps://digitalmaine.com/alien_docs/23779/thumbnail.jp
Alien Registration- Foley, Mark (Portland, Cumberland County)
No full texthttps://digitalmaine.com/alien_docs/23779/thumbnail.jp
Alien Registration- Foley, Mark (Portland, Cumberland County)
No full texthttps://digitalmaine.com/alien_docs/23780/thumbnail.jp
Alien Registration- Foley, Mark (Portland, Cumberland County)
No full texthttps://digitalmaine.com/alien_docs/23780/thumbnail.jp
Faculty recital. [sound recording] : featuring the music of Mark Alan Taggart and Britton Theurer.
No full textSix windy city vignettes [premiere performance] : Confused ; Useless ; Bluster ; Fatigue ; Alacrity ; Nonchalance / Mark Alan Taggart -- The greatest show on earth [American premiere] : Celebration ; Side show ; Fortune-teller ; Carousel / Britton Theurer -- Concerto for chamber ensemble / Mark Alan Taggart. Brad Foley alto saxophone ; Britton Theurer trumpet ; John O'Brien piano (1st work) ; Brad Foley soprano saxophone ; Mark Ford vibraphone ; Britton Theurer trumpet ; John O'Brien piano (2nd work) ; Carroll V. Dashiell double bass ; Brad Foley saxophone ; Britton Theurer trumpet ; Chris Ulffers bassoon ; Nathan Williams clarinet ; John O'Brien piano (3rd work)
Value-based benefits design research high-level findings
No full text[Report] -- Attachment A. Methodology -- Attachment B. Presentation Slides.prepared for: Portland State University & Office for Oregon Health Policy & Research ; by Carol Foley, Ph.D.Title from PDF cover (viewed on April 16, 2020)."During a period from late September to mid-October of 2010, a series of research forums were conducted to get feedback from those impacted by a value-based benefits design; the benefit design is intended for employers and individual purchasers in an Oregon health exchange. Insurers, agents/brokers, hospitals, providers, employers, consumers, and consumer advocates participated in the forums"--Page 2.This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
In a quiet village Tilting, where night shadows creep
No full textFragment of a local composition: the narrator reminisces about the sweetheart of his youth.According to informants, this song was composed by Mark Foley, and refers to a woman he was trying to court. They never married and he died of diptheria in 1926. See Lehr, 159
Who Are These Strangers and Where Are They Going?
No full textThis exhibition features interactive and site-specific installations, alongside unveiling, in an Australian first, an important musical soundscape to mark this momentous occasion. Created in collaboration with musicians Joe Gala and Teila Watson, this song is an aural recreation and expansion of the oldest known song in the history of Australia, telling of the exchange between Captain Cook and the Badtjala people. Other centrepieces in the exhibition include a 10-metre long, one-metre-wide installation comprising 3000 oyster shells, a recontextualisation of Foley’s celebrated 2001 photographic series Wild Times Call, and a collaboration with Ballarat artist collective Pitcha Makin Fellas for a new installation alongside 2018’s Horror Has a Face. The exhibition will be accompanied by a print catalogue with critical essays by Djon Mundine OAM and Dr Odette Kelada, and additional educational resources.No Full Tex
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