392 research outputs found
Nadezhda Shakhovskaja – novaja Zinaida Volkonskaja?
No full textL'articolo è dedicato alla figura sconosciuta di Nadezhda Shakhovskaja, vissuta a Roma tra gli anni '60 dell'Ottocento e gli anni '20 del Novecento, pianista, filantropa e mecenate, la cui vita viene ricostruita attraverso memorie inedite in francese e altro materiale d'archivio
HornseySupplementalMaterial – Supplemental material for How Much Is Enough in a Perfect World? Cultural Variation in Ideal Levels of Happiness, Pleasure, Freedom, Health, Self-Esteem, Longevity, and Intelligence
No full textSupplemental material, HornseySupplementalMaterial for How Much Is Enough in a Perfect World? Cultural Variation in Ideal Levels of Happiness, Pleasure, Freedom, Health, Self-Esteem, Longevity, and Intelligence by Matthew J. Hornsey, Paul G. Bain, Emily A. Harris, Nadezhda Lebedeva, Emiko S. Kashima, Yanjun Guan, Roberto González, Sylvia Xiaohua Chen and Sheyla Blumen in Psychological Science</p
Nadezhda Ivanovna Gainullina: In Memoriam
No full textThe article is written in memory of an outstanding philologist and an amazing person - Doctor of Philology, Professor Nadezhda Ivanovna Gainullina. The text does not have one author; it is a polyglossia of memories and impressions about the Person, who for many years set the standards of higher education of the Republic of Kazakhstan. As an application, the reader is offered a list of works protected under the guidance of N.I. Gainullina. This is a kind of navigation map on modern lexicology of Kazakhstan, which can be useful to anyone who explores the state of the Russian language in the post-Soviet space
SUPPLEMENTARY INFORMATION: From Tetraalkylphosphonium Ionic Liquids to Phosphonium Ylides: How the Ionic Sizes Influence Carbon Dioxide Capture?
No full text
SUPPLEMENTARY INFORMATION
From Tetraalkylphosphonium Ionic Liquids to Phosphonium Ylides: How the Ionic Sizes Influence Carbon Dioxide Capture?
Vitaly V. Chaban and Nadezhda A. Andreeva
(a) Yerevan State University, Yerevan, 0025, Armenia.
(b) Peter the Great St. Petersburg Polytechnic University, Saint Petersburg, Russian Federation.
Corresponding author: [email protected].</p
Supplemental Material, SPPS722832_suppl_mat - On the Relation Between Social Dominance Orientation and Environmentalism: A 25-Nation Study
No full textSupplemental Material, SPPS722832_suppl_mat for On the Relation Between Social Dominance
Orientation and Environmentalism: A 25-Nation Study by Taciano L. Milfont, Paul G. Bain,
Yoshihisa Kashima, Victor Corral-Verdugo, Carlota Pasquali, Lars-Olof Johansson, Yanjun
Guan, Valdiney V. Gouveia, Ragna B. Garðarsdóttir, Guy Doron, Michał Bilewicz, Akira
Utsugi, Juan Ignacio Aragones, Linda Steg, Martin Soland, Joonha Park, Siegmar Otto,
Christophe Demarque, Claire Wagner, Ole Jacob Madsen, Nadezhda Lebedeva, Roberto González,
P. Wesley Schultz, José L. Saiz, Tim Kurz, Robert Gifford, Charity S. Akotia, Nína M.
Saviolidis, and Gró Einarsdóttir in Social Psychological and Personality Science</p
A methodology for research on international cooperation on marine environment protection: application of the Baltic Sea practices to the northern seas
No full textThis article is dedicated to the methodology for the study of international cooperation on marine environment protection. The author suggests applying the practices of marine environment protection in the Baltic Sea to the northern seas as well as examining earlier projects for the effective implementation of interdisciplinary initiatives bringing together international law, international relations and world politics
Concept of „death" in the lyrics of Nadezhda Teffi
No full textNadezhda Teffi (former Buczynska, born as Lochwicka, 1872-1952) - poet and novelist, one
of the most interesting characters in Russian literature of the first half of the twentieth century. In
1920 Teffi left Russia supplying the same community of thousands of Russian immigrants. In
Paris, still accompanied by the opinion of eminent satirist, but a poetic works can trace many
aspects of the Teffi creative attitude, and especially reflective and nostalgic nature of the emigration
work. The experience of exile provoked to think about the country, the world and herself in
this world. Similar sentiments reflect the poems included in the books of poetry: Шамрам. Песни
Востока (Songs of the East, Berlin, 1923), Passiflora (Berlin 1923) and in the poems published
in collective volumes and anthologies.
