110 research outputs found

    Joseph J. Duggan. — A Guide to the Studies on the « Chanson de Roland », 1976 (" Res. Bibliogr. a Checklists ", 15)

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    de Combarieu M. Joseph J. Duggan. — A Guide to the Studies on the « Chanson de Roland », 1976 (" Res. Bibliogr. a Checklists ", 15). In: Cahiers de civilisation médiévale, 22e année (n°88), Octobre-décembre 1979. pp. 419-420

    Ellen Rose Woods. — « Aye d'Avignon » : A Study of Genre and Society. Genève, 1978 (" Hist. des critiques et crit. litt. ", 172)

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    de Combarieu M. Ellen Rose Woods. — « Aye d'Avignon » : A Study of Genre and Society. Genève, 1978 (" Hist. des critiques et crit. litt. ", 172). In: Cahiers de civilisation médiévale, 24e année (n°95-96), Juillet-décembre 1981. pp. 317-319

    Inventaire sommaire des archives départementales antérieures à 1790. Lot / rédigé par M. L. Combarieu,...

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    Collection : Collection des Inventaires sommaires des archives départementales antérieures à 179

    Combined use of isotopic fingerprint and metabolomics analysis for the authentication of saw palmetto (Serenoa repens) extracts

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    Saw palmetto (Serenoa repens, SP) is the most expensive oil source of the pharmaceutical and healthfood market, and its high cost and recurrent shortages have spurred the development of designer blends of fatty acids to mimic its phytochemical profile and fraudulently comply with the current authentication assays. To detect this adulteration, the combined use of isotopic fingerprint and omic analysis has been investigated, using Principal Component Analysis (PCA) to handle the complex databases generated by these techniques and to identify the possible source of the adulterants. Surprisingly, the presence of fatty acids of animal origin turned out to be widespread in commercial samples of saw palmetto oil

    Le nom du monde est forêt

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    The study of Lancelot shows the theme of forest as very rich and coherent. The author does not consider the forest as a natural place, as a friendly or cruel nature, but as a place which is not made for the man, where he may be lost, a place where only God’s omnipotence allows him to stand harmless, if not without any risk. From the awe that it mises up, the forest is the place of all the perils, and this one where can be represented all those who threaten the knight in his own being of knight, of lover, of man, of Christian

    A M. le comte de Chamisso / [par E. Bonnefous-Caminel]

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    Appartient à l’ensemble documentaire : MidiPyren1Avec mode text

    Ode à M. le comte de Chamisso. [Signé : Fabrice Labrousse.]

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    Appartient à l’ensemble documentaire : MidiPyren1Appartient à l’ensemble documentaire : LangRous1Avec mode text
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