323,664 research outputs found
Interventions, Productions and Collaborations:the relationship between RAI and visual artists
No full textOn the 17th May 1952, before RAI Radiotelevisione Italiana Studios began their regular broadcast from Milan, the Spatialist painter and sculptor Lucio Fontana broadcast his own experimental ‘artwork’ on Italian television, beginning a fruitful relationship between RAI and visual artists. For some, it provided careers as designers and art directors, such as the painter Mario Sasso and the Arte Povera artist Pino Pascali, while for others, who were given unique access to RAI’s television apparatus, it was an opportunity to explore their own artistic experimentations with an expensive and exclusive medium, such as Carlo Quartucci and Gianni Toti. RAI also hosted seminal artists’ performances on screen including John Cage and Fabio Mauri. This article, based on documents and interviews collected during the Arts and Humanities Research Council funded project REWINDItalia, discusses these and other seminal cases as well as tracing and assessing the history of this fruitful and complex exchange between RAI and visual artists
Reply to Comment on ``Spherical 2+p spin-glass model: an analytically solvable model with a glass-to-glass transition''
No full textIn his Comment, Krakoviack Phys. Rev. B 76 136401 (2007)] finds that the phase behavior of the s+p spin-glass model is different from that proposed by Crisanti and Leuzzi Phys. Rev. B 73 014412 (2006) if s and p are larger than 2 and are separated well enough. He proposes a trial picture, based on a one step replica symmetry breaking solution, displaying a mode-coupling-like glass-to-glass transition line ending in an A3 singularity. However, actually, the physics of these systems changes when p−s is large, the instability of which the one step replica symmetry breaking glassy phase suffers turns out to be so wide ranging that the whole scenario proposed by Krakoviack must be seriously reconsidered
At the mirror:European women video pioneers between identity and representation
No full textThis piece is a rework of some theories outlined L. Leuzzi, ‘Self/Portraits: The Mirror, The Self and The Other. Identity and Representation in Early Women’s Video Art in Europe’ in L. Leuzzi, E. Shemilt, S. Partridge (eds.), EWVA European Women’s Video Art in the 70s and 80s, New Barnet, John Libbey Publishing, 2020
At the mirror:European women video pioneers between identity and representation
No full textThis piece is a rework of some theories outlined L. Leuzzi, ‘Self/Portraits: The Mirror, The Self and The Other. Identity and Representation in Early Women’s Video Art in Europe’ in L. Leuzzi, E. Shemilt, S. Partridge (eds.), EWVA European Women’s Video Art in the 70s and 80s, New Barnet, John Libbey Publishing, 2020
An analysis of the Avetrana Murder Case through Abstract Argumentation
No full textArgumentation is the activity by which one justifies his own position in a discussion.
It plays a fundamental role in court trials, for faithfully reconstructing the course of the events from evidence and testimonies. So, the availability of automated techniques for carrying out argumentation would be extremely useful in that domain.
Abstract argumentation focuses on the inter-relationships among the available arguments, neglecting their internal structure or specific interpretation.
In this paper we report about the application of abstract argumentation techniques to a very famous criminal case happened in Italy.
Our aim is, on one hand, showing a practical and relevant application of abstract argumentation, and, on the other, comparing the outcome of the automated approach to that of the judges in the real court
Il Trattamento con PRP e osso autologo delle schisi del processo alveolare in pazienti affetti da labiopalatoschisi
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