734 research outputs found
Correction to: When terminology hinders research: the colloquialisms of transitions of control in automated driving (Cognition, Technology & Work, (2022), 10.1007/s10111-022-00705-3)
In the original article, author affiliation published with error. The correct affiliations are: Davide Maggi—Institute for Transport Studies, Leeds, UK. Richard Romano—Institute for Transport Studies, Leeds, UK. Oliver Carsten—Institute for Transport Studies, Leeds, UK. Joost C. F. De Winter—Faculty of Mechanical, Maritime and Materials Engineering, Delft University of Technology, Delft, The Netherlands. The original article has been corrected.Human-Robot Interactio
Corona E-Learning Cocktail : Sustainability of University Education in Times of Pandemics
Supporting Distributed Learning through Immersive Learning Environments
In this paper, we describe a teaching scenario using a virtual environment (known also in the context of the ‘metaverse’). This is motivated by the challenges that arise during the pandemic. More and more teaching scenarios are transferred to online learning settings, which allow learning at any time and at any time. One of the possibilities are virtual 3D environment. These allow more intensive immersion than for example video conferences. Furthermore, they offer new didactic concepts, for example, for group activities. The benefit of using virtual 3D environments we demonstrate by a concrete learning scenario: the simulation of robot programming. A further advantage when using virtual 3D environments are personal assistants (conversational/ pedagogical agents), for example, to the ease the work load borne by teachers; meanwhile, this works well also with natural language due to advantage stage of artificial intelligence implementations
Theodor Storm's novelle ''Carsten Curator': An evaluation of the terms "Befreiungsdichtung" and "das Peinliche".
This thesis undertakes an analysis of two interrelated aspects of Theodor Storm's later prose writing. The Novelle Carsten Curator (1877) has been selected since this work constitutes the most significant example of both "Befreiungsdichtung" and "das Peinliche". A definition of "Befreiungsdichtung" - the artistic projection of personal experience as an act of 'self-liberation' - and the way this is revealed in a series of earlier works is the subject of the first chapter. The following three chapters offer a study of the genesis of Carsten Curator and show by an investigation into Storm's relationship with his eldest son (Chapter 2) the extent of the autobiographical content in the Novelle (Chapter 4) and Storm's awareness of its 'confessional' nature while writing it (Chapter 3). The second part of the thesis concerns itself with artistic problems which thereby arose for Storm. The creative process conditioned Storm's treatment of the thematic complex of heredity, alcoholism and paternal responsibility in Carsten Curator and brought with it a degree of realism which the author and his more sensitive critics found 'unpoetic' and thus 'offensive' (Chapter 5). This constitutes "das Peinliche", which Storm believed detracted from the 'tragic' nature of the central conflict. The following two chapters assess Carsten Curator in the light of Storm's theoretical definitions of "das Tragische" and draw the conclusion that the Novelle is a prime example of his mature tragic art. Chapter 8 discusses the implications of "das Peinliche" for a study of Storm's later Novellen (1877 - 1888), including the development of his realism, the effects of literary censorship on his later treatment of the central themes of Carsten Curator and his knowledge of Naturalist literature, showing the absence of any direct influence where these themes are concerned. The thesis concludes that Storm's continuing preoccupation with the themes of Carsten Curator after 1877 can be attributed only to their 'confessional' nature
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