5,552 research outputs found
Applique flower quilt by Mary Alice Peterson Larson
Image of Applique Flower quilt created in 1936 by Mary Alice Peterson Larson. Also includes questionnaires describing the quilt completed by Ethel Larson Hadlock Noe as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. Crib quilt flower pattern made for her granddaughte
Boston Commons quilt by Mary Alice Peterson Larson
Image of Boston Commonsquilt created in 1940 by Mary Alice Peterson Larson. Also includes questionnaires describing the quilt completed by Karleen Bechtel as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. Quilt pieces cut to strengthen exercise grandmother Larson\u27s broken wrist. Quilted Feb 92 by her daughters Ethel L. Noe Elaine L. Beer Granddaughter Karleen H. Bechtel granddaughter Kara Bechtel
Yellow & Pink 4 Patchwork quilt by Mary Alice Peterson Larson
Image of Yellow & Pink 4 Patchwork quilt created in 1938 by Mary Alice Peterson Larson. Also includes questionnaires describing the quilt completed by Ethel H. Noe as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. Made for 1st grandchild Karleen N. Bechtel
Nine Patch quilt by Mary Alice Peterspn Larson
Image of Nine Patch quilt created in 1907 by Mary Alice Peterspn Larson. Also includes questionnaires describing the quilt completed by Ethel H. Noe as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. The red & white baby quilt made in 1907 made for 1st child sunshine & shadine daughters wedding crib quilts made for 1st grandchild Karleen Hardback Beckte
4. Larson (J.), Greek Nymphs. Myth, Cult, Lore
Zagdoun Mary-Anne. 4. Larson (J.), Greek Nymphs. Myth, Cult, Lore. In: Revue des Études Grecques, tome 115, Janvier-juin 2002. pp. 420-421
Log cabin - sunshine and shadow quilt by Mary Alice Peterson Noe
Image of Log Cabin - Sunshine and Shadow quilt created in 1932 by Mary Alice Peterson Noe. Also includes questionnaires describing the quilt completed by Ethel Larson Hadlock Noe as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994
Women's life writing 1760-1830 : spiritual selves, sexual characters, and revolutionary subjects
PhDThis thesis uses print and manuscript sources to analyse and interpret women's life
writing at the end of the eighteenth and beginning of the nineteenth centuries. I
explore printed works by Catharine Phillips, Mary Dudley, Priscilla Hannah Gurney,
Ann Freeman, Elizabeth Steele, Mary Robinson, Helen Maria Williams, Mary
Wollstonecraft, Grace Dalrymple Elliott, and Charlotte West and discuss the
manuscripts of Mary Fletcher, Mary Tooth, Sarah Ryan, and Elizabeth Fox. Of these
sources, five have never been analysed in the critical literature and six have received
little attention. Considered as a group, this large corpus of texts offers new insights
into the personal and political implications of different models of female selfhood and
social being.
In chapter one, I compare the religious identities presented in the spiritual
autobiographies of Quakers and Methodists. For these women, religious identification
provides a powerful sense of social belonging and enables public participation.
However, it may also lead to a loss of self in the demand for religious conformity and
self-abnegation. In chapter two, I consider the life writing of late eighteenth-century
courtesans. These women adapt available models of femininity and female authorship
in order to establish themselves as socially connected subjects. However, their
narratives also reveal that dependence on the sexual and literary marketplace puts
female selfhood under pressure. In chapter three, I explore the eyewitness accounts of
British women in the French Revolution. I argue that, for these writers, connecting
personal identity to political history is an enabling source of self-definition but it also
exposes them to the risks of self-fragmentation.
In my focus on the social function of women's life writing, I present an alternative to
the traditional alignment of the eighteenth-century autobiographical subject with the
autonomous self of individualism. These narratives allow us to reconsider the
productive and problematic dialectic between personal expression and representative
selfhood, self-authorship and collective narratives, and individualism and social
being. They suggest that women's life writing has the potential to be both the self-expression
of a unique heroine and the self-inscription of a politicised subject
Lyle Larson
Lyle Larson is the son of Jay D and Helen Larson from Whiterocks, Utah. He married Mary Daniels
Mary Paulson
The Larson Studio Collection contains portraits and landscape photographs from Thomas Larson and his son O. Blaine Larson, who operated the Larson Studio in Provo, Utah County, Utah
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