18,025 research outputs found
D. Sanguineti, Fràveghi, bancalari, scultori, modellisti e pittori. L'arca d'argento tra progettazione ed esecuzione (1698-1839)
Sanguineti e i “suoi” musicisti. Una bussola per orientarsi
Il contributo indaga cinquant'anni di relazioni tra Edoardo Sanguineti e la musica, prendendo in considerazione l'attenzione prestata dal compositore alle componenti linguistiche e sociali del discorso musicale, così come le intonazioni di testi sanguinetiani realizzate da più generazioni di compositori dal 1959 al secondo decennio del XXI secolo.The essay explores 50 years of relationships between the poet Edoardo Sanguineti and music. It considers the poet's reflections on linguistic and social implications of music and texts by Sanguineti set to music by several generations of composers from 1959 to the second decade of the 21rst century
Gui d’Uisel, “Ja non cujei qe·m desplagues amors” (BdT 194.11)
This paper offers a new critical edition with commentary of Gui d’Uisel’s ‘mala canso’ against Love, Ja non cujei qe·m desplagues amors, a poem that is less well-known and has received less critical attention compared to the other, better known, ‘mala canso’ addressed to the ‘mala dompna’ by the same author, “Si be·m partetz, mala dompna, de vos” (BdT 194.19). The paper will investigate all those aspects of the text – vocabulary, style, themes – that enable it to be classified as a song against love. As far as this is concerned, a number of features would appear to be of particular interest, such as the use of the rhyme-word “fais”; the equivalence of love service and feudal service that justifies abandoning Love, seen as a bad lord; the motif of ladies who have become “chamjaritz”; the theme of the decadence of courtly values; the poet’s need to place limits on his complaint faced with the corruption of ‘fin’amor’. Although the archetypes of many of the poem’s themes and motifs may be found already in the earliest troubadours, Gui d’Uisel’s songs, and this one in particular, stand out because their author is well aware that he is adopting a classic genre while at the same time attempting to renew it from the point of view of content
D. Sanguineti, L'attività (genovese) di Filippo Parodi: fonti, documenti, considerazioni
D. Sanguineti, La bottega genovese di Anton Maria Maragliano e i manichini da vestire: un primo bilancio
"Ebbe il nostro Valerio quattro Discepoli, tutti di buona riuscita". Biscaino, Cervetto, Magnasco, Merano e la cerchia di Valerio Castello
RD53 Collaboration and CHIPIX65 Project for the development of an innovative Pixel Front End Chip for HL-LHC
Estimates of the Approximation Error Using Rademacher Complexity: Learning Vector-Valued Functions
For certain families of multivariable vector-valued functions to be approximated, the accuracy of approximation schemes made up of linear combinations of computational units containing adjustable parameters is investigated. Upper bounds on the approximation error are derived that depend on the Rademacher complexities of the families. The estimates exploit possible relationships among the components of the multivariable vector-valued functions. All such components are approximated simultaneously in such a way to use, for a desired approximation accuracy, less computational units than those required by componentwise approximation. An application to -stage optimization problems is discussed
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