4,801 research outputs found
Social group effects on communicative conventions
No full textSupporting data for Atkinson, Mills, and Smith manuscript. Languages differ in their complexity. One possible explanation for this observation is that differences in social factors influence linguistic complexity: languages which are typically used for esoteric communication in small-scale "societies of intimates" exhibit greater complexity as a result of the communicative contexts in which they are employed. We use the techniques from referential communication studies across three experiments to assess the effects of two social group factors thought to influence the esotericity of communication --- group size and amount of communally-shared knowledge --- on the brevity and transparency of linguistic conventions. While we find the more exoteric contexts initially result in longer labels and a greater reliance on more literal descriptive terms, there is no effect of either factor in the longer term, and so no support for the idea that the structure of linguistic conventions is shaped by the groups in which they develop. This dataset contains the labels produced by the participants in Experiments 1 and 2 and the GLMM model outputs.ams_labels.csv: description data from Experiments 1 and 2
ams_key.txt: key for ams_labels.cs
Speaker_input_variability_raw_data
No full textSupporting data for Atkinson, Kirby, and Smith (in preparation). Speaker input variability does not explain why larger populations have simpler languages: raw data for Experiments 1 and 2. Languages spoken by more people appear to be structurally more simple, but it is not clear why this would be the case. This study investigates one possible explanation. It has been proposed that learning in a larger community results in a learner receiving their input from a greater number of speakers. This will increase the variability of the input, and we test the proposal that this in turn may make more complex grammatical features more difficult to transfer from generation to generation.This item contains two comma separated value files (.csv) and a readme text file (.txt). exp_1.csv gives the results from Experiment 1, which investigates the effect of speaker variability on the segmentation of continuous linguistic input; exp_2.csv gives the results from Experiment 2, which investigates the effect of speaker variability on the acquisition of a miniature language
Café Royal Books Archive One
No full textArchive One
Café Royal Books
100 books
423mm x 214mm x 210mm
Rigid paper covered tray with lift off lid
Three Inner compartments
1500 Microns black lined board
Black Wibalin Buckram
Foil blocked
Edition of 10. Each book is an edition of IRO200.
Published on the occasion of Café Royal Books tenth birthday. December 2015, with celebratory event at The Photographers' Gallery, London.
The first 100 books of the current series.
Contents as follows:
CRB104 Revisiting Utopia: Modernist Architecture in the Post-regenerate City Craig Atkinson & In Certain Places (Elaine Speight and Charles Quick) 300 (first edition) 140mm x 200mm 24 b/w digital
CRB105 Photograph Converted into Base 64 Code Matthew Birchall 100 140mm x 200mm 24 b/w digital
CRB110 Another Time Another Place John Claridge 100 140mm x 200mm 28 b/w digital
CRB111 Berlin Autobus Craig Atkinson 100 140mm x 200mm 40 b/w digital
CRB112 Along The Thames John Claridge 100 140mm x 200mm 28 b/w digital
CRB115 The Salvation Army John Claridge 100 140mm x 200mm 28 b/w digital
CRB120 Peopled Streets John Claridge 100 140mm x 200mm 28 b/w digital
CRB122 East End Graphics John Claridge 100 140mm x 200mm 28 b/w digital
CRB123 British Rituals David Levenson 100 140mm x 200mm 28 b/w digital
CRB124 Someone Else's Friends and Family Craig Atkinson 100 140mm x 200mm 28 b/w digital
CRB125 Ten ’til Late Mark McNulty 100 140mm x 200mm 28 b/w digital
CRB126 America 29.01.13 Craig Atkinson 100 140mm x 200mm 28 b/w digital
CRB127 The Burry Man David Levenson 100 140mm x 200mm 16 b/w digital
CRB128 Preston Bus Station: Lost and Found Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB129 Monoliths, Sculptures, Fun and Death John Claridge 150 140mm x 200mm 28 b/w digital
