301 research outputs found
Roswell F. Cottrell
No full textPhotographic reproduction of a head and shoulders portrait of Roswell F. Cottrell. Cottrell was a minister and evangelist. He was an author and wrote for the Review & Herald. He also served as President of the New York Conference
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A connectionist model of metaphor by pattern completion
No full textBook synopsis: This volume features the complete text of all regular papers, posters, and summaries of symposia presented at the 18th annual meeting of the Cognitive Science Society. Papers have been loosely grouped by topic, and an author index is provided in the back. In hopes of facilitating searches of this work, an electronic index on the Internet's World Wide Web is provided. Titles, authors, and summaries of all the papers published here have been placed in an online database which may be freely searched by anyone
'So many sparks of fire': Dorothy Cottrell, modernism and mobility
No full textThe broad brush strokes of Dorothy Cottrell's paintings in the National Library of Australia mark her as a modernist artist, although not one who painted the burgeoning Sydney Harbour Bridge or bright still-life paintings of Australian flora. Rather, she captured the dun surrounds of Ularunda Station, the remote Queensland property to which she moved in 1920 after attending art school in Sydney. At Ularunda, Cottrell eloped with the bookkeeper to Dunk Island, where they stayed with nature writer E.J. Banfield, then relocated to Sydney. In 1924 they returned to Ularunda and Cottrell swapped her paintbrush for a pen, writing The Singing Gold. After advice from Mary Gilmore, whom her mother accosted in a pub, Cottrell send it to the Ladies Home Journal in America. It was snapped up immediately, optioned for a film and found a publisher in England, who described it as 'a great Australian book, and a world book'. Gilmore added, 'As an advertisement for Australia, it will go far - the Ladies Home Journal is read all over the world'. Cottrell herself also went far, emigrating to America, where she wrote The Silent Reefs, set in the Caribbean. Cottrell's creative, intellectual and physical peregrinations - all undertaken in a wheelchair after she contracted polio at age five - show how the local references the international, and vice versa. Through an analysis of the life and writing of this now little-known Queensland author, this essay reflects the regional and transnational elements of modernism as outlined in Neal Alexander and James Moran's Regional Modernisms, illuminating how a crack-shot with a rifle once took Queensland to the world
Resonant Spaces: Electroacoustic Music and Ritual: A commentary on my recent music.
No full textThe following portfolio and commentary concerns music and performance works created between 2008 and 2012, and an exposition of the research, ideas, aesthetics and techniques that connect
these works. I will discuss in detail the role that archaeoacoustics has played in my composition of fixed and mixed media works and how it has influenced me aesthetically in my approach to live performance. I will also explain in each instance any actual data used from various research sources, and my metaphorical interpretation of various archaeological sites and acoustic phenomena. Similarly, I will discuss the concepts of shamanism, ritual and transcendence that have influenced me, and how these concepts are expressed in my instrumental works, fixed media and live performance pieces
The Political Economy of Textbook Writing: Paul Samuelson and the making of the first ten Editions of Economics (1945-1976)
No full textOver the past two decades, numerous contributions to the history of economics have tried to assess Paul Samuelson’s political positioning by tracing it in the subsequent editions of his famous textbook Economics. This literature, however, has provided no consensus about the location of Samuelson’s political ideas. While some authors believe that Samuelson has always had inclinations toward interventionism, others conclude that he more often acted as a pro-business advocate. The purpose of this paper is not to argue for one of these two interpretations but to depict the making of Economics itself as a political process. By ‘political’ it is not meant the conduct of party politics but the many political elements that a textbook author has to take into account if he wants to be published and favorably received. I argue that the “middle of the road” stance that Samuelson adopted in the book was consciously constructed by the MIT economist, with the help of his home institution and his publishing company, McGraw-Hill, to ensure both academic freedom and the success of the book. The reason for which the stance developed is related to pre-McCarthyist right-wing criticisms of the textbook and how Samuelson and the MIT department had to endure the pressures from members of the Corporation (MIT’s Board of Trustees), who tried to prevent the publication of the textbook and threatened Samuelson’s tenure at MIT as soon as 1947 – when early manuscripts were circulated. As a result, it was decided in accordance with both the Corporation and McGraw-Hill that the Readings volume would be published to balance conflicting ideas about state intervention. Following these early criticisms, the making of the subsequent editions relied on a network of instructors and referees all over the US in order to make it as successful and consensual as possible. This seemed to work quite well in the 1950s and for a good portion of the 1960s, until Economics became victim of its own success and was seen, in an ironical twist of fate, as a right wing text by younger, radical economists. From now on, Samuelson will try to have his book sent as often as possible to the radicals for referring process, with mixed results. Eventually, the book became criticized from both its left and its right.Paul Samuelson, Economics, Textbook, Politics, Economic Education
Wild Lions and Wise Jackals. Killer Kings and Clever Counsellors in Kalīla wa-Dimna
No full textThis is the author accepted manuscript. The final version is available from Barkhuis via the DOI in this recor
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