3,021 research outputs found

    Censorship and claims making regarding problem framing in 5 published RCT's on social anxiety (as identified by the author and Amanda Reiman, PhD).

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    <p>Censorship and claims making regarding problem framing in 5 published RCT's on social anxiety (as identified by the author and Amanda Reiman, PhD).</p

    Unveiling Melodies in Shadows: An Analysis of Swedish Female Composer Amanda Maier’s Sonata for Violin and Piano in B Minor

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    Amanda Maier (1853−1894), a pioneering Swedish violinist and composer of the late nineteenth century, holds a unique place in music history as the first-ever female music director in Sweden. Despite her significant achievements, her compositions have remained relatively unknown. Therefore, the document aims to illuminate Amanda Maier's violin works, focusing on investigating her violin sonata in terms of violin performance and pedagogy. Specifically, the study offers insights into the performance techniques employed and provides other pertinent pedagogical suggestions for each movement. The document features an introductory chapter and a review of the historical context of Maier's life and the violin sonata. Subsequent chapters shift the focus to performance practice and pedagogical suggestions with theoretical analysis. One distinctive feature of the study is the inclusion of practice exercises composed originally by the author, tailored specifically to the techniques found in the sonata. These exercises aid practitioners in incorporating Maier's violin sonata into their program. The study assists violinists in diversifying their performance and teaching literature. It seeks to inspire renewed appreciation for Amanda Maier's artistic legacy because it is important to recognize the remarkable contributions of women in the classical music industry, and Amanda Maier, an underrepresented composer, exemplifies this. The document not only contributes to music research but also enhances pedagogical practices, fostering a more inclusive and equitable environment for female composers in the classical music world

    Feminist Cyberlaw

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    This vibrant and visionary reimagining of the field of cyberlaw through a feminist lens brings together emerging and established scholars and practitioners to explore how gender, race, sexuality, disability, class, and the intersections of these identities affect cyberspace and the laws that govern it. It promises to build a movement of scholars whose work charts a near future where cyberlaw is informed by feminism. “This intellectually exciting collection seamlessly draws together highly original research and reflections on the perils and potential of technology—and imagines the digital futures that might be possible if we heed the insights of feminist scholars.” — ALONDRA NELSON, Institute for Advanced Study “An indispensable resource for legal scholars and practitioners alike attempting to understand how the internet could live up to its true democratic ideals.” — IFEOMA AJUNWA, author of The Quantified Worker: Law and Technology in the Modern Workplace “A welcome and brilliant collection that we need now more than ever. Expertly showing how rules for digital technologies have always been about bodies, social dynamics, and power, these contributions provide an urgent and compelling demonstration of how cyberlaw often loses the thread—and of how to do better.” — WOODROW HARTZOG, author of Privacy’s Blueprint: The Battle to Control the Design of New Technologies “Scholarly yet engaging, broad in scope yet cogent in argument, and critical yet hopeful. A must‑read.”—ARI EZRA WALDMAN, author of Industry Unbound: The Inside Story of Privacy, Data, and Corporate Powe

    Feminist Cyberlaw

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    This vibrant and visionary reimagining of the field of cyberlaw through a feminist lens brings together emerging and established scholars and practitioners to explore how gender, race, sexuality, disability, class, and the intersections of these identities affect cyberspace and the laws that govern it. It promises to build a movement of scholars whose work charts a near future where cyberlaw is informed by feminism. “This intellectually exciting collection seamlessly draws together highly original research and reflections on the perils and potential of technology—and imagines the digital futures that might be possible if we heed the insights of feminist scholars.” — ALONDRA NELSON, Institute for Advanced Study “An indispensable resource for legal scholars and practitioners alike attempting to understand how the internet could live up to its true democratic ideals.” — IFEOMA AJUNWA, author of The Quantified Worker: Law and Technology in the Modern Workplace “A welcome and brilliant collection that we need now more than ever. Expertly showing how rules for digital technologies have always been about bodies, social dynamics, and power, these contributions provide an urgent and compelling demonstration of how cyberlaw often loses the thread—and of how to do better.” — WOODROW HARTZOG, author of Privacy’s Blueprint: The Battle to Control the Design of New Technologies “Scholarly yet engaging, broad in scope yet cogent in argument, and critical yet hopeful. A must‑read.”—ARI EZRA WALDMAN, author of Industry Unbound: The Inside Story of Privacy, Data, and Corporate Powe

    Belonging: natural histories of place, identity and home

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    Canongate's synopsis: "Reflecting on family, identity and nature, Belonging is a personal memoir about what it is to have and make a home. It is a love letter to nature, especially the northern landscapes of Scotland and the Scots pinewoods of Abernethy – home to standing dead trees known as snags, which support the overall health of the forest. Belonging is a book about how we are held in thrall to elements of our past. It speaks to the importance of attention and reflection, and will encourage us all to look and observe and ask questions of ourselves. Beautifully written and featuring Amanda Thomson’s artwork and photography throughout, it explores how place, language and family shape us and make us who we are." Longlisted for the Highland Book Prize, 2023 Some of the reviews... Outstanding - ROBERT MACFARLANE Amanda Thomson’s new book manages to carve out a distinctive niche for itself . . . This is a passionate book and infused with a sense of rootedness - STUART KELLY, The Scotsman In recent years rural landscapes have turned into battlegrounds, and nature writing has become increasingly polemical. Belonging is a quiet book of questions in a genre full of answers, but it is all the more powerful and beautiful for this - PATRICK GALBRAITH, TLS One of the best things I have read in ages . . . Quiet and beautiful and powerful - ALYS FOWLER Thomson writes of the natural in a way I have yet to encounter before. There is no real hoo-haa, no flowery description of which to speak yet somehow, I came away with that ache inside me — that renewed obsession with the world that is only borne of a very particular kind of writing — poetic, loving, raw . . . Like no other - KERRI Ní DOCHARTAIGH, Caught by the River In strikingly original takes on Scottish history, environmentalism, Black feminist theory, artmaking, list-making, memory, and memoir, Thomson crafts a cadence that is as wise as it is vitally alive. - MARGOT DOUAIHY, author of Scorched Grac

    Interview with Amanda Huron, author, Carving Out the Commons: Tenant Organizing and Housing Cooperatives in Washington, D.C.

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    Is modern capitalism too far advanced in the U.S. to create common property regimes? Are there models for what an Urban Commons might look like? Join us as we speak with Amanda Huron, author of Carving Out the Commons: Tenant Organizing and Housing Cooperatives in Washington, D.C. (University of Minnesota Press, 2018). She’ll help us understand the theory and practice of Limited Equity Housing Cooperatives and the affordability, control, stability, and community they can provide to low-income communities and the people who live in them

    Kathleen Jamie, Chitra Ramaswamy & Amanda Thomson: Antlers of Water - Live Event

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    ‘When we read and write, when we love our fellow creatures, when we walk on the beach, when we just listen and notice, we are not little cogs in the machine, but part of the remedy.’ These luminous words by Kathleen Jamie form part of the introduction to Antlers of Water, an outstanding collection of contemporary Scottish writing about nature and landscape. The generosity of Jamie’s approach as editor of the collection goes beyond the stellar selection of contributors such as Amy Liptrot, Karine Polwart and Malachy Tallack: she also invokes the agency of readers to make a difference. ‘If, by reading, you are encouraged or confirmed in your love of the natural world, if you’re inspired simply to… look outside, then our job is done.’ In a discussion led by the BBC's Clare English, Jamie is joined by award-winning journalist Chitra Ramaswamy as well as visual artist and writer Amanda Thomson – both contributors to the anthology – to discuss Scotland, landscape and the more-than-human world around us. This is a live event, with an author Q&A. Part of the Edinburgh International Book Festival Making Climate Change Personal festival theme

    Defragging Feminist Cyberlaw

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    In 1996, Judge Frank Easterbrook famously observed that any effort to create a field called cyberlaw would be “doomed to be shallow and miss unifying principles.” He was wrong, but not for the reason other scholars have stated. Feminism is a unifying principle of cyberlaw, which alternately amplifies and abridges the feminist values of consent, safety, and accessibility. Cyberlaw simply hasn’t been understood that way—until now. In computer science, “defragging” means bringing together disparate pieces of data so they are easier to access. Inspired by that process, this Article offers a new approach to cyberlaw that illustrates how feminist values shape cyberspace and the laws that govern it. Consent impacts copyright law and fair use, the Digital Millennium Copyright Act (DMCA), criminal laws, and free speech. Each of those laws is informed by the invasive act of sharing nonconsensual intimate imagery, better known as “revenge porn.” Two other laws, the Americans with Disabilities Act (ADA) and the recent amendments to Communications Decency Act (CDA) § 230, are crucial to promoting web accessibility for all people, including disabled people and sex workers. And safety influences privacy law and the Computer Fraud and Abuse Act, which affect the rights of pregnant people and targets of online harassment. This Article concludes that feminist cyberlaw is a new term, but feminism has always been foundational to making sense of cyberlaw

    Trademarks as Surveillance Transparency

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    We know very little about the technologies that watch us. From cell site simulators to predictive policing algorithms, the lack of transparency around surveillance technologies makes it difficult for the public to engage in meaningful oversight. Legal scholars have critiqued various corporate and law enforcement justifications for surveillance opacity, including contract and intellectual property law. But the public needs a free, public, and easily accessible source of information about corporate technologies that might be used to watch us. To date, the literature has overlooked a free, extensive, and easily accessible source of information about surveillance technologies hidden in plain sight: federal trademark filings.This Essay examines the powerful and unexplored role of trademark law in exercising oversight within and beyond surveillance. Trademark law promotes access to information, and the federal trademark application process—long overlooked by scholars—demands extensive public disclosures that reveal a wealth of information about surveillance technologies. This Essay leverages examples from real trademark applications to explore how journalists, researchers, and civil society can use the detailed disclosures in trademark applications for transparency. I conclude that trademark law can be a powerful tool for correcting longstanding information asymmetries between the watchers and the watched by empowering the public to watch back

    Amanda Galvan Huynh, 46th Annual ODU Literary Festival

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    Amanda Galvan Huynh (she/her) is a Xicana writer and educator from Texas. She is the author of a chapbook, Songs of Brujería (Big Lucks September 2019) and Co-Editor of Of Color: Poets’ Ways of Making: An Anthology of Essays on Transformative Poetics (The Operating System 2019). Her debut poetry collection, Where My Umbilical is Buried, is forthcoming in March 2023 with Sundress Publications. Amanda has been nominated for the Pushcart Prize, Best New Poets, and Sundress Publications’ Best of the Net. She was a 2016 AWP Intro Journal Project Award Winner, 2018 Best of the Net Winner, a finalist for the 2015 Gloria Anzaldúa Poetry Prize, and a finalist for the 2017 Poetry Society of America Chapbook Fellowship. Her poetry can be read in print and online journals such as Hayden’s Ferry Review, Puerto del Sol, The Southampton Review, and others. Amanda earned her MFA in Poetry at Old Dominion University, BA in English at the University of Texas at Arlington, and BA in Biology at the University of Texas at Dallas. Currently, she is a doctoral student in English at the University of Hawaiʻi at Mānoa
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