590,351 research outputs found
The Profundity of Polychoralism: Exploring the work of Jonathan David Little [Interview and CD review]
No full textExtended (7000-word) composer interview and CD review of "Woefully Arrayed: Sacred & Secular Choral & Polychoral Music of Jonathan David Little", by London-based international music critic, Colin Clarke.
[INTERVIEW:] "The disc of sacred and secular choral and polychoral music by Jonathan David Little, Woefully Arrayed … is nothing short of remarkable. Stunningly recorded, the pure sonic joy is visceral. On a personal level, I haven’t experienced such revelation in choral terms since the Tallis Scholars’ first recording of the Allegri Miserere. As an interviewee, it turns out, Little is every inch as fascinating as his music. The following in-depth interview may be seen as an indispensable complement to the listening experience itself."
[CD REVIEW:] "Jonathan David Little is a composer whose music is vital, urgent and yet somehow timeless at the same time. … Woefully Arrayed has a mesmeric element to it … [and] is a masterpiece of time-stretching. As lines float and interact throughout the soundspace, there is a distinct impression of atemporality, of altering the way the listener experiences time. … sound is superb, full and reverberant … magnificently handled … A superb disc, one that simply gets better on each and every listening. There is a radiance to Little’s writing that seems shot through with spiritual light and which speaks on a very deep level to the listener."
PROJECT OVERVIEW: International Polychoral Music Composition, Recording and Dissemination Project (2015-17)
“The lost potential of the acoustics of performing spaces begins to be rediscovered in these works.”
A complex and ambitious, large-scale, two-year “polychoral” music creation and recording project was commissioned by the Australia Council – involving communicating how “re-discovered” ancient Renaissance and Baroque techniques of acoustically-innovative performer placement may be revived within new, original, contemporary contexts. One aim was to generate interest in largely long-forgotten, but still hugely useful and aurally impressive composition methods. Following a period of research and experimentation, several new, accessible choral works were created – most featuring intricate, a cappella, polychoral-inspired techniques. Therefore different sections of the choir, or different “sub-choirs” and/or vocal soloists, are sometimes placed in various arrangements around and above the audience (occasionally also involving movement). Due to the incorporation of such techniques, a striking extra dimension is added both to recordings and live performances – where the aural “spatial” interest creates a quasi-theatrical effect.
OPEN-ACCESS ONLINE CD BOOKLET (including contextual essay, spatial configuration diagrams, lyrics, pictures and notes): http://www.navonarecords.com/catalog/nv6113/booklet---woefully-arrayed---jonathan-little.htm
#YoSoyUdeMedellín: Jonathan Hincapié Monsalve
No full textLas cápsulas de video #YoSoyUdeMedellín son videos de 30 segundos que tienen como protagonistas en esta primera temporada a estudiantes y egresados de la Institución que cuentan por qué hacer parte de la Universidad de Medellín los hace diferentes y como la institución ha aportado más que conocimiento a sus vidas. En síntesis, expresan por qué se sienten orgullosos de ser parte de la Universidad de Medellín. Mi nombre es Jonathan Hincapié Monsalve soy egresado del programa de Mercadeo. Para mí la Universidad de Medellín representa conocimiento integral generado desde la diversidad, con la universidad he logrado adquirir una visión y un pensamiento crítico de la sociedad que me permite abordar los reos empresariales. Estudiar en la Universidad de Medellín me hace diferente, por eso #YoSoyUdeMedellín
Jonathan Edwards
No full textEngraving of Jonathan Edwards by S.S. Jocelyn and S.B. Munson. (1829) [Image published opposite the title page of The Works of President Edwards: With a Memoir of His Life, Volume One, Published by S. Converse, New York, 1829
Jonathan Edwards
No full textEngraving of Jonathan Edwards by S.S. Jocelyn and S.B. Munson. (1829) [Image published opposite the title page of The Works of President Edwards: With a Memoir of His Life, Volume One, Published by S. Converse, New York, 1829
Jonathan Rice's MM Saxophone Recital 2
No full textHave You Met Miss Jones (1937) by Lorenz Hart & Richard Rodgers
Corcovado (1960) by Antonio Carlos Jobirn
Cherokee (1938) by Ray Noble
Kind Folk (1997) by Kenny Wheeler
Infant Eyes (1966) by Wayne Shorter
Dolphin Dance (1965) by Herbie Hancock
But Beautiful (1947) by Jimmy Van HeusenRelated performance for this degree -- Jonathan Rice's MM Saxophone Recital 1: https://hdl.handle.net/2346/82062Recital recordings are archival copies for educational purposes only. Members of the TTU community may request to listen/view them for educational purposes via the PDF link to the left
Jonathan Alder's grave photograph
No full textPhotograph showing Jonathan Alder's grave in the shade of a tree, London, Ohio, ca. 1935. Alder was the first white settler of Madison County. The engraved headstone reads "Jonathan Alder, First White settler in Madison Co., Born Sept. 17, 1773. Taken by the Indians in 1781. Returned to his mother in 1805. Died Jan. 30, 1849, aged 76 yrs.
Jonathan B. Reedy letter to John M. Holstine
No full text1/23/1865Holstine, John M.In this letter, Jonathan Bensing Reedy writes to John M. Holstine about the weather, his wish he could help Holstine with the harvest, and the price of various goods in Norfolk, Virginia.Norfolk, Virgini
Jonathan Borofsky from the Patsy R. and Raymond D. Nasher Collection
No full textPhotograph of the exhibition "Jonathan Borofsky from the Patsy R. and Raymond D. Nasher Collection ," January 30-March 10, 1994, held at the Dallas Museum of Art
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