97 research outputs found
Reviews of the Mad Horse Theatre presentation of Romulus Linney\u27s Two, and De
No full textReviews of the Mad Horse Theatre presentation of Romulus Linney\u27s Two, and Death of Rasputin, a musical by John Nichols now in production at the Oak Street Theatre
Anger Management: Creating the role of Coleman Shedman in Romulus Linney\u27s \u27Holy Ghosts\u27
Full text linkThis thesis is intended to chronicle and define the process of creating the role of Coleman Shedman in Romulus Linney\u27s Holy Ghosts. Discussed will be the actor\u27s method for bringing the role to life; employing the use of physical actions and in-depth analysis and preparation to achieve a real and honest interpretation of the part
A director's approach to Romulus Linney's A Woman Without a Name.
No full textThis MFA thesis documents a director's collaborative approach to Romulus Linney's play A Woman Without A Name produced on the stage of Theater 11 at Baylor University. The first chapter is a brief biography of the playwright, and explores his writing methodology. It further examines the production history of A Woman Without A Name and some critical reviews it has received. The second chapter analyzes the structural elements of the play. The third chapter provides an account of the collaborative design process with student designers, including an "e-design" phase, in the areas of set, costume, lighting, sound, and makeup. The final chapter provides an account of the overall production process from the auditions through the performances, followed by an evaluation of the design and rehearsal process and the performances
Reading Australia Essay: "Romulus, My Father" by Raimond Gaita
No full textThis is an introductory essay about the memoir "Romulus, My Father" by Raimond Gaita. The essay was published as part of the Copyright Agency's "Reading Australia" initiative.\ud
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"In a critical moment of reflection and pause, Romulus, My Father offers the reader a key to its interpretation. The author – philosopher Raimond Gaita – tells us that ‘Plato said that those who love and seek wisdom are clinging in recollection to things they once saw’. This reference to the Greek philosopher’s work Phaedrus occurs when the boy Raimond is about eight years old. He seems already to understand much about his father, in particular his father’s goodness, which he finds expressed in his workmanship, his honesty, and his commitment to friends. And yet, as Plato forewarns us, a search for the ultimate wisdom of such things must come later – several decades on, when Gaita is faced with the task of writing his father’s eulogy. It is then that a sense of his father’s character is joined to his own search for wisdom, a combination of biography and reflection that marks the memoir form at its best, and shapes the ultimate impact of Romulus, My Father...."--publisher websit
Library Perspectives, Issue 07, September 1993
Full text linkThis issue includes items about dramatist Romulus Linney \u2753 and his works, author Nien Cheng, an interview with Associate Professor Jane Armitage, and much more.https://digitalcommons.oberlin.edu/perspectives/1053/thumbnail.jp
Gint
No full textI directed this production. Romulus Linney adapted the play from Henrik Ibsen\u27s Peer Gynt
REDISCOVERING CIVIL WAR CLASSICS:Democracy and Esther
Full text linkClassics, old and instant Two Novels: Democracy and Esther By Henry Adams (pictured above left) Two Stage Pieces: Democracy: An American Comedy, an opera By Scott Wheeler & Romulus Linney (libretto, pictured above right) Democracy and Esther, a play By...
Library Perspectives, Issue 08, February 1994
Full text linkThis issue includes items about a major preservation grant from the Charles E. Culpepper Foundation, the debut of Oberlin\u27s CD-ROM network, dramatist Romulus Linney \u2753, and much more.https://digitalcommons.oberlin.edu/perspectives/1052/thumbnail.jp
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