96,493 research outputs found

    Wang Jieru, Liu Fang, Wang Qiugui

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    Side A. 王節如, 刘枋 (Both sides) -- Side B. 刘枋, 王節如, 王秋桂.Live recording."7/13/79"--Spine.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Spoken in Chinese.Side A. Wang Jieru, Liu Fang (Both sides) -- Side B. Liu Fang, Wang Jieru, Wang Qiugui

    Visual Artist Talk with Jen Liu

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    Jen Liu is a visual artist based in New York and Vermont, working in video/animation, choreography, biomaterial, and painting to explore national identity, gendered economies, neoliberal industrial labor, and the re-motivating of archival artifacts. She is a 2019 recipient of the Creative Capital Award, 2018 LACMA Art + Technology Lab grant, and 2017 Guggenheim Fellowship in Film/Video. She has presented work at The Whitney Museum, MoMA, and The New Museum, New York; Smithsonian American Art Museum, DC; Royal Academy and ICA, London; Kunsthaus Zurich; Kunsthalle Wien; the Aspen Museum of Art; Henry Art Gallery, Seattle; MUSAC, Leon; UCCA and A07 @ 798, Beijing; and the 2014 Shanghai Biennale and 2019 Singapore Biennale

    The political role of the people's liberation army 1949-1973

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    This thesis is to study the political role of the People's Liberation Army from the approach of structure and function. The framework of the thesis consists of three major parts, first, the influence of Chinese traditional political culture on, and the formation of, the political role of the PL A; second, the influence of domestic political struggles and external military conflicts on the development of the political role of the PLA; and the third, the analysis of the transition of the PLA's political role from the structure and personnel arrangements of the CCPCC Within the above-mentioned three scopes, this thesis make a thorough discussion on the following: (1) The relationship between the structure of the PRC and the formation of the PLA's political role; (2) How has ideology influenced the army's political role; (3) What is Mao's viewpoint and his influence on the development of the army's political role; (4) What is the link between the army and the party, and how has this developed; (6) What accounts for the expansion of the PLA's political functions; (7) What is the influence of political factional struggles on the PLA's political role; (8) Is it political institution or military institution that controls the recruitment of the military elite; (9) What are the disparities between the military elite in handling international conflicts and what are their political considerations; (10) What is the Party's position in the army; (11) How have the Party’s important meetings and personnel arrangements influenced the rise and fall of the PLA's political role