The article analyses the concept of death in the lyrics of Teffi. Semantical structure of this
concept includes both objective senses and individual imaginations of the author
“LIFE IS A DREAM...” AN ONEIRIC WORLD IN NADEZHDA TEFFI’S POETRY (1872-1952)
No full textThis article’s topic is the analysis of the theme of sleep and ways of his linguistic representation in Nadezhda Teffi’s poetry. The author distinguishes various updates of the selected motif, divided them according to their meaning and thematic scope and
pointed out their importance in the poetic achievements of the Russian emigrant. The subject of the analysis is the context of direct nominations of the lexeme, its derivates, semantic words and antonyms, appearing in the debut volume of poems Seven Fires (1910) and in Poetry Poems published in Exile: Passiflora Shamram. Songs of the East (1923). The research concept adopted by the author remains in line with the communication style of the text, whose tasks cover various aspects of the analysis of the literary text perceived as a form of communication reflecting both the stylistic standard and the individual style of the author
A. Brusilov's Wife Portrait: N. Brusilova at Her Motherland and in Emigration
No full textThe author reveals the life and personality of an outstanding fignhting commander of World War I, Aleksei Brusilov’s wife. Her role in his life was shadowed during the Soviet period because of her anti-soviet position mostly due to her orthodox religious views. The paper is based on the unpublished correspondence between Nadezhda Brusilov) and her husband in 1914–1917 when A. A. Brusilov was at the front, and his wife was engaged in charity work in the rear, as well as her diary written during the years she lived in Czechoslovakia as an emigrant (5972 GARF F. A. A. and N. V. Brusilov). The letters show a great emotional unity of the couple although the relationship between them has not always been smooth. N. V. Brusilov had a strong character, tried to infl uence her husband, give recommendations how to conduct military operations, to avoid casualties, but she managed to brighten up the loneliness of the commander in the last period of his life, taking care of him, preserved and published his memoirs. Brusilov believed their marriage happy. After Aleksei Brusilov’s death in 1926, Nadezhda Brusilov went to Czechoslovakia (1930) under the guise of treatment and did not returned to Russia. She was marginalized in the emigrants’ milieu because of Alexei Brusilov’s position during the Soviet — Polish War in 1920 when he joined the Red Army. The position of her husband she unequivocally justified patriotic motives. She fixed her nostalgic feelings for the lost homeland and her loneliness in a foreign land in her diary. It was not intended to be published as N. V. Brusilov feared damage to people stay in Russia. Her diary is an important source on her life abroad as an emigrant, her thoughts about her lost homeland, her views on Orthodox Church, both in Russia and abroad
Remarkable Russian Women in Pictures, Prose and Poetry
No full textMany Russian women of the late 19th and early 20th centuries tried to find happy marriages, authentic religious life, liberal education, and fulfilling work as artists, doctors, teachers, and political activists. Some very remarkable ones found these things in varying degrees, while others sought unsuccessfully but no less desperately to transcend the generations-old restrictions imposed by church, state, village, class, and gender.
Like a Slavic “Downton Abbey,” this book tells the stories, not just of their outward lives, but of their hearts and minds, their voices and dreams, their amazing accomplishments against overwhelming odds, and their roles as feminists and avant-gardists in shaping modern Russia and, indeed, the twentieth century in the West. It covers poets and writers such as Evdokiia Rostopchina, Nina Berberova, Nadezhda Sokhanskay, Karolina Pavlova, Elena Gan, Nadezhda Khvoshchinskaya, Anastasia Verbitskaya, Anna Akhamatova, Maria Tsvetaeva, Mirra Lokhvitskaya, Olga Freidenberg; free-thinkers like Zinaida Gippius, Elena Blavatsky; diarists and memoirists like Countess Sofia and Tatiana Tolstoya, Anna Dostoevsky, Nadezhda Durova, Agrippina Korevanova, Ludmila Stahl, Elena Skrjabina; artists Natalya Goncharova, Anna O. Lebedeva, Zinaida Serebriakova, Olga Rozanova, Varvara Stepanova, Liubov Popova, and Aleksandra Ekster; adventuresses (military or sexual) Maria Botchkareva, Natalia Sheremetevskaya, Grand Duchess Maria Pavlovna; doctors Anna Bek and Vera Figner; revolutionaries and reformers like Nadezhda Krupskaya, Cecilia Bobrovskaya, Vera Broido, Alexandra Kollontai, Catherine Breshkovsky, Konkordia Samoilova, Maria Golubeva, Tatyana Ludvinskaya, and Cecilia Bobrovskaya.
In their own words and images, and each in their own unique way, these remarkable Russian women construct a fascinating tapestry of a culture at the crossroads of modernity and on the brink of catastrophe—a thrilling tour of an age when everything seemed possible and none could truly imagine what lay in store.
Marcelline Hutton is the author of Russian and West European Women, 1860-1939: Dreams, Struggles, and Nightmares (2001) and Falling in Love with the Baltics: A Travel Memoir (2009).https://digitalcommons.unl.edu/zeabook/1020/thumbnail.jp
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