CRB130 Blitz Kids, Skins & Silver Spoons Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB132 Promise Land… Joni Sternbach 150 140mm x 200mm 28 b/w digital
CRB133 Working Men: Club and Coal Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB134 Coal Miners 1971 John Claridge 150 140mm x 200mm 28 b/w digital
CRB136 East End Shops Tony Hall 100 140mm x 200mm 28 b/w digital
CRB137 East End Panoramas Tony Hall 100 140mm x 200mm 28 b/w digital
CRB139 Brick Lane and Co: Whitechapel in the 1970s Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB140 Britannia Coco-nut Dancers David Levenson 150 140mm x 200mm 28 b/w digital
CRB141 Afternoons Well Spent John Claridge 150 140mm x 200mm 28 b/w digital
CRB142 A Tinker’s Tale John Claridge 150 140mm x 200mm 28 b/w digital
CRB143 Electric Tears and All Their Portent J A Mortram 150 140mm x 200mm 28 b/w digital
CRB145 The Gorbals John Claridge 150 140mm x 200mm 28 b/w digital
CRB146 South Liverpool 1976 - 1982 Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB147 Scottish Landscapes John Claridge 150 140mm x 200mm 28 b/w digital
CRB148 East End Pubs & Markets Tony Hall 150 140mm x 200mm 28 b/w digital
CRB150 Whitechapel 1983 -1999 Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB151 Someone Else’s Skiing Holiday Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB152 The Industrial Past John Claridge 150 140mm x 200mm 28 b/w digital
CRB153 Stonehenge:1970’s Counterculture Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB154 Alexandra Road Estate Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB155 Kings of Grey Luke Overin 150 140mm x 200mm 28 b/w digital
CRB156 The Common Riding Jeremy Sutton-Hibbert 150 140mm x 200mm 28 b/w digital
CRB157 Suited and Booted Peter Dench 150 140mm x 200mm 28 b/w digital
CRB158 Someone Else's Summer in Moritz Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB159 Underground Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB160 London Barbican Craig Atkinson 150 (first edition) 140mm x 200mm 28 b/w digital
CRB161 Toff’s Hat Flat Cap Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB162 Living With Epilepsy J A Mortram 150 inc 30 signed 140mm x 200mm 32 b/w digital
CRB163 London Circus Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB164 London, Nine Miles from Hounslow Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB165 Once a Year: 1970s Folklore in Britain Homer Sykes 200 140mm x 200mm 28 b/w digital
CRB166 Sheffield Tinsley Viaduct John Darwell 150 140mm x 200mm 28 b/w digital
CRB167 Glasgow, The River Underground Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB168 Preston Bus Station: Pie and Blow Dry Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB169 Tyburn Hemp Brian David Stevens 150 140mm x 200mm 28 b/w digital
CRB170 Harris Flights Craig Atkinson / In Certain Places 150 140mm x 200mm 28 b/w digital
CRB171 “Where’s The Monkey?” David J Carol 250 140mm x 200mm 28 b/w digital
CRB172 Sheffield Meadowhall, Hyde Park, Ponds Forge John Darwell 150 140mm x 200mm 28 b/w digital
CRB173 Vintage London John Claridge 150 140mm x 200mm 28 b/w digital
CRB174 Glasgow Streets Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB175 Ribble Steam Railway John Claridge 200 140mm x 200mm 28 b/w digital
CRB177 Leiston, Suffolk 1966 Libby Hall 150 140mm x 200mm 28 b/w digital
CRB178 London, Trellick Tower Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB179 Once a Year: Folklore in Britain Now Homer Sykes 200 140mm x 200mm 28 b/w digital
CRB180 Old Ladies of Whitechapel Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB181 Photographs Converted into Morse Code Matthew Birchall 150 140mm x 200mm 98 b/w digital
CRB182 Red Neck Land Tilney1 150 140mm x 200mm 16 b/w digital
CRB183 Glasgow Streets The New Era Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB185 Small Town Inertia Diary Entries J A Mortram 150 140mm x 200mm 28 b/w digital
CRB186 Preston Bus Station Exit Town Centre Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB187 Skelmersdale 1984 Stephen McCoy 150 140mm x 200mm 28 b/w digital
CRB188 Grangemouth and the Forth Estuary John Darwell 150 140mm x 200mm 28 b/w digital
