196,893 research outputs found
Les beautés musicales. , Niniche : bouquet de mélodies / [transcrit pour piano] par Cramer ; [d'après Marius Boullard] ; [ill. par P. Borie]
No full textTitre uniforme : Cramer, R. P. (18..-18..). Compositeur. [Arrangements. Boullard, Marius. Niniche. Piano]Piano, Musique de -- +* 1800......- 1899......+:19e siècle
Lettre de M. Marius Moutet
No full textMoutet Marius. Lettre de M. Marius Moutet. In: Revue française d'histoire d'outre-mer, tome 54, n°194-197, Année 1967 1967. Hommage à Robert Delavignette. p. 27
Lettre de M. Marius Moutet
No full textMoutet Marius. Lettre de M. Marius Moutet. In: Revue française d'histoire d'outre-mer, tome 54, n°194-197, Année 1967 1967. Hommage à Robert Delavignette. p. 27
Minutes du monde / Marius-François Gaillard, comp. ; Marius-François Gaillard, p ; Madame Micheline-Albert Bloch, vlc
No full textTitre uniforme : Gaillard, Marius-François (1900-1973). Compositeur. [Minutes du monde]BnF-Partenariats, Collection sonore - BelieveContient une table des matière
Provenance-CSL - A Provenance Client Side Library
No full textData management is a challenge in both scientific and technical environments. Therefore researchers have developed a special interest in this field. Modern approaches (i.e. Subversion, CVS) already offer authoring and versioning in distributed systems. However this might be insufficient in a vast number of scenarios, where not only the data resulting from a process, but also data which describes the process that generated those results is crucial.
For example, if a doctor needs to decide how to treat a patient, he must have access to the patient’s data. Moreover he needs to know how the data was obtained (which tests were made), how old it is (when the tests were made), by whom it was provided (which doctor treated the patient in the past) and so on. This means that not only the patient’s condition, i.e. his bloodpressure, needs to be documented, but also the process which led to the data. This process is called the Provenance of the data. Meta-data describing such a process is the process documentation.
There are many more scenarios where the process of acquiring the data might be almost as important as the data itself. The task of collecting a processes documentation might be quite easy in simple local systems, but becomes rather difficult in distributed environments.
The EU-Project Provenance aims at the development of an open architecture which enables grid-applications to collect and collaborate process documentation in such environments. The general design of the Provenance-architecture is built around a Provenance store. Applications, or actors, which are part of a process may record P-Assertions, which are the atomic units of the process documentation, on the Provenance store. They may query the Provenance store for certain P-Assertions as well.
In order to ease the process of developing applications which make use of Provenance, a client side library, which offers a simple API for interaction with Provenance stores, needs to be developed. This report describes the design of a Provenance-architecture, provides details of the API specification and presents the implementation of a Provenance client side library
Irina Baronova (centre) and artists of the company, in Le mariage d'Aurore, Covent Garden Russian Ballet, Australian tour, His Majesty's Theatre, Melbourne, ca. 1938 [picture] /
No full textFrom: Le mariage d'Aurore (Aurora's wedding) / music by Peter Ilich Tchaikovsky.; Inscription: "X29".; Part of the collection: Hugh P. Hall collection of photographs, 1938-1940.; Performed Sept-Nov 1938 and Mar-Apr 1939.; Choreography after Marius Petipa ; scenery by Léon Bakst ; costumes by Alexandre Benois.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4194141
Les merveilleuses : polka-mazurka pour piano / par Marius Boullard,... ; [ill. par] P. Maurou
No full textTitre uniforme : Boullard, Marius (1842-1891). Compositeur. [Les merveilleuses. Piano (polka-mazurka)]Polkas-mazurkas (piano) -- +* 1800......- 1899......+:19e siècle:Piano, Musique de -- +* 1800......- 1899......+:19e siècle
Irina Baronova and Anton Dolin (centre), and artists of the company, in Le mariage d'Aurore, Covent Garden Russian Ballet, Australian tour, His Majesty's Theatre, Melbourne, 1938 [picture] /
No full textFrom: Le mariage d'Aurore (Aurora's wedding) / music by Peter Ilich Tchaikovsky.; Inscription: "X30".; Part of the collection: Hugh P. Hall collection of photographs, 1938-1940.; Performed Sept-Nov 1938.; Choreography after Marius Petipa ; scenery by Léon Bakst ; costumes by Alexandre Benois.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4194142. One of a collection of photographs taken by Hugh P. Hall of 28 ballet productions performed by the Covent Garden Russian Ballet (toured Australia 1938-1939) and the Original Ballet Russe (toured Australia 1939-1940). These are the second and third of the three Ballets Russes companies which toured Australasia between 1936 and 1940. The photographs were taken from the auditorium during a live performance in His Majesty's Theatre, Melbourne and mounted on cardboard for display purposes. For conservation and storage, the photographs have been demounted. The original arrangement of the photographs has been recorded, and details are available from the Pictures Branch of the National Library
Alexandra Denisova, and artists of the company, in Le mariage d'Aurore, The Original Ballet Russe, Australian tour, His Majesty's Theatre, Melbourne, 1940 [picture] /
No full textFrom: Le mariage d'Aurore (Aurora's wedding) / music by Peter Ilich Tchaikovsky.; Inscription: "3E/10".; Part of the collection: Hugh P. Hall collection of photographs, 1938-1940.; Performed March - June 1940.; Choreography after Marius Petipa ; scenery by Léon Bakst ; costumes by Alexandre Benois.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4194197. One of a collection of photographs taken by Hugh P. Hall of 28 ballet productions performed by the Covent Garden Russian Ballet (toured Australia 1938-1939) and the Original Ballet Russe (toured Australia 1939-1940). These are the second and third of the three Ballets Russes companies which toured Australasia between 1936 and 1940. The photographs were taken from the auditorium during a live performance in His Majesty's Theatre, Melbourne and mounted on cardboard for display purposes. For conservation and storage, the photographs have been demounted. The original arrangement of the photographs has been recorded, and details are available from the Pictures Branch of the National Library
David Lichine and Genevieve Moulin, and artists of the company, in Le mariage d'Aurore, The Original Ballet Russe, Australian tour, His Majesty's Theatre, Melbourne, 1940 (1) [picture] /
No full textFrom: Le mariage d'Aurore (Aurora's wedding) / music by Peter Ilich Tchaikovsky.; Inscription: "4G/9".; Part of the collection: Hugh P. Hall collection of photographs, 1938-1940.; Performed March - June 1940.; Choreography after Marius Petipa ; scenery by Léon Bakst ; costumes by Alexandre Benois.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4194199. One of a collection of photographs taken by Hugh P. Hall of 28 ballet productions performed by the Covent Garden Russian Ballet (toured Australia 1938-1939) and the Original Ballet Russe (toured Australia 1939-1940). These are the second and third of the three Ballets Russes companies which toured Australasia between 1936 and 1940. The photographs were taken from the auditorium during a live performance in His Majesty's Theatre, Melbourne and mounted on cardboard for display purposes. For conservation and storage, the photographs have been demounted. The original arrangement of the photographs has been recorded, and details are available from the Pictures Branch of the National Library
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