27,463 research outputs found
Guía de estudio núm. 99. Man Ray
No full textEl vigor que el artista estadounidense Man Ray (seudónimo de Emmanuel Radnitsky) le imprimió a las vanguardias de su época y la fuerza con que subvirtió las formas tradicionales del arte evidencian la influencia del dadaísmo y el surrealismo en su obra. Precisamente, esta guía de estudio sintetiza el marco histórico de ambos movimientos antes de referirse a su carrera artística en Manhattan y París. Con la referencia a algunas de sus obras se ejemplifica la experimentación progresiva de sus técnicas como pintor, creador de objetos y fotógrafo, especialmente su técnica de rayografías y solarizaciones. Incluye ocho imágenes
Objet indestructible
No full textMan Ray made the first version of this object shortly after his companion, the American photographer and model Lee Miller, left him. Attaching a photograph of Miller’s eye to the metronome, he linked his memory of her to the idea of an insistent beat or pulse that was both irksome and unending – a metaphor, perhaps, for human desire. He smashed the original, which he had titled Object to be Destroyed. This later version, produced in an edition of 100, was called Indestructible Object because, he suggested, ’it would be very difficult to destroy all hundred’general vie
Man Ray Films
No full text"This videcassette includes the four films which established Man Ray as a major figure of the 1920's avant-garde cinema: Le Retour à la raison and Emak Bakia (influenced by the Dada spirit), L'Étoile de la mer (a surrealist film), Les Mystères du château du dé (bordering on surrealism), as well as eleven short 'autobiographical' films." -- Videocassette case
Man Ray. Wonderful visions
No full textLa fotografia di Man Ray a tutto tondo, da quella artistica alla ritrattistica alla fotografia di moda, tra dadaismo, surrealismo e applicazione commerciale
Ray King with Man
No full textSnapshot of Ray King and older man wearing glasses. Man standing next to wooden frame with metal edges, 1931 Augus
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