CRB189 Rotherhithe Photographs Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB190 Mayday Brian David Stevens 150 140mm x 200mm 28 b/w digital
CRB191 Electronic Music New York City 1995 Tim Soter 150 140mm x 200mm 28 b/w digital
CRB192 Saltaire 1981 Still a Model Mill Village Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB193 Preston Bus Station Up and Over Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB194 The Passengers Joni Sternbach 150 140mm x 200mm 36 b/w digital
CRB195 “Here’s the Deal…” David J Carol 150 140mm x 200mm 28 b/w digital
CRB197 Brighton Beach Stewart Weir 150 140mm x 200mm 28 b/w digital
CRB198 Annual General Meeting David Levenson 200 140mm x 200mm 28 b/w digital
CRB199 Recreation and Romance 1970’s London Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB200 Glasgow 1974-1978 Hugh Hood First edition 140mm x 200mm 36 b/w digital
CRB201 Sunderland and South Shields in the 1980’s George Plemper 150 140mm x 200mm 36 b/w digital
CRB202 Social Landscapes London in the 1970s Tony Bock 150 140mm x 200mm 28 b/w digital
CRB203 Crash Happy Grant Scott 150 140mm x 200mm 28 b/w digital
CRB204 Preston Bus Station Babies, Ladies and Gentlemen Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB205 Israel 1967 John Claridge 150 140mm x 200mm 28 b/w digital
CRB206 Modernist Revival Jonathan Mortimer 150 140mm x 200mm 28 b/w digital
CRB207 Glasgow Steamies Allan Bovill 150 140mm x 200mm 28 b/w digital
CRB208 Ocean Beach Rhyl Stephen Clarke 150 140mm x 200mm 28 b/w digital
CRB209 Manchester 42 Bus Claire Atkinson 150 140mm x 200mm 28 b/w digital
CRB210 Bristol 04.13 Craig Atkinson 200 140mm x 200mm 28 b/w digital
CRB211 Sheffield Things Seen Whilst Wandering Around Attercliffe John Darwell 150 140mm x 200mm 36 b/w digital
CRB213 Housing Estates 1979 - 1981 Stephen McCoy 150 140mm x 200mm 28 b/w digital
CRB214 Social Landscapes Britain in the 1970s Tony Bock 150 140mm x 200mm 36 b/w digital
CRB215 Social X-rays New York Dafydd Jones 200 140mm x 200mm 36 b/w digital
CRB216 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital
CRB217 North of Barnet Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB219 Egypt 1963 One Arthur Tress 150 140mm x 200mm 36 b/w digital
CRB220 Egypt 1963 Two Arthur Tress 150 140mm x 200mm 36 b/w digital
CRB221 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital
CRB222 Millbank and That Van Marc Vallée 150 140mm x 200mm 36 b/w digital
CRB223 Holy Ireland Croagh Patrick Geoff Howard 150 140mm x 200mm 36 b/w digital
CRB224 Robin Hood Gardens Craig Atkinson 250 140mm x 200mm 36 b/w digital
CRB302 Archive One Various 10 423mm x 214mm x 210mm 100 books mixe
Atkinson, James Dallas
No full textJames Dallas Atkinson, LL.B.
Stanton, Kentucky
ΣΝ
“Quiet, reserved, dignified, Jimmie represents the adult section in this class. Three years and four summer sessions mark the time he has spent in getting his degree.”
-The Kentuckian, 1924--------------------------------
James Dallas Atkinson (January 17, 1899 - April 21, 1970) was born in Stanton, Kentucky to John Atkinson and Lucy Donaldson. Atkinson practiced law in Greenup, Kentucky. He married Frances Halbert in 1925.https://uknowledge.uky.edu/klapp_1924/1000/thumbnail.jp
Letter from Harry G. Atkinson, Chief, Intelligence Branch, Security and Intelligence Division, to George Hideo Nakamura, October 16, 1945
No full textCorrespondence from Harry Atkinson to George Hideo Nakamura regarding withdrawal of limitations imposed by Nakamura's removal.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications
Ms Lauren Atkinson
No full textJohn Curtin School of Medical Research, Physical Biochemistry - Barry Filchie, Ms. Laurel Atkinson, Prof. Laurie Nichol, Mr. Alan Mark, Dr. Peter Jeffre
Military Life at Fort Atkinson 1819-1827
No full textThis thesis uses an in depth examination of documents and other archeological finds in order to give an accurate description of military life at Fort Atkinson from 1819-1827.During the summer of 1956, the Nebraska State Historical Society Field Party, conducted by Marvin F. Kivett, Director of the Museum, excavated a portion of the site of the fort, near Fort Calhoun, Nebraska.The author was granted access to the material recovered by this archeological field party for the writing of this thesis.
