2,645 research outputs found
Luke’s use of the Old Testament in Luke 22-23
No full textWhile Luke understands Jesus' suffering and death as the fulfillment of OT prophecy, he does not use many OT quotations or allusions to express this fact in his passion narrative. The question arises: How does Luke use the OT in his passion narrative, especially to show prophetic fulfillment?This study seeks to answer this question through an identification and analysis of the OT quotations, allusions, ideas, and stylistic elements in Luke 22-23. The criteria for identification and critical analysis are gathered from studying the history of scholarship on the subject from the Reformation to 1972.Our findings are that Luke presents the fulfillment of the key OT prophecy in his passion narrative, Is. 53:12/Lk. 22:37, through a thematic development of various aspects of its message. Other OT quotes, allusions, ideas, and stylistic elements contribute to the development of this theme. Luke's approach to the OT is Christocentric both in the sense that all the quotations and most of the allusions occur in the reported words of Jesus, and in the sense that most of Luke's OT material refers to the OT promises of a suffering and glorified Messiah. OT ideas also occur mainly in the reported words of Jesus and the OT stylistic elements are best understood as examples of LXX style imitation. We found that Luke's lack of allusions and quotations was probably due to his desire to have his readers relive the fulfillment events of the Passion as they unfold in the narrative without being distracted by editorial fulfillment proof~texts. Yet, at the same time Luke, the Christian theologian to the Gentiles, did make extensive use of the OT. With a Christocentric interpretational approach to understanding OT prophecy and theological content within a salvation history framework, Luke shows how the OT was important to Gentile Christians
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
No full textAbstract
The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
Observation of psi(3686) -> e(+)e(-)chi(cJ) and chi(cJ) -> e(+)e(-)J/psi
No full textKolcu, Onur Buğra (Arel Author)Using 4.479 x 10(8) psi(3686) events collected with the BESIII detector, we search for the decays psi(3686) -> e(+)e(-)chi(cJ) and chi(cJ) -> e(+)e(-)J/psi, where J = 0, 1, 2. The decays psi(3686) -> e(+)e(-)chi(cJ) and chi(cJ) -> e(+)e(-)J/psi are observed for the first time. The measured branching fractions are B(psi(3686) -> e(+)e(-)chi(cJ)) = (11.7 +/- 2.5 +/- 1.0) x 10(-4), (8.6 +/- 0.3 +/- 0.6) x 10(-4), (6.9 +/- 0.5 +/- 0.6) x 10(-4) for J = 0, 1, 2, and B(chi(cJ) -> e(+)e(-)J/psi) = (1.51 +/- 0.30 +/- 0.13)x10(-4), (3.73 +/- 0.09 +/- 0.25)x10(-3), (2.48 +/- 0.08 +/- 0.16)x10(-3) for J = 0, 1, 2, respectively. The ratios of the branching fractions B(psi(3686) -> e(+)e(-)chi(cJ))/B(psi(3686) -> gamma chi(cJ)) and B(chi(cJ) -> e(+)e(-)J/psi)/B(chi(cJ) -> gamma J/psi) are also reported. Also, the alpha values of helicity angular distributions of the e(+)e(-) pair are determined for psi(3686) -> e(+)e(-)chi(c1,2) and chi(c1,2) -> e(+)e(-)J/psi
"These signs forerun the death or fall of kings": renegotiating masculinities and centrality in Shakespeare's second tetralogy through adaptation, direction and performance (PhD Thesis): [Appendix 3.5] The Breach (2019) - Rehearsal and Production Photographs
No full textThis item contains appendices content relating to the PhD thesis, "These signs forerun the death or fall of kings": renegotiating masculinities and centrality in Shakespeare's second tetralogy through adaptation, direction and performance, by doctoral candidate CJ Turner-McMullan.The Breach is a post-MeToo adaptation of William Shakespeare's Henry V disrupting the gender- and class-based violence in representations of the Siege of Harfleur and the "wooing scene" prominent in post-1980's performances of the play. The production was photographed during a performance at The Rondo Theatre, Bath in June 2019.Adapted and directed by CJ Turner-McMullanAssistant Direction and Fight Direction // Russell EcclestonAssistant Fight Direction // Tiffany RhodesLighting Design // Joe SamuelsSound Design // Finn MacNeilComposition // Finn MacNeil and Edward TerryDialect Coach // Nico HerbreteauAssistant Set and Costume Design // Patrick James WitheyTouring Operation // Alex Latham and Emma de CrucePerformers // Matilda Dickinson, Alexandra Ricou, Charlotte McEvoy, Tiffany Rhodes, Kian Keanu Pollard, Patrick James Withey, Toby Gibbs, Luke HardwellReproduced with permission from CJ Turner-McMullan and Joe Samuels (photographers).All media is copyright restricted. No unauthorised use or distribution without consent of the author. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</p
Asymptotic Stability of a Plane CJ Detonation Wave
No full text. We study the asymptotic stability of a plane CJ detonation wave under the assumption of small resolved heat release (SRHR). We prove that the solution exists globally and that the solution converges uniformly to a shifted CJ detonation wave as t!+ 1 for initial data which are small perturbations of the CJ detonation wave. The weighted energy method is used to overcome the difficulty arising from the sonic property at the end of the reaction. The SRHR model allows us to treat the non-monotone spike in the profile of the CJ detonation wave by the characteristic energy estimate. Key words. CJ detonation, shock wave, traveling wave, sonic point, asymptotic behavior, weighted energy estimate, characteristic energy estimate. AMS(MOS) subject classifications. 35L65, 35B40, 35B50, 76L05, 76J10. Acknowledgments. The author is grateful to Prof. T.-P. Liu for pointing out the reference of Matsumura and Nishihara to her. This work was partially supported by ONR N00014-92-J-1890. 1 Introduc..
Observation of chi(cJ) -> 4K(S)(0)
No full textKolcu, Onur Buğra (Arel Author)By analyzing (448.1 +/- 2.9) x 10(6) psi(3686) events collected with the BESIII detector operating at the BEPCII collider, the decays of chi(c)(J) -> 4K(S)(0) (J = 0, 1, 2) are observed for the first time with statistical significances of 26.5 sigma, 5.9 sigma and 11.4 sigma, respectively. The product branching fractions of psi(3686) -> gamma chi(cJ), chi(cJ) -> 4K(S)(0 )are presented, and the branching fractions of chi(cJ) -> 4K(S)(0) decays are determined to be B-chi c0 -> 4KS0 = (5.76 +/- 0.34 +/- 0.38) x 10(-4), B-chi c1 -> 4KS0 = (0.35 +/- 0.09 +/- 0.03) x 10(-4) and B-chi c2 -> 4KS0( )= (1.14 +/- 0.15 +/- 0.08) x 10(-4), where the first uncertainties are statistical and the second are systematic, respectively
"These signs forerun the death or fall of kings": renegotiating masculinities and centrality in Shakespeare's second tetralogy through adaptation, direction and performance (PhD Thesis): [Appendix 3.1] The Breach (2019) - Production Video
No full textThis item contains appendices content relating to the PhD thesis, "These signs forerun the death or fall of kings": renegotiating masculinities and centrality in Shakespeare's second tetralogy through adaptation, direction and performance, by doctoral candidate CJ Turner-McMullan.The Breach is a post-MeToo adaptation of William Shakespeare's Henry V disrupting the gender- and class-based violence in representations of the Siege of Harfleur and the "wooing scene" prominent in post-1980's performances of the play. The production was filmed during a performance at The Rondo Theatre, Bath in June 2019.Adapted and directed by CJ Turner-McMullanAssistant Direction and Fight Direction // Russell EcclestonAssistant Fight Direction // Tiffany RhodesLighting Design // Joe SamuelsSound Design // Finn MacNeilComposition // Finn MacNeil and Edward TerryDialect Coach // Nico HerbreteauAssistant Set and Costume Design // Patrick James WitheyTouring Operation // Alex Latham and Emma de CrucePerformers // Matilda Dickinson, Alexandra Ricou, Charlotte McEvoy, Tiffany Rhodes, Kian Keanu Pollard, Patrick James Withey, Toby Gibbs, Luke HardwellAll media is copyright restricted. No unauthorised use or distribution without consent of the author. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</p
