877 research outputs found
Oral history interview with Angus Macaulay, 2015
No full textTranscript of an oral history interview with Angus Macaulay, conducted by Sarah Yahm on 5 May 2015, as part of the Norwich Voices oral history project of the Sullivan Museum and History Center. Angus Macaulay graduated from Norwich University in 1966. His interview focuses on his military service in Korea and Vietnam after graduation as well as his later career at McGraw-Hill, INC. Magazine, and Magazine Services, Inc
Autumn leaves : sound and the environment in artistic practice
No full textThis publication is a book that represents an innovative, international and multi-disciplinary approach to conceptualising the dynamic relationships between sound and the environment. The editorial process involved directly commissioning textual, graphic and photographic work. The vast majority of the book represents new work, produced specifically for this publication. For the purposes of tracing historical development, an article from 1974 and three older projects have been revived and recontextualised. In addition to the editorial responsibility, the researcher wrote the introduction and conducted three original interviews. The book draws work from visual, sound and performance art, acoustic science, anthropology, cultural studies, public policy, and architectural theory. Just as it is true to say that these disciplines have not previously been brought together in this way, equally, it is no exaggeration to identify the contributors as the leading international lights in the field: Chris Watson, Tim Ingold, Hildegard Westerkamp, Christina Kubisch, Alvin Lucier, David Toop. The book is published by Double Entendre, the French publisher of the premier sound arts journal, Vibro. The book is accompanied by an audio compilation published by the German record label, Gruenrekorder (Gruen 053). www.autumn-leaves.gruenrekorder.de. The researcher co-curated the compilation, selecting relevant work that illustrated the book’s themes. The book was the catalyst for a one-day symposium at the Tate Britain called The Performance of Sound (May 19th, 2006), which the researcher co-organised. The researcher was invited to speak on the book at the Audio Extranautes: Flux, Distance, Sociability symposium at the Villa Arson in Nice in December 2007. Autumn Leaves has been reviewed in the French journal Mouvement; in MCD where the reviewer reported that “this book deserves to be translated into French”; and Soundscape: The Journal of Acoustic Ecology. Soundscape 7 (1), Autumn, 2007 reprinted an interview conducted by the author from the book. Autumn Leaves, edited by CRiSAP co-director Angus Carlyle, seeks to draw together a number of different perspectives on how the environment is made audible through sound. The perspectives contained in the book are made manifest through more traditional textual analyses, interviews, image-based works (both photography and graphic illustration) and ‘artist’s pages’ (which combine different registers of information).
Among the articles included in the book are a superb deconstruction of the concept of soundscape by anthropologist Tim Ingold; an intriguing analysis of sound from an acoustic point-of-view (or point-of-audition) by Bill Davies; Steve Goodman’s dynamic opening up of city sound to a bass materialism provoked by Greg Lynn’s ‘blob’ architecture; Salome Voegelin’s evocative mapping of sci-fi aesthetics onto the project of acoustic ecology; a wonderful meditation on the heard and the unheard by David Toop; Sylvain Marquis powerfully drawing out the ‘presence’ of Phill Niblock; Rahma Khazam finding new ways of listening through an inspired conceptual conversation between art, architecture and relational aesthetics; and a re-print of Hildegard Westerkamp’s pioneering discussion of soundwalking from 1974.
Interviews include a wide-ranging discussion with Alvin Lucier about his work and working practices; an exploration of Christina Kubisch’s long-standing commitment to teasing out the complexities of the sounds that surround us; Peter Cusack providing an exciting account of his Sound of Dangerous Places project; Chris Watson talking us through his inspirational field-recording; and Max Dixon offering fresh perspectives on how the development of strategies for noise in urban environments meshes policy with research into bio-acoustics, acoustics and creative practice.
Images include Dan Holdsworth’s haunting representations of anechoic chambers through Charles Fox’s photographs of microphone arrays in the wilderness, Axel Stockburger’s ASCII art evocations of video-game space and Nicholas Gansterer’s intricate diagrams of our heard world.
What remains of the book is devoted to the artists’ pages. In these a whole host of contemporary practitioners spanning the disciplines of graphic design, music, photography, performance and visual art offer their provocative takes on sound and the environment. Here we encounter John Wynne and Tim Wainwright presenting their collaborative work in Harefield Hospital; Aki Onda pursuing his Cinemage project; Claudia Wegener finding poetry in ear- and eye-witnessing; an unpacking of the theories and technologies behind the exciting Locus Sonus audio streams; NYSAE opening up its portfolio of acoustic ecology-inspired activities; Goran Vejvoda mobilising a modular manifesto from his three decades of sound art; the Gruenrekorder label reviewing the thinking behind its 40 releases; Jem Finer show-casing his Score For A Hole in the Ground; Cathy Lane mapping her memories of the Hebrides; Zoe Irvine making an art of places out of abandoned audio tape; and Mira Choi introducing her noise-responsive graphic software.
