57,703 research outputs found
Introduction: An endless project - constitutional and parliamentary reform
Clement Macintyre and John William
Brown, John William Macintyre, 3866
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/373854Surname: BROWN
Given Name(s) or Initials: JOHN WILLIAM MACINTYRE
Military Service Number or Last Known Location: 3866
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 11199185234
Item: [2016.0049.06167] "Brown, John William Macintyre, 3866
Crítica ao consenso racional de John Rawls segundo Alasdair MacIntyre
O presente trabalho tem como objetivo a apresentação da crítica moral de Alasdair MacIntyre à teoria proposta por John Rawls quanto à dificuldade de consenso racional para definir os critérios da posição original, a fim de elaborar a teoria básica da sociedade. Serão também caracterizados os elementos essenciais da teoria de MacIntyre como alternativa ao modelo de Rawls, usando conceitos como a unidade narrativa da vida humana, a prática e a tradição e como estas auxiliam na elaboração de um critério racional adequado aos modos de vidas particulares. Finalmente, serão expostas algumas críticas à teoria de MacIntyre, a fim de aperfeiçoamento teórico e para uma reatualização do tema
Orain Ghaidhealach le Donnchadh Macantsaoir = The Gaelic songs of Duncan MacIntyre /
Includes indexes."Names of places": p. 528-535.Text in Gaelic and English.Spine title: Songs of Duncan MacIntyre in Gaelic and English.Mode of access: Internet
Alien Registration- Macintyre, John (Greenville, Piscataquis County)
https://digitalmaine.com/alien_docs/11334/thumbnail.jp
MacIntyre and Havel as green political thinkers: Unreasonable thinking in turbulent times
Purpose This chapter explores the ideas of Alasdair MacIntyre and Vaclav Havel and what these two thinkers can contribute to green political theory. Design/methodology/approach This chapter includes examination of some of the key works of Havel and MacIntyre and analysis of these works from the point of view of green political theory. Findings The section ‘Havel and the Imperative to “Live in Truth”: Dissent and Green Politics’ explores Havel’s thought with a particular emphasis on his ethicised notion of political action and critique (‘living in truth’) and his focus on the centrality of dissent (both intellectually and in practice) as central to political critique and action. The section ‘MacIntyre as a Green Thinker: Vulnerability in Political and Moral Theory’ offers an overview of MacIntyre interpreted as a putative green thinker, with a particular emphasis on his ideas of dependence and vulnerability. The Conclusion attempts to draw some common themes together from both thinkers in terms of what they have to offer contemporary green political thought. Research limitations/implications What is presented here is introductory, ground clearing and therefore necessarily suggestive (as well as under-developed). That is, it is the start of a new area of exploration rather than an analysis based on any exhaustive and comprehensive knowledge of both thinkers. Practical implications This chapter offers some initial lines of exploration for scholars interested in the overlap between green thinking and the work of Havel and MacIntyre. Originality/value This is the first exploration of the connections between the works of Havel and MacIntyre and green political theory
Dr. John MacIntyre with his niece, Mrs. Hannah MacIntyre Cozart.
Dr. MacIntyre was from North Carolina and lived in Port Gibson, Mississippi. Mrs. Cozart lived in Montgomery, Alabama. Ambrotype is 2.75 x 3.25 inches. Front cover of case is missing, and much of the design on the back cover is obscured by a label. From the MacIntyre-Cozart family photographs, LPP37
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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