1,730,074 research outputs found
Maina 1982, vol. 6
No full textMaina. Escola Universitària del Professorat d'Ensenyança General Bàsic
Maina 1981, vol. 3
No full textMaina. Escola Universitària del Professorat d'Ensenyança General Bàsic
Maina 1983, vol. 8
No full textMaina. Escola Universitària del Professorat d'Ensenyança General Bàsic
Maina 1980, vol. 1
No full textMaina. Escola Universitària del Professorat d'Ensenyança General Bàsic
Maina 1980, vol. 2
No full textMaina. Escola Universitària del Professorat d'Ensenyança General Bàsic
Maina 1981, vol. 4
No full textMaina. Escola Universitària del Professorat d'Ensenyança General Bàsic
Maina 1984, vol. 9
No full textMaina. Escola Universitària del Professorat d'Ensenyança General Bàsic
D'Agata and Maina 2022 (One Earth)
No full textRepository reproducing plots and processing used in D'Agata and Maina, 2022 (One Earth)
For questions and comments about the paper, please contact Stephanie D'Agata([email protected]). For full details, please see https://github.com/StephDag/OneEarth_2022_Climate_MPAs_WIO
Portrait of Maina Gielgud, 30 April 1996 [picture] /
No full textTitle from compactus card.; Part of collection: Collection of portraits of Maina Gielgud, 30 April 1996.; Condition: Good
John Stagliano interviewed by Giovanna Maina and Federico Zecca
No full textStagliano has proved to be an innovative porn entrepreneur. Created during the 1990s, his studio Evil Angel was definitely ahead of its time, founded on principles including ‘branding’ – conceived as a pact between producer and consumer – which were uncommon in the pornographic industry at the time, offering a ‘guarantee’ of particular kinds of content and standard of quality. Furthermore, the idea of bringing together different directors and producers in order to enact a co-branding strategy has influenced the development of new distribution policies within the adult business. In this interview, we have tried to highlight these aspects, especially focusing on the birth of gonzo, its relation to the adult industry of the 1980s, and Evil Angel’s structure and mode of operation. We interviewed John Stagliano on 17 November 2014 at his workplace
in Malibu, Los Angeles, USA
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