"These signs forerun the death or fall of kings": renegotiating masculinities and centrality in Shakespeare's second tetralogy through adaptation, direction and performance (PhD Thesis): [Appendix 1.4] Fall of Kings (2018) - Rehearsal and Production Photographs
No full textThis item contains appendices content relating to the PhD thesis, "These signs forerun the death or fall of kings": renegotiating masculinities and centrality in Shakespeare's second tetralogy through adaptation, direction and performance, by doctoral candidate CJ Turner-McMullan.Fall of Kings is an adaptation of William Shakespeare's Richard II, exploring performed and embodied representations of masculinities, and how performance may subvert binary dichotomies and gendered power onstage. The production was photographed during rehearsals at Bath Spa University and performances at Burdall's Yard, Bath in March 2018.Adapted and directed by CJ Turner-McMullanFight Direction // Russell Eccleston and Tiffany RhodesLighting Design // Annabel EllisSound Design and Composition // Edward TerryPerformers // Toby Underwood, Russell Eccleston, Gabrielle Finnegan, Ross Scott, James Leyshon, Adam Lloyd-James, Mike Harley, Kian Keanu PollardReproduced with permission from CJ Turner-McMullan and Sam Chandler (photographers).All media is copyright restricted. No unauthorised use or distribution without consent of the author. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</p
chi(cJ) polarizations at the Fermilab Tevatron
No full textWe propose the measurement of chi (cJ) polarizations at high energy hadron colliders to study heavy quarkonium production mechanism. We find that the color-singlet model in the k(t) factorization approach predicts very different behavior for chi (cJ) polarizations at the Fermilab Tevatron compared with the NRQCD predictions in the collinear parton model. In the color-singlet k(t) factorization approach, for both chi (c1) and chi (c2) productions, the helicity h = 0 states dominate over other helicity states at large p(T). These properties are very useful in distinguishing between the two production mechanisms which are related to the interesting issue of J psi and psi' polarizations, and may provide a crucial test for the k(t) factorization approach. (C) 2001 Elsevier Science B.V. All rights reserved.http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000167082100012&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=8e1609b174ce4e31116a60747a720701Physics, MultidisciplinarySCI(E)3ARTICLE1-299-10450
QCD radiative corrections to chi(cJ) production at hadron colliders
No full textTo clarify the outstanding problem in charmonium production that existing theories cannot explain the observed cross sections of chi(cJ)(J = 0, 1, 2) and ratio R-chi c = sigma(chi c2)/sigma(chi c1) approximate to 0.75(in contrast to the spin counting value 5/3) at the Tevatron, we study the complete next-to-leading order radiative corrections in nonrelativistic QCD, and find next-to-leading order contributions of P-3(J)vertical bar 1 vertical bar are more important than leading order at high p(T), and P-3(1)vertical bar 1 vertical bar decreases slower than P-3(2)vertical bar 1 vertical bar, implying a natural explanation for the R-chi c puzzle. By fitting R-chi c, the predicted cross sections of chi(cJ) are found to agree with data. The result indicates coloroctet contribution is crucially needed, thus providing a unique test for heavy quarkonium production mechanisms. Feed-down contributions of chi(cJ) to prompt J/psi production are estimated to be substantial, about 30%-40% at p(T) = 20 GeV. Production of chi(cJ)(J = 0, 1, 2) at the LHC is also predicted.http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000291464100001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=8e1609b174ce4e31116a60747a720701Astronomy & AstrophysicsPhysics, Particles & FieldsSCI(E)71ARTICLE11null8
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