5,226 research outputs found
Tennessee roads / Jesse Stuart. In Mountain herald / Lincoln Memorial University.
No full textThis picturesque poem was written by then-sophomore (and future celebrated author) Jesse Stuart about the roads of Tennessee
The archipelagic concept in Southeast Asia and some implications
No full texttag=1 data=The archipelagic concept in Southeast Asia and some implications.
tag=2 data=Levy, Stuart
tag=6 data=^d ^m ^y1993
tag=8 data=POLITICS
tag=9 data=AUSTRALASIAN POLITICAL SCIENCE ASSOCIATION CONFERENCE 1993%APSA
tag=15 data=PA
No. 617 Stuart Ruckman
No full textTranscript (12, 40 pages) of two interviews by Matt Driscoll with Stuart Ruckman on April 9, 2010, and July 7, 2011Ruckman (b. 1966) was born in Salt Lake City, Utah. Stuart shares how his family, particularly his father, played a significant role in introducing him to the outdoors. Some of his initial explorations included a hike to the top of Mount Olympus when he was five years old, backpacking trips in the Wasatch and Uinta Mountains, and a successful summit attempt on the Grand Teton when he was twelve. Stuart discovered technical rock climbing due to the influence of his older brother Bret, five years Stuart\u27s senior. Bret learned under Dennis Turville, a well-respected Salt Lake climbing instructor. Stuart shares his observations on the Salt Lake climbing community of the late 1970s and 1980s, noting the intimacy of the community, while also pointing out the significant influence of a handful of climbers, including Merrill Bitter, Les Ellison, and Brian Smoot. He briefly describes the proliferation of new-route development in the Wasatch during his first decade in climbing. In collaboration with his brother Bret, Stuart published comprehensive guidebooks on climbing in the Wasatch Mountains. Stuart\u27s contributions as a first-ascensionist and co-author of Rock Climbing the Wasatch Range attest to his lasting impact on Utah climbing. Interview is part of the Outdoor Recreation History Project. Interviewer: Matt Driscol
Civic Centre (Mt Isa, Australia) [Performance Video Recording]
No full textDigital migration of Mini DV. Video type: performance. Venue type: Theatre. Venue name: Civic Centre. Date: 19/03/2008. Archive notes: Merged from SH08.2.1 and SH08.2.2. Circus Oz company notes: Mt Isa, 1st Half.Circus OZ video recording 2008 - Mt Isa, Australia - 19 March0:00:00-0:00:34 Pole (Chad Albinger, Doug Bair, Jacqui Levy, Stuart Christie, Mel Fyfe, Rockie Stone, Justin McGinley, Michael Ling) --- 0:00:35-0:04:45 Hat Juggle (Rockie Stone, Justin McGinley, Chad Albinger) --- 0:04:45-0:07:17 Christa Song/Welcome (Christa Hughes, Mel Fyfe, Justin McGinley) --- 0:07:14-0:10:34 Brick Smash (Mel Fyfe, Christa Hughes, Michael Ling, Justin McGinley) --- 0:10:34-0:14:36 Rope (Stuart Christie) --- 0:14:36-0:20:33 Bounce Ball Juggle (Rockie Stone, Jacqui Levy) --- 0:20:33-0:25:57 Ping Pong (Justin McGinley) --- 0:25:57-0:31:25 Cloudswing (Rockie Stone) --- 0:31:25-0:32:09 Juggle Transition (Justin McGinley) --- 0:32:09-0:37:00 German Wheel/ Bikini Parade (Mel Fyfe, Christa Hughes, Stuart Christie, Rockie Stone, Justin McGinley, Michael Ling, Ben Lewis, Jacqui Levy, Doug Bair) --- 0:37:24-0:45:05 Orchestra/Flying Bass (Cath Hedge, James Hazelden, Stuart Christie, Christa Hughes, Mel Fyfe, Julia Watt, Rockie Stone, Justin McGinley, Michael Ling, Ben Lewis, Svetlana Bunic, Jacqui Levy, Doug Bair, Chad Albinger) --- 0:45:05-0:46:37 Interval (James Hazelden, Justin McGinley) --- 0:46:37-0:51:28 Rola Bola (Christa Hughes, Jacqui Levy) --- 0:51:28-0:55:51 Unicart (Justin McGinley, Chad Albinger) --- 0:55:51-0:59:30 Hat Juggle 2 (Christa Hughes, Mel Fyfe, Michael Ling, James Hazelden) --- 0:59:28-1:04:27 Dive of Death (Mel Fyfe, Justin McGinley, Michael Ling, James Hazelden) --- 1:04:26-1:10:20 Adagio (Svetlana Bunic, Christa Hughes, Stuart Christie, Rockie Stone, Jacqui Levy, Doug Bair) --- 1:10:20-1:16:50 Sway Pole (James Hazelden, Michael Ling) --- 