1,776 research outputs found

    Note

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    Note from Ted Lewis to Amon Carter.8/8/49 Mr. Carter - Always glad to see you in New York. Ted Lewi

    Resume of Ted G. Lewis, 1995

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    Naval Postgraduate School Faculty Resum

    The elegies of Ted Hughes

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    The purpose of this study is to make the case that Ted Hughes (1930-1998) is one of the pre-eminent elegists writing in English in the latter half of the twentieth century. Whilst his poetry has been widely criticised for its apparent preoccupation with violence and death, it is puzzling that the links these topics have in common with elegy have never been clearly verified. This might be because Hughes's elegies do not appear to bear the characteristics frequently associated with traditional poetic laments; however, as this study shows, closer scrutiny reveals not only many similarities, but also acts of resistance within the broader scope of elegy. Drawing on both established and contemporary critical debates surrounding Hughes and elegy, this study undertakes a comprehensive reading of the poet's major works from The Hawk in the Rain to Birthday Letters, whilst also paying attention to limited editions of his verse, including Recklings, Capriccio and Howls & Whispers. Posthumous publications, including the Collected Poems. Selected Translations and Letters of Ted Hughes, are accounted for. so that (alongside the chronological reading of the poems) Hughes's development as an elegist is fully realised. One of the aims of the thesis is to demonstrate that the poet's elegies are unified in presenting what I term the ‘actual'; that is to say, that Hughes does not fabricate sensations or forge experiences that purport to be beyond the realm of recognisable human endeavour. This I term his 'unfalsifying dream’. This is striking because quite often traditional elegies appear to present the opposite: a language which is ๐mate and images which are close to beatifying the deceased, putting them at a remove from human experience and existence. 'The Hawk in the Rain' is used to illustrate Hughes's theoretical position, especially in the case of his earlier war elegies and the circumstances of Remains of Elmet and Moortown Diary. He is both the observational, seemingly dispassionate poet (the hawk), capable of a detaching himself from the experience he wishes to relay in his verse, and yet, he is also the wanderer 'in the rain, one who is immersed in the momentous instant of his own language and experience. Like his personas, Hughes is divided. He is complicit with many of elegy's practices and traditions, but he is also a reformer and renovator of elegy, writing invigorating verse which brings the realities of mortality closer to the reader. In doing so, he reaffirms the significance of life and how this life might be better lived in closer harmony to poetry and contemporary ecological urgencies. 'The Elegies of Ted Hughes' aims to prove that far from being just a 'poet of nature', Hughes has been an exemplary elegist in our own time

    When my baby smiles at me.

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    Gift of Dr. Mary Jane Esplen.Piano vocal [instrumentation]G major [key]Popular song [form/genre]Photograph: Ted Lewis, band [illustration]Barbelle [engraver]Publisher's advertisement on back cover [note

    Letter re: Fort Worth Star-Telegram

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    Letter from Ted Lewis to Amon Carter regarding special editions of the Fort Worth Star-Telegram to be forwarded overseas.10/30/49 Dear Mr. Carter - The special editions to be forwarded overseas got a quick transfer at La Guardia and left on A.O.A. trip 152 of the 30th at 2:30 PM to arrive London 10:55 PM, London time, on Monday the 31st. Incidentally you and I and Elliott Roosevelt spent Oct 31st, 1942 in London and we had dinner with you at the Savoy. The eiditions for C.R. and Mr. Billingsley have been fowarded downtown. Thanks very much for my own private copy. Its amazing from any angle of its 480 pages and is right in the traidition of how you and Ft Worth handle things. Sincerely, Ted Lewi

    When my baby smiles at me.

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    Gift of Dr. Mary Jane Esplen.Piano vocal [instrumentation]G major [key]Popular song [form/genre]Photo: Ted Lewis [illustration]Barbelle [engraver]Publisher's advertisement on back cover [note

    Sinclair Lewis Society Newsletter, Vol. 26, No. 2

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    “Tribute to Dave Simpkins” “Fresh Pastures: Sinclair Lewis Buys Thorvale Farm,” by Susan O’Brien “Straight Out of South Dakota: A Review of From Warm Center to Ragged Edge: The Erosion of Midwestern Literary and Historical Regionalism, 1920-1965 by Jon K. Lauk,” by Ralph Goldstein “Ruth Suckow: Iowa Gem,” by Ted G. Fleener, Waterloo Community Schools (retired) “What Were They Reading Then?: A Preface to Morals by Walter Lippmann, 1929,” by Rick Diguette, Georgia State University “What Were They Reading Then?: Country People by Ruth Suckow, 1924,” by Ted G. Fleener, Waterloo Community Schools (retired)https://ir.library.illinoisstate.edu/slsn/1018/thumbnail.jp
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