The author first gives an examination of the background behind For Atkinson, including a description of the Yellowstone Expedition and the expedition for Council Bluffs.The author then goes on to discuss the construction of the fort, the general routines of those who lived at Fort Atkinson, the quartermaster and their duties, the medical department and even details of the musicians and band that worked at the fort.The author also wrote of the relations Fort Atkinson had with neighboring Indian tribes and finally discusses the reasons behind the decision to abandon Fort Atkinson and the overall significance of Fort Atkinson.
Advisor: James C. Olso
Effect of Carboxymethyl Cellulose Added at the Dosage Stage on the Foamability of a Bottle-Fermented Sparkling Wine
No full textCarboxymethyl cellulose (CMC) is used in winemaking to prevent potassium bitartrate or potassium hydrogen tartrate deposits from forming. These deposits are particularly detrimental when occurring in bottle-fermented sparkling wine ahead of disgorging or in the finished product as they can cause gushing of the wine when bottles are opened. Despite CMC being used by several sparkling
winemaking producers both on the base wine and after disgorging, its effect on the behavior of foam, a key indicator of sparkling wine quality, has not been systematically tested. In this work the effect on wine composition and foam attributes of CMC additions to an English sparkling wine at the dosage stage was assessed. Results showed that CMC did not cause major changes on wine parameters, with the exception of wine viscosity, and did not result in major modification of the foamability of a wine, especially when analyzed in real serving conditions. These results suggest that, at least for the wine analyzed in this work, CMC could be added at the dosage stage without compromising its foam quality attributes
Introducing Misusing Scripture:What are Evangelicals Doing with the Bible?
No full textDetailed introduction (73 pages, 32,000 words) to Misusing Scripture: What Are Evangelicals Doing with the Bible? (2023a above). The editors’ introduction to Misusing Scripture discusses the book’s background and rationale, explains its objective, and identifies and defines key issues. Important terms including “evangelical,” “scholarship,” “faith-based scholarship,” “inerrancy,” and “scriptural fundamentalism” are carefully described in order to effectively evaluate evangelical biblical scholarship, the book’s topic. How does it work, is it legitimate, is it possible, are “evangelical” and “academic” an oxymoron? The bulk of the introduction is a detailed description and sustained critique of evangelical biblical scholarship that reviews and expands on evaluations by other non-evangelical scholars and occasionally by evangelicals also. It is argued that while evangelicals can make valid contributions to biblical scholarship in some cases, very often their scholarship is compromised by their apologetic approach to the Bible and their questionable presuppositions and methods. The problems identified extend to how evangelicals have misused “biblical” archaeology to bolster their distinctive beliefs about the Bible, and also to how they have used their disputed interpretations of the Bible to impact issues in the public square. The introduction concludes by summarizing the individual contributions which address evangelical biblical scholarship in relation to inerrancy and textual criticism, archaeology and history, and the Bible in its ancient and contemporary contexts
Nancy Atkinson
No full textAn Author Event presented by The Friends of the University of Adelaide Library, 16 August 2018, Ira Raymond Exhibition Room, Barr Smith Library.Emma will speak about Nancy Atkinson who was a pioneer bacteriologist in antibiotics and salmonellas from 1939 at the University of Adelaide and the Institute of Medical and Veterinary Science. Interestingly, Emma’s grandmother, Jessica McEwin (nee Mawson), was working at the University of Adelaide as a bacteriologist at the same time as Nancy Atkinson. Writing about Nancy continues Emma’s theme of promoting lives which might otherwise go unrecognised. Situating Nancy Atkinson in the context of women scientists of the 20th Century and more particularly in the context of South Australian women scientists will help to highlight the significance of her achievements and contributions to scientific research. Emma will be making use of Nancy’s papers that are held in Special Collections
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