1:16:50-1:18:34 Big Ball (Chad Albinger, Justin McGinley) --- 1:18:34-1:19:35 Group Balances (Stuart Christie, Mel Fyfe, Rockie Stone, Michael Ling, Jacqui Levy, Doug Bair) --- 1:19:35-1:24:03 Finale Song/Balances/Fire (Stuart Christie, Christa Hughes, Mel Fyfe, Julia Watt, Rockie Stone, Justin McGinley, Michael Ling, Svetlana Bunic, Jacqui Levy, Doug Bair, Chad Albinger, James Hazelden, Cath Hedge) --- 1:24:03-1:27:07 Curtain Call (Christa Hughes, Mel Fyfe, Stuart Christie, Michael Ling, Julia Watt, Svetlana Bunic, Rockie Stone, Justin McGinley, Jacqui Levy, Doug Bair, Chad Albinger, James Hazelden, Cath Hedge, Pete Sanders, Madge Fletcher, Marko Respondeck, Graeme Stables
George MacLeod’s open-air preaching: performance and counter-performance
No full textStuart Blythe uses the methodology of performance to analyse George MacLeod’s open-air preaching. He points out that MacLeod’s preaching was derived from a theology of the incarnation, and an understanding of the paradoxes and dichotomies of common human life. This preaching, Blythe suggests, was also a counter-performance in the context of outlooks and ideologies inimical to the gospel. The paper raises interesting issues related to preaching as performance, and the further question as to whether or not the life and work of the Church as a whole might now be better understood as a counter-performance.Publisher PD
Gold Coast Arts Centre (Gold Coast, Australia) [Performance Video Recording]
No full textDigital migration of Mini DV. Video type: performance. Venue name: Gold Coast Arts Centre. Date: 2008. Circus Oz company notes: Merged from SH08.8.1 and SH08.8.2. Circus Oz archive notes: Gold Coast, 1st half.Circus Oz video recording 2008 - Gold Coast, Australia, Gold Coast Arts Centre.0:00:00-0:03:40 Pole (Stuart Christie, Mel Fyfe, Justin McGinley, Michael Ling, Chad Albinger, Jacqui Levy, Doug Bair) --- 0:03:40-0:07:26 Hats (Justin McGinley) --- 0:07:26-0:12:45 Bricksmash (Mel Fyfe, Michael Ling, Justin McGinley, Christa Hughes) --- 0:12:45-0:16:52 Bellringer Rope (Stuart Christie) --- 0:16:52-0:21:41 Bounceball (Jacqui Levy) --- 0:21:41-0:26:23 Ping Pong (Justin McGinley) --- 0:26:23-0:31:23 Bikini Parade/ Wheel (Stuart Christie, Mel Fyfe, Christa Hughes, Julia Watt, Justin McGinley, Michael Ling, Svetlana Bunic, Jacqui Levy, Doug Bair) --- 0:31:23-0:39:24 Orchestra/Flying Bass (Stuart Christie, Mel Fyfe, Christa Hughes, Julia Watt, Justin McGinley, Michael Ling, Svetlana Bunic, Cath Hedge, Jacqui Levy, Doug Bair) --- 0:39:24-0:40:01 Interval (James Hazelden, Justin McGinley) --- 0:40:01-0:40:32 Unicart (Chad Albinger, Justin McGinley) --- 0:40:32-0:47:48 Velcro Splat (Mel Fyfe, Christa Hughes, Justin McGinley, Michael Ling, James Hazelden) --- 0:47:48-0:52:36 Rola Bola (Christa Hughes, Jacqui Levy) --- 0:52:36-0:53:24 Juggle (Justin McGinley) --- 0:53:24-1:00:15 Swaypole (Michael Ling, James Hazelden) --- 1:00:15-1:01:44 Big Ball (Justin McGinley, Chad Albinger) --- 1:01:44-1:05:50 Balances/Big Song (Chad Albinger, Stuart Christie, Mel Fyfe, Christa Hughes, Michael Ling, Doug Bair) --- 1:05:50-1:07:06 Fire (Christa Hughes, Stuart Christie, Mel Fyfe, Justin McGinley, Michael Ling, Jacqui Levy, Doug Bair) --- 1:07:06-1:09:55 Curtain Call (Christa Hughes, Mel Fyfe, Stuart Christie, Justin McGinley, Michael Ling, Julia Watt, Svetlana Bunic, Cath Hedge, Pete Sanders, Chad Albinger, Marko Respondeck, Graeme Stables, Jacqui Levy, Rockie Stone, Doug Bair, James Hazelden
Redemption in the work of Francis Stuart
No full textThe idea of redemption is central to an understanding of the work
of Francis Stuart. Through an examination of its development and
expression, it is possible to demonstrate the integrity of his work and
its distinctive qualities. Such a demonstration is necessary because
Stuart's writing has been subjected to comparatively little scholarly
inquiry, although reviews of his work, especially that produced since
1949, suggest that it is impressive and important.
