1,064 research outputs found

    Advance Australia fair [music] /

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    New ed. For chorus (SATB); Issued as a postcard.; "Commonwealth anthem and patriotic song".; "Performed by the massed bands at the Naming of the Federal Capital Celebrations, Canberra".; "The author of this song ... is indebted to the late Professor Stuart Blackie, of Edinburgh for improvement in last verse".; 3rd verse begins: 'Beneath our radiant Southern Cross ...'; Also available online http://nla.gov.au/nla.mus-an6397900; MUS: N, A, N/A, B, C, JAF.Advance Australia fair. Chorus scor

    Advance Australia fair [music] /

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    New ed. For chorus (SATB); Caption title.; Issued as a postcard.; "Patriotic song".; "Under Govt. Patronage, N.S.W. & League of the Empire, London. Sung by the Great Choir of 10,000 voices at Commonwealth celebrations ..."; "The words of this patriotic song have been revised. The author, Mr P.D. McCormick ("Amicus"), is indebted to the late Professor Stuart Blackie, of Edinburgh, for improvement in the last verse".; "'Advance Australia Fair' is now our national anthem"-the Premier, May, 1907".; Postcard has stamp dated 5 Feb 1909.; Condition: Fold across centre.; Also available online http://nla.gov.au/nla.mus-vn4193652.Advance Australia fair. Chorus scor

    Redemption in the work of Francis Stuart

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    The idea of redemption is central to an understanding of the work of Francis Stuart. Through an examination of its development and expression, it is possible to demonstrate the integrity of his work and its distinctive qualities. Such a demonstration is necessary because Stuart's writing has been subjected to comparatively little scholarly inquiry, although reviews of his work, especially that produced since 1949, suggest that it is impressive and important. First, a general background to Stuart's work, a discussion of the special problems associated with reading it, and a summary of his corpus is provided. This indicates that the idea of redemption is important to his earliest writing. The state of redemption is shown to be a necessary apotheosis for Stuart's outcast heroes; it involves spiritual suffering through which may be found a sense of reintegration and a higher reality. This is expressed through interrelated themes such as those of gambler, artist and ordinary man; mystic and criminal; sacred and profane love; and spirituality and the mundane. The nature of the redemptive experience is further elaborated by distinctive, complex motifs, especially the hare, the ark and the woman-Christ. Their recurrence provides an important element in the unity of Stuart's work. Because Stuart's idea of the outcast raises important biographical questions, an examination of the relationship between Stuart's life and his work is made. Finally, the way in which the idea of redemption exists in the language structures of Stuart's novels is examined, with especial reference to his most recent work, The High Consistory. The thesis shows that the development of the these of redemption demonstrates the integrity of Stuart's work

    X-ray powder diffraction as a non-destructive tool for characterising laser wakefield betatron radiation

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    Laser wakefield accelerators provide a relatively simple means of generating bright X-rays beams which are useful across many fields and industries. To achieve this, a sufficiently powerful laser is required and just a few centimetres of gas. In contrast, other bright X-ray sources, such as synchrotrons, require significantly more infrastructure and can span many hundreds of metres. This thesis looks at a novel diagnostic technique based on X-ray diffraction from a powder in order to characterise X-ray beams with large shot-to-shot variations. The mechanics behind the method, named XCERP diffraction, are presented and the results of simulations are provided as a proof of principle study. XCERP diffraction is shown to be able to retrieve details of the energy spectrum and the beam divergence in a single shot without prior knowledge of the spectral shape. A campaign at the Centre for Advanced Laser Applications in Munich focused on the first experimental demonstration of XCERP diffraction. The results reveal that an increased level of radiation shielding was required as a source of ionising radiation was found to be present whenever an electron beam was generated. This source of radiation is thought to have obscured potential X-ray diffraction. An investigation of the unknown radiation source was performed using GEANT4. From simulations of the CALA target chamber, it was found that the CCD of interest would have been subjected to both bremsstrahlung radiation and stray electrons when an electron beam is steered into a steel floor. Further simulations show potential methods of reducing the flux of particles reaching the CCD. Finally, the designs of an electron spectrometer and filter array are described in detail to measure properties of the electron bunches and betatron radiation produced during an experimental campaign at the Astra Gemini laser facility

    Corrigendum: Pneumococcal vaccine impacts on the population genomics of non-typeable haemophilus influenzae: (Microbial Genomics 2021; 9, 10.1099/mgen.0.000209)

