128 research outputs found
XXS House
No full textPartial view, showing entry and skylights; eXtra-eXtra-Small House is located in a specific part of the centre of Ljubljana. The neighbourhood called Krakovo has the character of an historical village, which in the Middle Ages supplied the nearby monastery with fresh food and is today a highly protected historical area. The basic dimensions of the new house were already defined by law according to the volume of the pre-existing 100 year old housing. The task was to integrate all residential functions in an extra small volume to suit the needs of a couple living in their new urban holiday-home. Since the house faces north, it was a challenge to bring the direct and indirect sunlight to the living spaces in the ground floor. The heritage protection rules allow light shafts on the roofs, but in this case we also turned them 90 degrees. A huge wall size slide window opens up the space to the intimate atrium and allows for indirect lighting. The concept of raw materials stretches from exterior to interior - using fibre cement panels in their primer mode for the roof and yard façade and 'béton brutNULL, terrazzo, plywood, iron, felt for the indoor. The total area of 43 sq m ultimately names the house. Source: dekleva gregoric arhitekti [firm website]; http://www.dekleva-gregoric.com/ (accessed 7/18/2010
Pojmovanje revolucije v partizanskih dnevnikih Edvarda Kocbeka
No full textDiplomsko delo poskuša osvetliti vprašanje, kako je v svojih dnevnikih, ki jih je med drugo svetovno vojno pisal v partizanih, revolucijo pojmoval pesnik, pisatelj in publicist, predstavnik krščansko-socialistične skupine v Izvršnem odboru Osvobodilne fronte slovenskega naroda Edvard Kocbek (1904-1981). V tem kontekstu je posebna pozornost namenjena vprašanju, ali so stališča o revoluciji, kakor jih najdemo zapisana v Kocbekovih knjižno izdanih partizanskih dnevnikih, vnazajšnja projekcija pisca, ki se je v povojnem obdobju znašel v opoziciji do oblasti Komunistične partije Slovenije, ali razmeroma zvest zapis njegovih stališč med samo drugo svetovno vojno. Avtor sicer izhaja iz predpostavke, da je Kocbek svoje pojmovanje radikalne družbene in osebne preobrazbe, ki ga v dnevnikih označuje z besedno zvezo "slovenska revolucija", zasnoval že v predvojnem obdobju, v času splošne evropske duhovne, politične in gospodarske krize, ko se je v slovenskem javnem življenju uveljavil kot eden vodilnih javnih intelektualcev na katoliški levici. Obenem avtor zagovarja stališče, da je Kocbekovo pojmovanje revolucije bistveno dopolnila izkušnja okupacije Slovenije in odločitev znatnega dela Slovenk in Slovencev za oborožen upor. Diplomsko delo sklepa prikaz ključnih elementov, ki določajo horizont pomenjanja slovenske revolucije. Po avtorjevem mnenju so to: vzajemno dopolnjevanje marksistične teorije in prakse ter krščanske ljubezniangažirani posameznik kot edini legitimni nosilec revolucijskega procesaekstatično osvobajanje posameznika od družbenih avtoritet ter slepega avtomatizma vsakdanjega malomeščanskega življenjazavest o nemožnosti katerekoli revolucije, da bi končnoveljavno razrešila vsa protislovja človeka kot duhovnega in socialnega bitja.Undergraduate thesis attempts to illuminate the question of the conception of revolution as outlined in the personal war-time journals of Edvard Kocbek (1904-1981), a renowned poet, writer, publicist and the representative of Christian socialists in the Executive Committee of the Liberation Front of the Slovene Nation. In this context special examination is given to the question of whether or not Kocbek\u27s views on revolution, as we can discern them from the published books, were substantially modified after the conclusion of the war, when Kocbek found himself in opposition to communist authorities. The author has based his examination of Kocbek\u27s "Slovene revolution", a process of radical personal and social metamorphosis, on the assumption that many aspects of this idea were already conceptualized by Kocbek in the interwar period of great pan-European spiritual, political and economic crisis, when Kocbek himself became widely regarded as one of the leading public intellectuals on the Slovene catholic left. The author further argues that Kocbek\u27s conceptualization of revolution was substantially emended by the experience of occupation and the subsequent decision of many Slovenes to take up arms against the occupying forces. The undergraduate thesis is concluded by a review of the key elements that define the horizon of meaning of Kocbek\u27s Slovene revolution. In author\u27s opinion these are: mutual intertwining of Marxist theory and practice and the concept of Christian lovean actively engaged individual as the only legitimate carrier of the revolutionary processan ecstatic liberation of the individual from the numbing powers of socio-political authority and blind automatism of everyday petit-bourgeois existencea clear understanding that no single one revolution can everlastingly resolve all the problems of the human being as a spiritual and social creature
Regeneration success of Dinaric fir-beech forests with and without ungulate browsing protection.
