12,088 research outputs found
Interview with YA mystery author, Valerie Sherrard
No full textAn interview with Valerie Sherrard, a YA author, which focuses on her process of writing the Shelby Belgarden mystery series.
Interview with YA author Vicki Grant
No full textWe feature an interview with Nova Scotian YA author Vicki Grant. Vicki is a prolific author who has written 14 books and has written over 100 episodes of children‘s TV. Vicki discusses her thoughts on reading positively and the meaning behind positivity, her favorite bad-day books, and how we as a community can promote reading positively. She makes us realize the importance of realism in writing and how important it is to connect with young readers
Interview with YA author and Children‘s Editorial Assistant Suzanne Sutherland
No full textAn interview with Young Adult author Suzanne Sutherland. The interview focuses on Toronto, the straight edge scene, music and subculture, Sutherland\u27s first book, When We Were Good and the importance of queer representation in YA books. Sutherland also recommends a number of YA novels
Fantastic feminism: An interview with author Tam MacNeil
No full textThis interview with YA author Tam MacNeil explores her experiences as a feminist author, as well as discussing the importance of inclusiveness in YA books
YA Horror Author Profiles
No full textWithin the realm of horror there are a variety of authors that have become prolific. Here is a short run down of some of the most popular horror authors, and those to keep an eye out for
Globalization and city identity : a case study for the reproduction of spatial meaning in the Lyon biennale of contemporary art
No full text碩士自二十世紀末以來，全球化現象即引起各界熱烈的討論；從來也沒有一個名詞和全球化一樣，能夠跨越文化、語言與地域的限制，進入每一個人的生活當中。簡言之，「全球化」即是我們今日的生活方式。
而戰後資本主義的蓬勃發展，加上科技的日新月異，使得全球的空間，在全球化的影響下，不斷地「領域化」、「去領域化」及「再領域化」的空間重組。首先，於二戰後所建立的民族國家概念與確定的地理國界消解，取而代之的是以維持國際和平與永續發展等不同目標的國際性跨國組織。除了政治之外，國際之間的對話單位也由國家轉移到地方，各大國際城市取代國家作為面向國際的對外端點，於是城市堀起，國家退家，城市成為國際舞台上的要角。於是，各國際城市之經營者莫不積極活躍地舉辦各式活動，企圖建立獨特的城市風格，營造出一個融合多元文化，且具開放性的穩定社會空間及環境，除了實際層面的吸引觀光人潮、促進經濟發展的目的之外，更希望能引進更多的國際資金與人才。於是「城市認同」的觀念即在這樣的時代裡誕生了，在國際上更颳起了一股「城市營造」的旋風。然而在全球化的時代裡，城市需要的是誰的認同？是城市市民？觀光客？或是跨國資本的持有者？After WWII, the prosperous capitalism and the innovation of technology are changed the spatial structure of the world. Under the influence of globalization, the world space is recombine constantly and proceeding the transformation of “territorialization”, “deterritorialization” and “reterritorialization”. For example, the notion of national frontier which build after WWII, replace progressively by the international associations. Cultural and political communications between countries are also transfer from nation to city. The city is become the main actor in the international stage. Therefore, in this ere, a new need of identity is born, that is the identity of city. The city government was invested a lot of money to improve the quality of infrastructure and try to construct the identity of citizens. However, what is the real intention of the government? Here we take Lyon as an example and try to analyzing the real propose of this new construction of identity.Introduction........................................................................................1
1. La textualité urbaine sous la mondialisation.................................8
1.1 La tendance de la mondialisation..........................................10
1.2 La culture de ville...................................................................23
1.3 L’identité de la ville.................................................................26
1.3.1 Un nouveau besoin d’identité..........................................26
1.3.2 La ville comme marchandise...........................................29
2. L’espace social et la culture ........................................................37
2.1 Découvrir l’espace.................................................................39
2.2 L’idéologie et l’espace............................................................46
3. Lyon : le passé et le présent.......................................................51
3.1 Un passé prospère : un péché originel ? ..........................51
3.1.1. La bourgeoisie et la France............................................51
3.1.2. La longue durée de Lugdunum......................................56
3.2 Lyon aujourd’hui : une société hybride..............................62
3.2.1. Exploitation de l’espace................................................62
3.2.2. Déséquilibre de la société............................................64
4. Art contemporain et Lyon...........................................................68
4.1. L’origine de la Biennale.........................................................68
4.2. Un refus de l’art......................................................................69
4.3. Biennale d’art contemporain de Lyon.....................................73
4.3.1 Le percement de la chrysalide.........................................73
4.3.2 La récolte et le resplendissement....................................77
5. Lyon de « Qui » ? ......................................................................80
5.1 L’identité artistique...............................................................81
5.1.1 La distinction culturelle......................................................81
5.1.2 Fausse apparence de la démocratisation artistique..........86
5.2 Consommation de l’espace.................................................88
5.3 La société aliénée...............................................................92
5.3.1. Illusion du village gloabl.................................................92
5.3.2. Réviviscence de la ville..................................................98
Conclusion......................................................................................105
Bibliographie...................................................................................110
Annexe 1 : Les différences entre marketing commercial et non-commercial
Annexe 2 : Les types princiaux de marketing non-commercial
Annexe 3 : Trois génération du développement économique de marketing
Annexe 4 : Niveaux du marketing urbain
Annexe 5 : Les voies romaines près de Lyon
Annexe 6 : Les populations d’origines étrangères dans les communes du Grand Lyon
Annexe 7 : Organigramme de la Biennale d’art contemporain de Lyon
Annexe 8 : Visiteurs des musées et expositions
Annexe 9 : Pratiques culturelles
Annexe 10 : Lieux de l’exposition des Biennales d’Art Contemporain de Lyon
Annexe 11 : Stratégies culturelles des 87 grandes villes enquêtées
Annexe 12 : L’année et les grandes dates de la Biennales d’Art Contemporain de Lyon
Annexe 13 : Les photos des lieux d’exposition de la 8e biennale d’art contemporain de Lyon學號: 691270127, 學年度: 9
Book Review: Thanodi ya Setswana ya Dikole
No full textBook Title: Thanodi ya Setswana ya DikoleBook Author: M.L.A. Kgasa4th impression 1991, 134 pp. ISBN 99912 66003. Gaborone: Longman Botswana
- …
