125 research outputs found
Memoria dei poeti e critica delle varianti: tre casi ausoniani
No full textQuesta relazione presenta uno studio accurato di tre varianti testuali nelle poesie di Ausonio. L’opera di Ausonio è divisa in due corpora, ognuno con la sua indipendente trasmissione del testo. Mondin paragona il Vossianus Latinus F 111 (il manoscritto più completo dell’opera di Ausonio) con i manoscritti del gruppo Z, e mostra come effettivamente nei tre casi presi in esame le discrepanze del testo non siano dovute a interpolazioni dei copisti, ma ad Ausonio stesso, che intervenne con parecchi cambiamenti nei vari stadi della redazione dei suoi testi.This paper presents a close study of three textual variants in the poems of Ausonius. Ausonius' oeuvre is split into two corpora, each with its own independent textual transmission. Mondin compares the Vossianus Latinus F 111 (the most complete manuscript of Ausonius' poems) with the manuscripts of group Z, and shows very effectively that in the three cases under scrutiny the textual discrepancies are due not to scribal interpolations but to Ausonius himself, who intervened with several changes during the various stages of the redaction of his texts
Per la storia antica dell’Antologia Salmasiana. I. La composizione della silloge cartaginese e il suo curatore.
No full textIn spite of the losses and many accidents in the text’s transmission,the first part of Codex Salmasianus (Par. Lat. 10318) keeps accurately enough on the structure and the original content of an extensive poetic miscellany, assembled in Chartage immediately after the Vandalic domination (533-534). A new structural examination of the so-called ‘Salmasian\ud
Anthology’ has recognized the signs of an unitary project, which certainly goes back to the work of a single editor. Moreover, the emendation of a textual corruption at the beginning of the enigmatic Praefatio (AL 19 R.2 = 6 Sh.B.) has allowed to identify Luxorius not only as the leading poet of the anthology but also as the author of the Praefatio itself, and the editor of the whole collection
Ausonio e le "rudes Camenae Suessae": un capitolo tardoantico della fortuna letteraria di Lucilio
No full textThe poet Ausonius (4th century CE) is the last Latin author to mention Lucilius as a model of poetic imitation. This paper is devoted to the analysis of his witness, which perhaps represents the final episode of the literary reception of the satirist from Suessa Aurunca in antiquity
Il dialogo De officio scribae di Marcantonio Sabellico: introduzione, testo critico e traduzione
No full textIl breve dialogo De officio scribae, ambientato a Venezia verso il 1476, e incluso da Marcantonio Sabellico nell’edizione delle sue opere del 1502, è, dietro l’idealizzazione letteraria, una significativa testimonianza della deontologia, dell’ideologia e della cultura dei funzionari della Cancelleria veneziana alla fine del XV secolo. Se ne propone qui l’edizione critica, accompagnata da un’introduzione, una traduzione italiana ed essenziali note di commento.The short dialogue De officio scribae, set in Venice around 1476 and included by Marcantonio Sabellico in the 1502 collected edition of his works, is - behind its obvious literary idealization - an important illustration of the ethics, ideolog y and culture of the secretaries of the Venetian Chancellery at the end of the 15th century. A critical edition is provided here, with introduction, Italian translation and concise commentary notes
Ausone grammairien
No full textUne revue des éléments de savoir grammatical parsemés dans l’œuvre d’Ausone, et l’analyse de leurs procédés d'intégration dans le discours poétique, montrent que le “je auctoriale” qui s’exprime dans les Opuscula revêt très souvent la "persona" du grammairien. Sous la plume d’Ausone la grammaire, science accessoire à la littérature, est promue au rang d’objet littéraire, et la poésie devient ainsi véhicule et moyen de célébration de ce savoir, qui est le cœur de la culture institutionnelle des élites de l’Empire
The Late Latin Literary Epigram (Third to Fifth Centuries CE)
No full textThis chapter focuses on the late antique Latin epigrams of secular inspiration composed between the third and fifth century ce. It examines the repertoire and authors that have reached us (Carmina XII sapientum, Ausonius, Epigrammata Bobiensia, Claudian, Sidonius Apollinaris, Ennodius) and illustrates the modes of circulation of epigrams, including the use of collections and different literary contexts
Il programma poetico di Lucilio: ipotesi sul XXVI libro delle satire
No full textIn the two most reliable reconstructions of the 26th book of Lucilius (in fact, the first which the poet composed on his debut), Christes (1971) and Garbugino (1990) adopt a careful analysis of Nonius Marcellus' quotation system in order to identify the thematic structure of the original text. A review of their results confirms the validity of their methodology and the usefulness of the so-called lex Lindsay for the rearrangement of Lucilius' textual remains but, at the same time, it suggests a partially different reconstruction. There is no philological reason to adhere to the idea that the 26th book opened with a proemial satire of programmatic content, which has been the communis opinio since Marx and Cichorius; the new analysis might rather suggest that all the poetological fragments cluster in the second half of the book, where the threefold thematic sequence Critique of tragic poetry-Apology of satire-Recusatio of epic poetry seems to outline the structure of a long, single satire in dialogue form and dealing with literature. In this satire, the definition of Lucilius' favourite genre holds the central place between the sections devoted to the other two genres, tragic and epic poetry, both of which the poet rejects on different grounds
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