322,877 research outputs found
Objects in context, peoples in places Home, museum and belonging in the cultural landscape of Israel
Get PDFLegene, S. [Promotor
De Paradijsmethode: Opvattingen over het moderniseren van het landschap in de Nederlandse landschapsarchitectuur van de jaren zestig en zeventig van de twintigste eeuw
Get PDFBosma, J.E. [Promotor]Legene, S. [Promotor]Schmidt, F.H. [Copromotor
Changing wayang scenes Heritage formation and wayang performance practice in colonial and postcolonial Indonesia
Get PDFLegene, S. [Promotor]Schulte Nordholt, H.G.C. [Copromotor
Between colonial legacies and grassroots movements: exploring cultural heritage practice in the Ngadha and Manggarai Region of Flores
Get PDFLegene, S. [Promotor]Purwanto, B. [Copromotor
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
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