First, a general background to Stuart's work, a discussion of the
special problems associated with reading it, and a summary of his corpus
is provided. This indicates that the idea of redemption is important to
his earliest writing. The state of redemption is shown to be a
necessary apotheosis for Stuart's outcast heroes; it involves spiritual
suffering through which may be found a sense of reintegration and a
higher reality. This is expressed through interrelated themes such as
those of gambler, artist and ordinary man; mystic and criminal; sacred
and profane love; and spirituality and the mundane. The nature of the
redemptive experience is further elaborated by distinctive, complex
motifs, especially the hare, the ark and the woman-Christ. Their
recurrence provides an important element in the unity of Stuart's work.
Because Stuart's idea of the outcast raises important biographical
questions, an examination of the relationship between Stuart's life and
his work is made. Finally, the way in which the idea of redemption
exists in the language structures of Stuart's novels is examined, with
especial reference to his most recent work, The High Consistory. The
thesis shows that the development of the these of redemption
demonstrates the integrity of Stuart's work
John Stuart Mill’s projected science of society: 1827-1848
No full textThe purpose of the thesis is to examine John Stuart Mill’s political thought from
about 1827 to 1848 as an exercise in intellectual history. It focuses, first, on Mill’s view,
formulated by the late 1830s, that contemporary society was ‘civilized’, and second, on
his project of a science of society, which he aspired to develop in the late 1830s and
early 1840s.
By the late 1830s, Mill came to the view that his contemporary society was a
‘commercial society or civilization’, dominated by the middle, commercial class. The
first part of my thesis, constituted by Chapters 2-4, discusses the way in which Mill
formed his notion of civilization, and what he meant by the term ‘civilization’. Mill paid
attention to the implications of the rise of the middle class, and regarded such
phenomena of contemporary society as the corruption of the commercial spirit and
excessive social conformity as an inevitable consequence of the rise of the middle class.
The second part of the thesis, constituted by Chapters 5-9, examines Mill’s
projected science of society. In the late 1830s and early 1840s, Mill attempted to
develop a new science of society whose subject-matter was the nature and prospects of
commercial, civilized society. This aspiration culminated in A System of Logic,
published in 1843. In examining Mill’s projected science, I pay particular attention to
the fact that he conceived new sciences of history and of the formation of character,
both of which were indispensable in his project, although he failed to give a complete
account of these sciences. My thesis shows that the implications of his interest both in
history and in the formation of character are more significant than Mill scholars have
assumed
An Evaluation of the Bush Administration Reforms to the Regulatory Process
No full textThe Bush Administration has implemented more reforms to the regulatory process than any of its predecessors. These reforms are often stereotyped as anti-regulatory. This article examines the reforms as a whole and asks which interests have been empowered by the Bush Administration regulatory reforms. I believe this method is a more effective way of assessing the impact of the reforms. I find that in addition to adding potential costs to the regulatory process, the reforms are likely to empower powerful interest groups and the presidency. Whether the impact of these reforms is pro-regulation or anti-regulation will depend on how a future administration more dedicated to regulatory protections uses them. I also lay out a research agenda to better empirically assess the impact of these regulatory reforms.Peer reviewed"Issue published online: 11 APR 2007. Article first published online: 11 APR 2007"--Publisher website
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