    Kumanoa baiyunensis Fang & Nan & Feng & Lv & Liu & Liu & Xie 2021

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    Kumanoa baiyunensis K.-P.Fang, F.-R.Nan & S.-L.Xie sp. nov. (Figs. 3A–L) Description:—Plants monoecious, moderately mucilaginous, dark green, small, only 0.5–1 cm high. Thallus branching irregular, frequent in the upper part of the thallus. Whorls well developed, confluent, barrel-shaped, 350–450 µm wide. Internodes 150–350 µm; axis colorless, axial cells 20–50 µm in diameter; cortical filaments profuse, cylindrical, 5–10 um in diameter, 20 µm or more long. Primary fascicles straight, dichotomously branched, 2-3 times branched, composed of 5–7 cells, ellipsoidal, 5–8 µm in diameter, 20–40 µm long. Secondary fascicles, abundant, covering the entire internode, unbranched or dichotomously branched, shorter or as long as the primary fascicles, composed of 3–7 cells. Spermatangia spherical, sparse, single-grown, terminal on primary fascicles, 7–9 µm in diameter. Carpogonial branches helically twisted, arising from the pericentral cells; involucral filaments short, dense, composed of 1–3 cells; carpogonia with club-shaped trichogynes, distinctly stalked, 30–50 µm long, 6–10 µm in diameter. Carposporophytes sessile, one per whorl, lower or as high as whorl radius, dense and spherical, 150–250 µm in diameter. Carposporangia obovoid or elliptical, 7–10 µm in diameter, 15–20 µm long, terminal on gonimoblast filaments. Diagnosis: ―The new species differs from other Kumanoa species in the following combination of characters: small plant size with abundant branching in upper part of thallus; carposporophytes spherical and one per whorl; club-shaped trichogynes with distinct stalk; spermatangia sparse and single-grown, terminal on primary fascicles. Diagnostic DNA sequence: rbc L, COI-5P and LSU (accession number: MW798266 for rbc L, MW798267 for COI-5P and MW794124 for UPA). Type locality: China, Guangdong, Baiyun Mountain (24° 15′ 5″ N, 113° 18′ 2″ E). On the wall of a stony pool formed by groundwater from dry mountain stream of the Baiyun Mountain. Holotype designated here: Liquid immersion specimens (SXU-GD20001) and herbarium voucher (Holotype SXU-GD20002, Isotype SXU-GD20003) were deposited in Herbarium of Shanxi University (SXU), Shanxi University, Taiyuan, Shanxi Province, China. November 2020 by Kun-peng Fang. Etymology: The species epithet refers to the type locality (Baiyun mountain, China).Published as part of Fang, Kun-Peng, Nan, Fang-Ru, Feng, Jia, Lv, Jun-Ping, Liu, Qi, Liu, Xu-Dong & Xie, Shu-Lian, 2021, A New Species of Kumanoa (Batrachospermales, Rhodophyta) from Baiyun Mountain, Guangdong, China, pp. 89-98 in Phytotaxa 523 (1) on page 95, DOI: 10.11646/phytotaxa.523.1.5, http://zenodo.org/record/557201

    George Gao, Erhu (China), Guo Min Qing, yang-qin (China) y Liu Fang, Pi-pa (China)

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    Concierto de música tradicional china celebrado por los músicos Gerge Gao, Guo Ming Qing Fang Liu. En esta ocasión se interpretaron canciones tradicionales cantonesas y de Shangai, de compositores como Lu Ri Rong, Zha o Zheng Xiao, Chen Yao Xin, Hua Ya Jun, Wang Hui Ran, Wei Kong Liu, entre otros. Los instrumentos utilizados para este recital fueron el Pi-pa, Erhu, Yang-qin y Zheng

    Liu shi yu dan si ji

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    劉鳳著.綫裝, 1函.框20.1x13.6公分, 9行18字. 白口, 左右雙邊, 單黑魚尾. 版心上鐫"澹思集", 中鐫卷次, 下鐫葉次及"劉漙卿刻"書名及版式據卷三.書根題"劉侍御澹思集", 每冊書根題後分別錄"樂", "御", "書", "數"見《香港中文大學圖書館古籍善本書錄》(2001, p. 244)鈐有"天一閣", "沈氏鳴野山房圖籍印"Library's copy: 館存卷三至五, 卷九至十六, 共四冊 ; 缺卷一至二[v.1], 卷六至八[v.3]Xian zhuang, 1 han.Kuang 20.1 x 13.6 gong fen, 9 hang 18 zi. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan "Dan si ji", zhong juan juan ci, xia juan ye ci ji "Liu Tuanqing ke"Shu ming ji ban shi ju juan san.Shu gen ti "Liu shi yu dan si ji", mei ce shu gen ti hou fen bie lu "Yue", "Yu", "Shu", "Shu"Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 244)Liu Feng zhu.Qian you "Tian yi ge", "Shen shi Ming ye shan fang tu ji yin"Library's copy: guan cun juan san zhi wu, juan jiu zhi shi liu, gong si ce ; que juan yi zhi er [v.1], juan liu zhi ba [v.3

    Wang jie ru, liu fang

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    Side A. 台靜農 -- Side B. 王節如, 劉枋.Live recording."July 13 1979"--Spine.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Spoken in Chinese.Side A. Tai Jingnong -- Side B. Wang Jieru, Liu Fang

    “Suoni di seta: l’arte di Liu Fang”

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    Programma di sala per il concerto di Liu Fang 18 settembre 2007 h 17 e h 21, Torino, Teatro Baretti, Torino "Settembre Musica"
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