6,328 research outputs found
Matías de los Reyes (2024). El Menando. Leonardo Coppola (ed.)
No full textMatías de los Reyes (2024).
El Menando.
Leonardo Coppola (ed.).
Madrid: Sial Ediciones, 2025, 467 pp.
[ISBN 978-84-10389-12-0]
Leonardo Manrique Castañeda: una visión interdisciplinaria. 1 Año 1 (2014) enero-marzo. Rutas de Campo. Estudiosos de Guerrero: Semblanzas
No full textGrosser Lerner, Eva y Benjamín Pérez González, “Leonardo Manrique Castañeda (entrevista)”, en Martha C. Muntzel y Bruna Radelli (coords.), Homenaje a Leonardo Manrique, México, INAH, 1993, pp. 9-45.Guzmán Betancourt, Ignacio, “Bibliografía de Leonardo Manrique Castañeda”, en Martha C. Muntzel y Bruna Radelli (coords.), Homenaje a Leonardo Manrique, México, INAH, 1993, pp. 141-152.Manrique Castañeda, Leonardo, “Historia de las lenguas indígenas de México”, en Beatriz Garza Cuarón y George Baudot, Historia de la literatura mexicana. Las literaturas amerindias de México y la literatura en español del siglo XVI, México, Siglo XXI, vol. 1, 1996, pp. 51-83.Manrique, Leonardo, “El panorama de los estudios lingüísticos de Guerrero”, en Gloria Artís, Miguel Ángel Rubio y Mette Marie Wacher, Guerrero: una mirada antropológica e histórica, México, INAH, 2007, pp. 493-498.Zúñiga, Rosa María, “Reconstrucciones lingüísticas efectuadas por Leonardo Manrique”, en Martha C. Muntzel y Bruna Radelli (coords.), Homenaje a Leonardo Manrique, México, INAH, 1993, pp. 135-140
Julio César Reyes, piano (Colombia)
No full textConcierto interpretado por el pianista Julio César Reyes. Reyes nació en Cúcuta en 1969. Inició sus estudios de piano a muy temprana edad con Ruth Marulanda y posteriormente los continuó con Inés Leyva en la Escuela Superior de Música de Tunja. Poco después ingreso al Departamento de Música de la Universidad Javeriana donde fue alumno de Radostina Petkova. Estudió composición con el maestro Guillermo Gaviria, en la misma institución
Kukulcan's realm: urban life at ancient Mayapán
No full textIncludes bibliographical references and index.With contributions by Timothy S. Hare, Kukulcan's Realm chronicles the fabric of socioeconomic relationships and religious practice that bound the Postclassic Maya city of Mayapán's urban residents together for nearly three centuries. Presenting results of ten years of household archaeology at the city, including field research and laboratory analysis, the book discusses the social, political, economic, and ideological makeup of this complex urban center. Masson and Peraza Lope's detailed overview provides evidence of a vibrant market economy that played a critical role in the city's political and economic success. They offer new perspectives from the homes of governing elites, secondary administrators, affluent artisans, and poorer members of the service industries. Household occupational specialists depended on regional trade for basic provisions that were essential to crafting industries, sustenance, and quality of life. Settlement patterns reveal intricate relationships of households with neighbors, garden plots, cultivable fields, thoroughfares, and resources. Urban planning endeavored to unite the cityscape and to integrate a pluralistic populace that derived from hometowns across the Yucatan peninsula.--Provided by publisher.Chapter 1. Archaeological investigations of an ancient urban place / Marilyn A. Masson and Carlos Peraza Lope -- Chapter 2. Politics and monumental legacies / Carlos Peraza Lope and Marilyn A. Masson -- Chapter 3. An outlying temple, hall, and elite residence / Carlos Peraza Lope and Marilyn A. Masson -- Chapter 4. The urban cityscape / Timothy S. Hare, Marilyn A. Masson, and Carlos Peraza Lope -- Chapter 5. The social mosaic / Marilyn A. Masson, Timothy S. Hare, and Carlos Peraza Lope -- Chapter 6. The economic foundations / Marilyn A. Masson and Carlos Peraza Lope -- Chapter 7. Religious practice / Carlos Peraza Lope and Marilyn A. Masson -- Chapter 8. Militarism, misery, and collapse / Marilyn A. Masson and Carlos Peraza Lope -- Chapter 9. Recognizing complexity in urban life / Marilyn A. Masson and Carlos Peraza Lope
jaguar negro
No full textLa información de esta miniguía se basa, a la fecha de publicación de la misma, en los trabajos de los arqueólogos George Bey, William Ringle, Desiré Charnay, Juan Gutiérrez picón, Silvia Garza Tarazona, Carlos Peraza Lope y Carlos Pérez Álvarez.Según investigaciones recientes el sitio fue habitado desde el periodo Preclásico Superior y Clásico Temprano (1 00 a.C.-300 d.C.) hasta la conquista española y la colonia. De acuerdo con los resultados de diversas investigaciones arqueológicas el surgimiento de este sitio, como emplazamiento relevante, pudo haber tenido lugar en algún momento entre los años 400-600 d.C., correspondientes al periodo Clásico Temprano del área maya.</p
Las proteínas de la familia YOP1/DP1 y su papel en el desarrollo sexual de hongo filamentoso podospora anserina