No full textDiplomsko delo je bilo usmerjeno v preučevanje uspešnosti pomlajevanja površin, ki so bile od leta 2014 naprej prizadete s strani naravnih ujm večjega obsega. Mladje smo popisali na 20 ploskvah velikosti 2 × 2 m, mladje jelke pa v radijih 20 m okoli ploskve. Preučevali smo pomlajevanje na površinah brez ukrepov zaščite in obnove, površinah s skupinsko zaščito, zaščito s sredstvom TRICO in v rezervatu, kjer se gospodarjenje ne izvaja. Poleg štetja mladja in uvrščanja v višinske razrede ter določanja poškodovanosti smo zabeležili tudi ekološke razmere na ploskvah. Ugotovljeno je bilo, da so največje gostote mladja na površinah brez ukrepanja (225182 osebkov/ha), sledijo površine z zaščito TRICO (98017 osebkov/ha), tem sledi rezervat (83733 osebkov/ha) najmanjše gostote pa so bile v ograji (73733 osebkov/ha). Ugotovitve nakazujejo, da je skupna poškodovanost mladja po tretmajih značilno različna, če upoštevamo poškodovanost še po drevesnih vrstah značilnih razlik v poškodovanosti za smreko in bukev ni, medtem ko je poškodovanost jelke po tretmajih značilno različna. V vseh primerih je poškodovanost mladja največja v ograji. Ugotovljena situacija uspešnosti izvedenih ukrepov ne potrjuje. Nakazuje, da je uspešnost pomlajevanja v našem primeru odvisna predvsem od rastiščnih razmer, prehodnosti terena za divjad ter vzdrževanja postavljene ograje. Končne ugotovitve pod vprašaj postavljajo smiselnost vlaganja sredstev v drage ukrepe, kot so skupinska zaščita in umetna obnova, ob premočnem delovanju zaviralnih dejavnikov.The aim of the thesis was to investigate the regeneration performance on areas that have been affected by large-scale natural disturbances since 2014. Regeneration was inventoried in 20 plots of 2 × 2 m and silver fir regeneration in a radius of 20 m around the plot. The regeneration was examined in areas without protection and afforestation measures, in areas with group protection, TRICO protection and in the forest reserve. In addition to counting the young trees and classifying them into height classes and identifying damage, the ecological conditions on the plots were also recorded. It was found that the highest densities of regeneration were in the areas without measures (225182 individuals/ha), followed by the areas with TRICO protection (98017 individuals/ha), in forest reserve (83733 individuals/ha) and the lowest densities were found in the fence (73733 individuals/ha). The results indicate that the total damage to young trees varies considerably depending on the treatment. However, looking at the damage by tree species, there are no significant differences for spruce and beech, while the damage to silver fir varies considerably depending on the treatment. In all cases, the damage to young trees is greatest inside the fence. The observed situation does not confirm the success of the protection measures implemented. It indicates that the success of the regeneration in our case depends mainly on the growing conditions, the accessibility of the site for game and the maintenance of the fence. The final results raise the question of whether it makes sense to invest resources in expensive measures such as group protection and artificial regeneration if the inhibiting factors are too strong
The life and pedagogic opus of Igor Dekleva
No full textSlovenski pedagog, pianist in skladatelj Igor Dekleva je s svojim delovanjem ustvaril in še vedno dopolnjuje svoj pečat v slovenskem in tudi mednarodnem okolju. V magistrski nalogi so predstavljeni njegova življenjska pot, glasbena kariera, skladateljski opus in pedagoško delo. S klavirskim izobraževanjem je začel pri dvanajstih letih v Beogradu, študij klavirja je zaključil v Ljubljani pri profesorju Janku Ravniku, izpopolnjeval se je pri profesorici Hildi Horak in v tujini. Sočasno je leta 1954 začel pedagoško pot kot učitelj klavirja na GŠ Franca Šturma, kjer je posvečal svoje skladbice učencem1 in začel snovati učbenik, temelječ na slovenski ljudski pesmi. Na Akademiji za glasbo v Ljubljani je ustanovil in vodil razred za klavirski duo, s katerim je poleg pedagoške pustil tudi koncertantno sled skupaj z ženo Alenko, pianistko, hkrati pa se je na domačih in svetovnih odrih predstavil kot solist in v duu z nemškim violinistom Michaelom Grubejem. Dekleva se podpisuje pod več kot 600 skladb za klavir, komorne