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    There was a change in the author names in the published article. The new list should read: David W. Cleary1,2, Vanessa T. Devine3, Denise E. Morris1, Karen L. Osman1, Rebecca A. Gladstone4, Stephen D. Bentley4, Saul N. Faust1,5, Stuart C. Clarke1,2,6 1Faculty of Medicine and Institute for Life Sciences, University of Southampton, Southampton, UK. 2NIHR Southampton Biomedical Research Centre, University Hospital Southampton Foundation NHS Trust, Southampton, UK. 3Northern Ireland Centre for Stratified Medicine and Clinical Translational Research Innovation Centre, Londonderry, UK. 4Pathogen Genomics, Wellcome Trust Sanger Institute, UK. 5NIHR Southampton Clinical Research Facility, University Hospital Southampton Foundation NHS Trust, Southampton, UK. 6Global Health Research Institute, University of Southampton, Southampton, UK.</p

    John Stuart Mill’s projected science of society: 1827-1848

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    The purpose of the thesis is to examine John Stuart Mill’s political thought from about 1827 to 1848 as an exercise in intellectual history. It focuses, first, on Mill’s view, formulated by the late 1830s, that contemporary society was ‘civilized’, and second, on his project of a science of society, which he aspired to develop in the late 1830s and early 1840s. By the late 1830s, Mill came to the view that his contemporary society was a ‘commercial society or civilization’, dominated by the middle, commercial class. The first part of my thesis, constituted by Chapters 2-4, discusses the way in which Mill formed his notion of civilization, and what he meant by the term ‘civilization’. Mill paid attention to the implications of the rise of the middle class, and regarded such phenomena of contemporary society as the corruption of the commercial spirit and excessive social conformity as an inevitable consequence of the rise of the middle class. The second part of the thesis, constituted by Chapters 5-9, examines Mill’s projected science of society. In the late 1830s and early 1840s, Mill attempted to develop a new science of society whose subject-matter was the nature and prospects of commercial, civilized society. This aspiration culminated in A System of Logic, published in 1843. In examining Mill’s projected science, I pay particular attention to the fact that he conceived new sciences of history and of the formation of character, both of which were indispensable in his project, although he failed to give a complete account of these sciences. My thesis shows that the implications of his interest both in history and in the formation of character are more significant than Mill scholars have assumed

    X-rays from self-reflection

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    Rapid analysis of time series data to identify changes in electricity consumption patterns in UK secondary schools

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    This is one of a series of 6 papers by Fleming, Stuart and Ferreira investigating the analysis of short-time series electricity and gas consumption data for rapidly identifying energy savings opportunities in existing buildings. Ferreira and Stuart, the lead author, are PhD students in the IESD, supervised by Fleming

    Beauty for the Present: Mill, Arnold, Ruskin and Aesthetic Education

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    The present thesis examines the idea of aesthetic education of three eminent Victorians: John Stuart Mill, Matthew Arnold and John Ruskin. By focusing on the essence of what they meant with ‘the cultivation of the beautiful’ and, more importantly, the way their ideas of beauty informed their criticism of society, my study aims to contribute to our understanding of the idea of aesthetic education in the Victorian context and, further, to participate in a recent debate about the nature of beauty and aesthetic education. Chapter One focuses on John Stuart Mill’s concept of ‘feeling’ in a series of essays. I will demonstrate how Mill’s idea of ‘aesthetic education’ was an ‘education of feelings,’ and moreover, how this idea was integrated into his literary criticism, his later critique of democratisation, his description of an ideal liberal society and even his own style of writing. Chapter Two contains a comparative study of Matthew Arnold and Friedrich Schiller. Through a rereading of Arnold, I will argue that his idea of aesthetic education is essentially Schillerian and that their resemblance consists primarily in their stress on the importance of aesthetic unity for modern life, which was becoming increasingly fragmentary and multitudinous. Chapter Three examines John Ruskin’s idea of aesthetic education and concentrates particularly on the cultivation of perception. Perception, as I shall show, was pivotal in Ruskin’s idea of aesthetic education. Just as what happened in Mill and Arnold, the emphasis on the education of seeing continued from his early writings well into his art and social criticisms. It not only differentiated him from his fellow art critics; the conviction that people should perceive with a pure heart also enabled him to link observation of artistic details with moral criticism of contemporary society and, thereby, to turn the cultivation of the beautiful into a moral-aesthetic experience
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