The editorial work and its presentation has been a collaborative venture with the designer Ian Noble.
Autumn Leaves is CRiSAP's first book and is edited by CRiSAP Co-Director Angus Carlyle[/b] and published by the exciting French sound art initiative Vibro / Double Entendre. It contains work by a variety of artists including several of CRiSAP's members - Salomé Voegelin, John Wynne, Peter Cusack, Cathy Lane and David Toop
The “Goethean” Discourses on <i>Weltliteratur</i> and the Origins of Comparative Literature: The Cases of Hugo Meltzl and Hutcheson Macaulay Posnett
No full text This paper investigates the influence of Goethe’s ideas about Weltliteratur upon the early disciplinary history of comparative literature. By examining Goethe’s various statements concerning Weltliteratur, as well as by contrasting them with his attempts to develop a method of comparative literary analysis in his Noten to the West-östlicher Divan, it is argued that Goethe’s ideas about Weltliteratur and about literary comparison raise important issues which are still live in the discipline today. Foremost among these is the question of using European aesthetic models to evaluate non-European literatures, and the related issue of how translations may elide the cultural particularity of literary works. It is proposed that Goethe’s ideas about Weltliteratur do not constitute a coherent or systematic theory, but rather offer up a series of discourses that were open to deployment by later scholars who had differing agendas. In the disciplinary history of comparative literature, two of the most important activators of these Goethean discourses were Hugo von Meltzl (1846–1908)—the founding editor of Acta Comparationis Litterarum Universarum (1877–1888), the world’s first academic journal devoted to comparative literature—and Hutcheson Macaulay Posnett (1855–1927), the author of the first Anglophone academic monograph on Comparative Literature (1886). Whereas Meltzl regarded Goethe’s ideas about Weltliteratur with some skepticism, fearing that they may surreptitiously extend German cultural hegemony in Europe, Posnett deployed Goethe’s concept of Weltliteratur to enhance the prestige his social-evolutionist model of global literary development. </jats:p
The forgotten first: John MacCormick's 'Dùn-Àluinn'
Full text linkThe first Gaelic novel, John MacCormick's Dùn-Àluinn, no an t-Oighre 'na Dhìobarach, was serialised in the People's Journal in 1910 before being published in its entirety in 1912. Within a year of the publication of Dùn-Àluinn as a novel the second Gaelic novel, Angus Robertson's An t-Ogha Mòr, appeared in print, underlining the renaissance which Gaelic literature was experiencing. Both novels, while remarked upon by contemporaries and by general studies of Gaelic literature, have been all but ignored to date, with no criticism or analysis of either having been published. The main aim of this article is to offer some general comments about MacCormick's Dùn-Àluinn and thus to open up both the novel and indeed other early twentieth-century Gaelic writers and their work to further scrutiny. Consideration will be given to the author himself, the contemporary Gaelic literary scene and finally some of the more interesting aspects of the novel itself
An accountability model for Pakeha practitioners
No full textThis paper outlines a model of accountability for Pakeha practitioners developed over many years
as a practising community psychologist involved in research and development projects in Aotearoa
in the 1980s and 1990s, during an era of contract-funded health projects, and increasing
prominence of the Treaty of Waitangi2. The model could be termed 'transformative' in that it
reverses the usual flow of power by making the Pakeha practitioner accountable to relevant Maori
authority, and maximises the potential for new outcomes and new learning for all parties. A brief
case study is outlined where the model placed a local iwi governance structure and a national
psychiatric survivor organisation in positions of authority alongside the funder of a mental health
project. Helpful conditions, positive outcomes and barriers to transformative accountability
processes are briefly discussed
Residential child care in Scotland : themes for practice since Another Kind of Home
Full text linkIn this very personal account, Angus Skinner, former Chief Social Work Adviser to Scottish Ministers, and author of Another Kind of Home (1992), a review of residential child care in Scotland, considers enduring themes for practice and leadership. Along with good communication, good education, and training for staff and managers, he concludes that state care needs to develop the capacities to love and be loved
BBC Radio 3 - Free Thinking - Running
No full textWe've been running for two million years give or take. Shahidha Bari and Laurence Scott explore contemporary running as solitary inspiration and communal activity with the Geographer and 1999 Scottish Hill Running Champion, Hayden Lorimer, the artists Kai Syng Tan and Angus Farquhar, and the literary scholar and bare-foot artiste, Vybarr Cregan-Reid. Conversation ranges from feeling empowered on city streets to teaming up with the wind to the horrid history of the treadmill and explore whether Running deserves better representation in the arts.
