1,741 research outputs found
Cindy Morris displays sketches
Cindy Morris displays a few sketches. Upper left is a charcoal sketch of a Boston Terrier. To the right is a pen and ink of a buck deer. The larger drawing in an oil wildlife scene
Faculty/Staff Recognition Celebration, 2021
Award Winners:
Horace T. Morse-Minnesota Alumni Association Award: Michael Lackey and Nic McPhee
UMM Faculty Distinguished Research Award: Nic McPhee
UMM Alumni Association Teaching Award: Barbara Burke
Morris Academic Staff Award: Matt Zaske
Bill and Ida Stewart Award: Charise DeBerry and Sara Lam
Mary Martelle Memorial Award: Emma Kloos
Outstanding Support Staff Awards: Jodi Holleman, Alisande Allaben, Jan Jallo
Retirees: Gail Boe, Brenda Boever, Gus Claymore, Pam Gades, Carrie Grussing, Jayne Hacker, Terri Hawkinson, Lyle Lundebrek, Joan Michaelson, Dean Olsen, Jenny Quam, Georgann Sauder, Michael Shuckhart, Tom Anderson, Michelle Behr, Mary Jo Forbord, Julie Hesse, David Mayo, Dale Michealson, Jacqueline Nohl, Daniel Payne, Cindy Poppe, Michael White.https://digitalcommons.morris.umn.edu/facstaffrecognition/1015/thumbnail.jp
Two graduated--one ready to begin
Three sisters from Sauk Center--Theresa, Cindy, and Sara Lahr--all chose the University of Minnesota, Morris
Clouds: when physics meets biology
Original lyrics about cloud physics and biology (by Cindy Morris) based on Joni Mitchell's Both Sides Now. Instrumentals by Danny Mangold, recorded in Seattle in Jan 2017. This is Cindy's first attempt at recording vocals but Danny is a professional who was very patient in putting this together. This song about science is intended to help popularize knowledge about clouds and to illustrate how love of science can inspire poetry
Cindy
John Sundale plays banjo and sings in Morris Norton's Madison County home for a group of high school students from Paideia school in Atlanta. The group is led by John Sundale. Morris's daughter, Evelyn Ramsey is also present. Morris is playing the mouth bow
Life of Cindy: a biography of Cindy Sherman
The first comprehensive biography of acclaimed, celebrated, and much-loved US artist Cindy Sherman, who turned sixty in 2014. Sherman is best known for her photographs of herself dressed and made up as a wide array of fascinating and sometimes bizarre characters, which she has continued for over forty years. Sherman has a reputation as a very private person off-camera. Now, discover the woman behind the myth in this new biography of one of the most pioneering and influential artists of our time.
Henry Bond’s biography is a richly detailed and accessible account of visual art’s greatest enigma—from her first encounters with art as a child, to her college days in Buffalo, and step-by-step from that time, beginning with her arrival in New York during the Summer of Sam, in 1977.
The subject of the book has offered many new insights to the author, and so too, a number of Sherman's circle has been forthcoming with recollections and clarifications—including her ex-husband Michel Auder and her former partners Robert Longo and Paul Hasegawa-Overacker.
Sherman's life story is surprisingly dark: her older brother committed suicide when she was a teen; her former husband Michel was a heroin addict for many years; the art scene she emerged from was replete with sociopathic behaviour in Lower Manhattan, New York, in the late 1970s, which at that time resembled a lawless war zone more than a recognisable urban neighbourhood. This book is also the tale of a woman’s rise to success and wealth from humble beginnings: from a Long Island North Shore clapboard development to a grand 1840s home in East Hampton set in private gardens, where a flock of wild turkeys roam free
Application des fluorochromes à l'évaluation de l'effet des conditions de culture de Pseudomonas syringae sur sa sensibilité aux produits phytosanitaires
* INRA, Station de Pathologie Végétale, Domaine St Maurice, BP 94, 84143 Montfavet cedex. Resp. de stage: Cindy Morris Diffusion du document : INRA, Station de Pathologie Végétale, Domaine St Maurice, BP 94, 84143 Montfavet cedex. Diplôme : DE
Coping with emotions and abuse history in women with chronic pelvic pain diagnosed as endometriosis or unexplained pain
Objective: The purpose of this study was to investigate whether past abuse and the tendency to repress or suppress unwanted thoughts and emotions contribute to the experience of pain in patients with chronic pelvic pain (CPP).Methods: A group of CPP patients without endometriosis and a group with endometriosis were compared with a pain-free control group. Participants completed measures of pain, emotional repression, suppression of unwanted thoughts and emotions, and past abuse history.Results: Both CPP groups were more likely to be emotional suppressors when compared with the control group and reported significantly higher levels of thought suppression and abuse. Endometriosis patients were also more likely to be repressors of emotions when compared with controls. Suppression but not repression was related to higher levels of abuse and pain.Conclusion: Suppression of unwanted thoughts and emotions and past abuse distinguishes CPP patients from healthy controls. Assisting patients to express distressing emotions may impact on pain levels
Ep. #049 - Cindy Isenhour
This recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.On this week’s episode of the podcast, Dominic and Cymene relate their fave holiday traditions and identify the one thing that any gift-giving culture should absolutely avoid giving. Then (14:51) to help process our season of hyperconsumption, we welcome to the pod Cindy Isenhour from the University of Maine, co-author of Sustainability in the Global City, (http://www.cambridge.org/catalogue/catalogue.asp?isbn=1107076285), to talk about her recent research on displaced emissions from the Global North to the Global South. We discuss how the quest to green energy production often neglects the problem of rising commodity consumption and Cindy tells us her thoughts on whether it is possible to decouple economic growth from ecological harm. We talk about Sweden, the first country to officially recognize their displaced emissions, and how Swedish corporatism and cosmopolitanism contributed to that move. We cover Sweden’s efforts to improve China’s carbon efficiency, and how its new tax incentives to encourage reuse and repair of existing commodities are in tension with the government’s hesitation to restrict choice and consumer freedom. Then we turn to her new research on secondary consumption and the vibrant reuse culture of Maine. We reflect on how cheap fossil fuels make it easy to replace instead of reuse and what we in the North might be able to learn from the repair cultures of the South. And we debate whether cities can be the leading edge of climate progress given their own metabolic rift with respect to where their food and energy comes from. Finally, Cindy shares her own gift giving tips. Wishing all of our listeners a peaceful and beautiful holiday week. PS Here’s a photo of the Cultures of Energy rainbow xmas tree
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