18,759 research outputs found
Adam Linder during dress rehearsal of Sydney Dance Company's Are we that we are, Sydney Theatre, Sydney, 2010 [picture] /
No full textTitle from from acquisition documentation.; Acquired in digital format; access copy available online.; Part of the collection: Sydney Dance Company's final rehearsals of Are we that we are and 6 breaths, Sydney Theatre, Sydney, 2010.; Are we that we are choreographed by Adam Linder.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2010
Adam Linder and Charmene Yap during dress rehearsal of Sydney Dance Company's Are we that we are, Sydney Theatre, Sydney, 2010 [picture] /
No full textTitle from from acquisition documentation.; Acquired in digital format; access copy available online.; Part of the collection: Sydney Dance Company's final rehearsals of Are we that we are and 6 breaths, Sydney Theatre, Sydney, 2010.; Are we that we are choreographed by Adam Linder.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2010
Portrait of Adam Linder during dress rehearsal of Sydney Dance Company's Are we that we are, Sydney Theatre, Sydney, 2010 [picture] /
No full textTitle from from acquisition documentation.; Acquired in digital format; access copy available online.; Part of the collection: Sydney Dance Company's final rehearsals of Are we that we are and 6 breaths, Sydney Theatre, Sydney, 2010.; Are we that we are choreographed by Adam Linder.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2010
ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY
No full textAdam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,
Dancers on stage during dress rehearsal of Sydney Dance Company's Are we that we are, Sydney Theatre, Sydney, 2010 [picture] /
No full textTitle from from acquisition documentation.; Acquired in digital format; access copy available online.; Part of the collection: Sydney Dance Company's final rehearsals of Are we that we are and 6 breaths, Sydney Theatre, Sydney, 2010.; Are we that we are choreographed by Adam Linder.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2010
Juliette Barton and Richard Cilli during dress rehearsal of Sydney Dance Company's Are we that we are, Sydney Theatre, Sydney, 2010 [picture] /
No full textTitle from from acquisition documentation.; Acquired in digital format; access copy available online.; Part of the collection: Sydney Dance Company's final rehearsals of Are we that we are and 6 breaths, Sydney Theatre, Sydney, 2010.; Are we that we are choreographed by Adam Linder.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2010
Dancer Richard Cilli during dress rehearsal of Sydney Dance Company's Are we that we are, Sydney Theatre, Sydney, 2010 [picture] /
No full textTitle from from acquisition documentation.; Acquired in digital format; access copy available online.; Part of the collection: Sydney Dance Company's final rehearsals of Are we that we are and 6 breaths, Sydney Theatre, Sydney, 2010.; Are we that we are choreographed by Adam Linder.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2010
Sydney Dance Company performers during dress rehearsal of Are we that we are, Sydney Theatre, Sydney, 2010 [picture] /
No full textTitle from from acquisition documentation.; Acquired in digital format; access copy available online.; Part of the collection: Sydney Dance Company's final rehearsals of Are we that we are and 6 breaths, Sydney Theatre, Sydney, 2010.; Are we that we are choreographed by Adam Linder.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2010
Choreography is a technology of presence, and desire. Adam Linder as told to Anaïs Nony
No full textIn an interview conducted on October, 26 2015 at the FD13 Residency for the Arts in Saint- Paul, Minnesota, Adam Linder talks about choreography as being both a technology of presence and desire. Starting off with a reflection concerning the diverse languages he uses in his artwork, Linder quickly turns his attention to the complex relationships between body movements, abstraction, and diverse forms of codification. He underlines how cultural influences are shaping production of languages and their commodification, and describes the technics he deploys for the body to remain a central mode of expression. Recipient of the Mohn Prize for artistic excellence in 2016, Adam Linder (b. 1983, Sydney) is a choreographer and dancer based in Los Angeles and Berlin
How Might Adam Smith Pay Professors Today?
No full textAdam Smith’s proposal for paying professors was intended to induce increased faculty knowledge. If students have imperfect information about what they learn, and universities can only imperfectly measure the input of faculty time in student learning, publications may be used to measure faculty knowledge. If professors’ ability to publish is positively related to their ability to produce student learning, which universities can imperfectly measure, publications may be necessary to attract more able professors. Since research signals faculty knowledge, schools that do not value publications per se could require higher publication standards and pay higher wages than schools that value only publications.
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