Guests: Vybarr Cregan-Reid - author of Footnotes How Running Makes Us Human
Angus Farquhar, Creative Director of NVA Public Art, author of a blog 'The Grim Runner'
Hayden Lorimer Running Geographer
Kai Syng Tan, Artist and curator of a biennial festival Run Run Run
Producer: Jacqueline Smith
Agent Angus by K.L. Denman
No full textDenman, K.L. Agent Angus. Victoria: Orca Book Publishers, 2012. Print. An Orca Currents book for reluctant middle school readers, the story follows Angus and his best friend Shahid on their mission to solve a mysterious theft. Canadian author K.L. Denman writes in her usual first-person narrative style with characteristic elements of mystery, science and romance. The story takes place at a school where a stink bomb incident has led to all the students gathering on the front lawn. Right from the book’s introduction (“I’m not a lucky guy. Today luck has chosen to place me next to the one and only Ella Eckles”), readers are taken inside Angus’ head and will be rooting for him along the way. When his crush’s cherished sketchbook goes missing, Angus poses as a mentalist who can solve the crime by reading people. He ‘proves’ his abilities to Ella by pointing out the shifty stink bomb perpetrator right before he is nabbed by the principal. Humorous elements run throughout such as when the boys consider various spy devices (Gordon the ‘too obvious’ robot, a rocket pack launched from a plane, pricey video cameras hidden in smiley face buttons or baseball hats which are not allowed in school, and affordable but oversized rear view sunglasses). Suspense builds as the various suspects are considered. Is the thief their fellow classmate, their art teacher or someone they least suspected? And what could their motive be? This quick read full of spying and intrigue will have readers flipping pages to solve the mystery of the sketchbook and find out if Angus will finally confront the truth. The fluid writing style with varying sentence lengths adds to the drama and pace of the story. This light-hearted story makes a great choice for reluctant readers but lacks deep meaning. It may not appeal to readers who are looking to be challenged. Those looking for a light, easy read will find it enjoyable.Recommended: 3 out of 4 stars Reviewer: Lori Williams Lori Williams has been teaching at Forest Grove School in British Columbia for the past 6 years and feels lucky to be part of a wonderful team of colleagues and students. This year she is teaching grade 5 at Forest Grove and is also a graduate student in the University of Alberta’s Teacher-Librarianship by Distance Learning program
Angus beef cattle bull growing applying new feed technology
No full textAuthor: Audrius Stelmokas, student of Lithuanian University of Health Sciences of Veterinary Academy Faculty in animal science master’s degree program. Work manager: Professor, doctor Rolandas Stankevičius. Master thesis: “Angus beef cattle bull growing applying new feed technology” The aim of the thesis: to evaluate if the feeding technology until weaning will have any impact on bulls daily gain weight and what affect it will have later on fattening. The tasks of the thesis: to clarify benefits of cereal grain feed until weaning by weighing bulls after weaning and in the fattening. The research methods and results: to complete the research we picked 3 test groups from 3 different Angus cattle breeders in Lithuania which had different feeding technologies until weaning. Fattening took place in White sheep cooperative farm in fattening station. Weights were done every 3 weeks. To collect weights we used “Load Bars MP1010”. First test group – Pure Fields breeder gave bulls cereal grains “ad libitum” which averagely consumed about 1.83 kg. per day. Second group – Black Angus Hill’s bulls consumed 1 kg per day for one bull. The third test group – Red Angus bulls didn’t get any cereal grains until weaning. Cereal grains were produced and supplied by company “Kauno Grūdai”. Quality of forage feed in fattening were determined by “Lietuvos žemės ūkio konsultavimo tarnyba“ using “AgriNir” pasture analyzer. At the start of fattening the best group with 1.229 daily gain were bulls that received cracked grains ad libitum. Second best bulls were from Black Angus Hill breeder with 0.998 daily gain. And the lowest group was cattle from Red Angus breeder which didn’t give any cereal grains with 0.901 daily gain. Nevertheless all 3 groups produced significantly good results in fattening farm gaining from 1.320 kg per day to 1.491 daily gain
Editorial on independent gubernatorial candidate Angus King\u27s call for Maine to
No full textEditorial on independent gubernatorial candidate Angus King\u27s call for Maine to be exempted from automobile emissions provisions of the federal Clean Air Act, which the author says shows a shortsightedness toward protecting and enhancing Maine\u27s environment and economy
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