zasedbe, zbor in orkester. Osredotočili smo se na njegov prispevek h klavirski pedagoški literaturi. Predstavljenih je 23 učbenikov oz. didaktičnih del za učence in dijake klavirja, čemur sledi še analiza dveh skladb v didaktični namen. S Suito v barvah, primerno za učence nižjih razredov glasbenih šol, je Dekleva želel z barvami, povezanimi z različnimi tonalitetami, pritegniti pozornost učencev in pri njih vzbuditi domišljijo za ustvarjanje lastnih zgodb. Zbirka petih skladb Pentahon s tematiko grške mitologije, ki je kot taka privlačna za mnoge mladostnike, pa je namenjena tako dijakom umetniških gimnazij kakor tudi izkušenim učencem višjih razredov glasbenih šol. Skladbe jim omogočajo, da se poglobijo v značaje in čustva grških božanstev ter jih raziskujejo tako z različnimi tehničnimi veščinami kakor tudi z muzikalnim izražanjem. V delovanju Igorja Dekleve je treba posebej izpostaviti, da je osnoval slovensko klavirsko šolo, temelječo na slovenski ljudski pesmi, kar je pomemben prispevek pri ohranjanju slovenske ljudske glasbene dediščine, sočasno pa je pri oblikovanju učbenikov z združevanjem tehničnih in teoretičnih elementov z muzikalnim izrazom postavil smernice v klavirski pedagogiki.Slovenian pedagogue, pianist, and composer Igor Dekleva has left a significant mark on both the Slovenian and international music scene, a legacy that he continues to actively develop. This thesis presents his life path, music career, compositional output, and pedagogical work. Dekleva began his piano education at the age of twelve in Belgrade, and later continued his studies at the Academy of Music in Ljubljana under the mentorship of professor Janko Ravnik. He further refined his skills with professor Hilda Horak and abroad. In 1954, he embarked on his pedagogical career as a piano teacher at the Franc Šturm Music School, where he incorporated his own compositions into his teaching and began developing a textbook based on Slovenian folk songs. At the Academy of Music in Ljubljana, he founded and led a class for piano duo. Alongside his wife Alenka, a pianist, he achieved notable concert success. Additionally, as a soloist and in a duo with German violinist Michael Grube, he performed on both domestic and international stages. Dekleva is the author of over 600 works for piano, chamber ensembles, choir and orchestra. We focused on his contribution to the piano pedagogical literature. 23 textbooks and didactic works for piano students are presented, along with an analysis of two pieces in a didactic context. With his Suite in Colours, intended for younger students in the lower grades of music schools, he sought to engage students by associating colours with various tonalities, thus stimulating their imagination and encouraging them to create their own musical narratives. His collection Pentahon, consisting of five pieces based on Greek mythology, is aimed at high school students and advanced learners of elementary music school, offering them an opportunity to explore the personalities and emotions of Greek deities while developing both technical skills and musical expression. A particularly important contribution of Igor Dekleva is the founding of the Slovenian piano school, which is based on Slovenian folk songs. This is a crucial contribution to the preservation of Slovenian folk musical heritage. At the same time, through his pedagogical work, in which he combined technical, theoretical, and musical elements, Dekleva laid the foundations for the development of contemporary pedagogical approaches in piano education
Concert: F. Couperin: La Couperin from Pièces de clavecin, Book 4, 21e Ordre, J. S. Bach: Prelude and Fugue in G-Sharp Minor, BWV 887, Book 2, A. Kusyakov: Suite „Autumnal Sceneries“, Đ. Dekleva Radaković: Terra „M“, S. Mossenmark: Water spirit
No full textF. Couperin: La Couperin iz zbirke Komadi za čembalo, knjiga br.4, op. 21, J. S. Bach: Preludij i fuga u gis molu, BWV 887, knjiga br. 2, A. Kusjakov: Suita „Jesenji pejzaži“, Đ. Dekleva Radaković: Terra „M“, S. Mossenmark: Vodeni duhF. Couperin: La Couperin from Pièces de clavecin, Book 4, 21e Ordre, J. S. Bach: Prelude and Fugue in G-Sharp Minor, BWV 887, Book 2, A. Kusyakov: Suite „Autumnal Sceneries“, Đ. Dekleva Radaković: Terra „M“, S. Mossenmark: Water spiri
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