23,374 research outputs found
QUADERNI DEL CESLIC (Centro di studi linguistico-culturale: ricerca, prassi, formazione). Occasional Papers
No full textNati nel 2004, i Quaderni del CeSLiC rappresentano una piattaforma istituzionale per dare visibilità alla ricerca prodotta all'interno del centro. Da allora Donna Rose Miller funge da responsabile scientifico e direttore dei Quaderni.
I Quaderni del CeSLiC sono disponibili online su AMS Acta (Alma DL), l'archivio aperto istituzionale che raccoglie e diffonde, secondo i principi dell'open access, i contributi di ricerca di chi opera nell'Alma Mater Studiorum, Università di Bologna o partecipa ad iniziative promosse dalle sue strutture.
I Quaderni del CeSLiC comprendono monografie e articoli, accessibili in full-text.
E-Papers:
CeSLiC Occasional Papers (dal 2005) - ISSN: 1973-221X
Nata nel 2005, la collana vuole offrire uno spazio, in particolare ai giovani membri del centro, nel quale pubblicare i risultati delle loro ricerche, anche in progress, protette da copyright e corredate da ISSN.
si può accedere a tutte le pubblicazioni al sito:
http://amsacta.unibo.it/view/series/Quaderni_del_CeSLiC=2E_Occasional_papers.html
Local Editorial Board
L’attuale comitato di redazione bolognese comprende:
Paola Filippi, Valeria Franzelli, Louann Haarman, Anna Mandich, Marina Manfredi, Donna R. Miller, Catia Nannoni, Ana Pano, Monica Perotto, Rosa Pugliese, Maria José Rodrigo Mora, Sabrina Fusari, Eva-Maria Thüne, Valeria Zotti
Full Editorial Committee
L’attuale comitato scientifico completo comprende:
Hans Bickes (Leibniz Universität Hannover, Germania), Maria Vittoria Calvi (Università degli Studi di Milano), Luciana Fellin (Duke University, USA), Paola Filippi (Università di Bologna), Valeria Franzelli (Università di Bologna), Maria Enrica Galazzi (Università Cattolica di Milano), Lucyna Gebert (Università la Sapienza, Roma), Louann Haarman (Università di Bologna),Jean-Marie Klinkenberg (Université de Liège, Belgio), Anna Mandich (Università di Bologna), Marina Manfredi (Università di Bologna), Donna R. Miller (Università di Bologna), Elda Morlicchio (Università Orientale di Napoli), Antonio Narbona (Universidad de Sevilla, Spagna), Gabriele Pallotti (Università di Modena e Reggio Emilia), Ana Pano (Università di Bologna), Monica Perotto (Università di Bologna), Rosa Pugliese (Università di Bologna), Maria José Rodrigo Mora (Università di Bologna), Viktor Michajlovich Shaklein (Rossijskij Universitet Druzhby Narodov (RUDN), Mosca, Russia), Joanna Thornborrow (Cardiff University, UK), Eva-Maria Thüne (Università di Bologna), Nicoletta Vasta (Università di Udine), Valeria Zotti (Università di Bologna
Adrian Caesar speaking at Alex Miller author: A Celebration, held at the National Library, Canberra, 30 October 2011 /
No full textTitle from information supplied by photographer.; Part of the collection: Alex Miller author: A Celebration, held at the National Library of Australia theatre, 30 October 2011.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Albert Seymour and Hilda Maria Miller Olsen
No full textShown here are Albert Seymour Olsen and Hilda Maria Miller Olsen of Price, Utah. They were John McCormick\u27s, a local Utah historian\u27s, maternal grandparents
The life and works of James Miller, 1704-1744, with particular reference to the satiric content of his poetry and plays.
No full textPhDJames Miller was born the son of a Dorset rector in 1704. He
was himself ordained, but acquired no benefice until just before his
early death, probably because of a scathing portrayal of the Bishop
of London in one of his verse satires. At Oxford he wrote a vivacious
comedy of humours, set in the University. Its production in 1730
began his dramatic career, at a time when the number of London
theatres had just doubled, and new dramatic forms were being invented.
In 1731 his poem Harlequin-Horace, a witty inversion of
the Ars Poetica, attacked pantomime and opera, but also painted a
lively portrait of the entire theatrical world, in the tradition of
the Dunciad.
After collaborating in a translation of Moliere's works Miller
wrote two plays based on this author. Of all his dramatic works
these were the most successful with his contemporaries, and were
followed by a modernisation of Much Ado, and a ballad-opera adapted
from an afterpiece by Jean-Baptiste Rousseau, and rendered highly
topical. Miller made similar use of a recent French comedy showing
a Red Indian's reactions to civilisation, a satiric "fable" by Walsh
and Voltaire's Mahomet. A large quantity of original material was
incorporated into most of these, and this is generally satirical in
nature. The Indian is made to voice almost egalitarian sentiments.
An afterpiece, "The Camp Visitants", satirised military inaction
in the war, and was apparently banned. The manuscripts of the six
plays produced after the Licensing Act bear the examiner's deletions,
and illustrate the nature of the censorship at this time.
Miller's greatest strength is probably his flexible, vigorously
colloquial dialogue. His political satire is mostly contained in
the poetry, which attacks Walpole's administration with increasing
vehemence through the seventeen-thirties, until its fall. In 1740
two poems that used Pope in symbolic contrast to Walpole caused a
sensation. In both poetry and plays Miller is also a social satirist,
who lays unusually strong emphasis on false taste and the deterioration
of culture
The marriage record of Rabaging, Willie and Miller, Maria
No full textMarriage license for Maria Miller and Willie Rabaging
Maria Miller, (1888-1952), purchased by Mr. Gustave Miller on July 21, 1952.
No full textDocuments regarding the headstone for Maria Miller, (1888-1952), purchased by Mr. Gustave Miller. The marker was placed at Willow Cemetery in Toledo, Ohio. The stone is made of Barre with Sandblast letters
Milda Miller Olsen
No full textHandwritten answers by Hilda Maria (Miller) Olsen of Price, Utah, for a questionnaire filled out for Utah Works Progress Administration\u27s "Pioneer personal history" survey. Born in 1875 at Mount Pleasant to Pioneer parents, and grew up in Emery Count
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The marriage record of Smith, Oliver and Miller, Maria
No full textMarriage license for Oliver Smith and Maria Miller. M. Stephens was the officiant
Lloyd and Maria Lease 1859 Marriage Picture
No full textMr. Lloyd Lease and Maria Lease
married 1859
Miller Studio TIFFIN, OHIO
This photo was loaned to T-SPL for digitizing
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