1,721,086 research outputs found
Brian McIlroy, Genre and Cinema, Ireland and Transnationalism, edited by Brian Mcllroy
No full textLe Corff Isabelle. Brian McIlroy, Genre and Cinema, Ireland and Transnationalism, edited by Brian Mcllroy. In: Études irlandaises, n°33 n°1, 2008. pp. 183-184
Ruth Barton : Acting Irish in Hollywood, from Fitzgerald to Farrell
No full textLe Corff Isabelle. Ruth Barton : Acting Irish in Hollywood, from Fitzgerald to Farrell. In: Études irlandaises, n°32 n°1, 2007. pp. 156-157
Extimacy and Embodiment in Hunger and Shame
No full textInternational audienceThough intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of new essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected.As a notion defined by binaries—inside and outside, surface and depth, public and private, self and other—intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser’s theories of the relationship between the intimacy of cinema and the cinema of intimacy, the essays explore intimacy in silent and classic Hollywood movies, underground, documentary and animation films; and contemporary Hollywood, British, Canadian and Australian cinema from a variety of approaches
British nonsense and the culture of recreation in Four Lions, Chris Morris (2010)
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Green against Green, Jordan against Loach : Les enjeux de la couleur dans les films Michael Collins et The Wind that shakes the Barley
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Mise en abîme des lettres et correspondance des arts dans The End of The Affair
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