No full textLa función del reticulón RTN1 en la dinámica del retículo endoplásmico y el desarrollo sexual del hongo podospora anserina
No full textInterview with Xavier Aldana Reyes
No full textXavier Aldana Reyes is Reader in English Literature and Film in Manchester, a founding member of the Manchester Centre for Gothic Studies, and the author of Spanish Gothic: National Identity, Collaboration and Cultural Adaptation (2017) and Gothic Cinema (2019). His publications in Gothic and horror studies include Twenty-First-Century Gothic: An Edinburgh Companion (with Maisha Wester; 2019), Horror: A Literary History (2016) and Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon (with Linnie Blake; 2015). Aldana Reyes also edited fiction anthologies for the British Library series, Tales of the Weird, including the following titles: The Gothic Tales of H.P. Lovecraft (2018), The Weird Tales of William Hope Hodgson (2019), Promethean Horrors: Classic Tales of Mad Science (2019) and Roarings from Further Out: Four Weird Novellas, by Algernon Blackwood (2019)
Jen Delos Reyes
No full textProjects in this collection: Open Engagement
From http://www.jendelosreyes.com/about: Jen Delos Reyes was born in the city of Winnipeg, Manitoba, Canada, and educated first in its local music scene of the mid-90’s infused with the energy of Riot grrrl and DIY, and then in its university. [1] How she works today is rooted in what she learned in her formative years as a show organizer, listener, creator of zines, and band member. Graduate work at the University of Regina made the space possible for her to see her work as an organizer as a key component of her continued creative work.
Jen Delos Reyes is a \u27farmer of sorts and an artist of sorts\u27[2], educator, writer, and radical community arts organizer. She is defiantly optimistic, a friend to all birds, and proponent that our institutions can become tender and vulnerable. Her practice is as much about working with institutions as it is about creating and supporting sustainable artist-led culture.
Delos Reyes worked within Portland State University from 2008-2014 to create the first flexible residency Art and Social Practice MFA program in the United States and devised the curriculum that focused on place, engagement, and dialogue. The flexible residency program allowed for artists embedded in their communities to remain on site throughout their course of study.
She worked with the Portland Art Museum from 2009-14 on a series of programs and integrated systems that allowed artists to rethink what can happen in a museum, and reinvigorate the idea of the museum as a public space.
From 2015-2022 Delos Reyes was the Associate Director of the School of Art & Art History of the University of Illinois, Chicago’s only public research university, where she taught in the departments of Art and Museum and Exhibition Studies.
She was the Director and founder of Open Engagement, an international annual conference on socially engaged art that was active between 2007-2019 and hosted ten conferences in two countries at locations including the Queens Museum in New York. After over a decade of large scale organizing she is now focused on work on the scale of her life.
She is the author of I’m Going to Live the Life I Sing About in My Song: How Artists Make and Live Lives of Meaning, Everything You Ever Wanted to Know About Public Engagement But Were Afraid to Ask, and Defiantly Optimistic: Turning Up in a World on Fire.
Delos Reyes divides her time between Chicago, IL where she is the founder of Garbage Hill Farm, and Ithaca, NY where she is an Associate Professor of Art at Cornell University.
[1] Credit to Saul Alinsky in form, and for the reminder that often the most formative educational experiences happen outside of the classroom.
[2] Grateful to Wendell Berry in general, and for this descriptor I am using.https://pdxscholar.library.pdx.edu/artandsocialpractice_creators/1030/thumbnail.jp
Análisis económico del depósito comercial público en la zona portuaria de Esmeraldas, período enero–diciembre 2009
No full textReyes Avila, Leonardo : 'Análisis Económico del depósito comercial publico en la zona portuaria de Esmeraldas Período Enero - Diciembre 2009' Tesis previa obtención del título de Ingeniero en Comercio ExteriorEste trabajo tiene como fundamento principal el de conocer de qué manera ha iniciado la instalación y operación de un Depósito Comercial Público en el Recinto Portuario de Esmeraldas y a su vez determinar el aporte que el mismo ha generado en su entorno, de tal forma que los resultados que se obtengan permitan saber la realidad del Depósito Comercial Público con el fin de sugerir a los directivos los lineamientos a seguir que permitan colocar a este régimen como un verdadero instrumento de desarrollo para el Puerto Comercial.Escuela Comercio Exterio
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