8,471 research outputs found
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Édifice Wilder Espace Danse, 1435, rue De Bleury, Montréal, 2014-2017
No full textLoge maintenant Les Grands Ballets Canadiens de Montréal, Tangente, l'École de danse contemporaine de Montréal et l'Agora de la danse; Architecte de l'édifice d'origine: Charles R. Tetley; Dates de construction de l'édifice d'origine: 1918-1923; Firmes chargées du réaménagement et de l'agrandissement de l'édifice: Consortium Lapointe Magne + AEdifica; Concepteur: Michel Lapointe; Chargé de projet: Patrick Bernier; Ingénieurs en structure: Consortium SDK/NCK; Ingénieurs en mécanique et électricité: SNC-Lavalin / Bouthillette Parizeau; Dates d'exécution des travaux de réaménagement et d'agrandissement: 2014-2017; Cours ARC 2340: Photographie en architecture - Projet Quartier des spectacles de Montréal - Automne 2020; Professeur: Alain Laforest; Photographie: Ian Cédillotte-Ramsay, 2020.11.04; Numéro de repérage: C-R_I__DSC0421Au premier plan: Place des Festivals; À droite, à l'arrière plan: Édifice de l'îlot Balmora
Édifice Wilder Espace Danse, 1435, rue De Bleury, Montréal, 2014-2017
No full textLoge maintenant Les Grands Ballets Canadiens de Montréal, Tangente, l'École de danse contemporaine de Montréal et l'Agora de la danse; Architecte de l'édifice d'origine: Charles R. Tetley; Dates de construction de l'édifice d'origine: 1918-1923; Firmes chargées du réaménagement et de l'agrandissement de l'édifice: Consortium Lapointe Magne + AEdifica; Concepteur: Michel Lapointe; Chargé de projet: Patrick Bernier; Ingénieurs en structure: Consortium SDK/NCK; Ingénieurs en mécanique et électricité: SNC-Lavalin / Bouthillette Parizeau; Dates d'exécution des travaux de réaménagement et d'agrandissement: 2014-2017; Cours ARC 2340: Photographie en architecture - Projet Quartier des spectacles de Montréal - Automne 2020; Professeur: Alain Laforest; Photographie: Geneviève Guay, 2020.12.06; Numéro de repérage: _DSC6203GGÀ gauche, en brique, au second plan: Ancien édifice Blumenthal connu maintenant sous le nom de Maison du Festival Rio Tinto Alcan; À droite, teinté de rose, à l'arrière plan: Sommet de la tour KPM
Michel Houellebecq : humanity and its aftermath /
No full textMichel Houellebecq is perhaps the single most successful and controversial of all contemporary novelists writing in French. Houellebecq has become a global publishing phenomenon: his books have been translated worldwide, three film adaptations of his work have been produced, and the author has been the subject of million-euro publishing deals and of successive media scandals in France. His novels narrate a metaphysical mutation or paradigm shift through which humanity as we know it ceases to be the over-riding value or focus of our world when it comes into conflict with a competitor in the form of a post-human or neo-human species. It is the aim of this book to appraise the global significance of Houellebecq's novelistic visions while at the same time situating them within the context of French literature, culture and society.Michel Houellebecq is perhaps the single most successful and controversial of all contemporary novelists writing in French. Houellebecq has become a global publishing phenomenon: his books have been translated worldwide, three film adaptations of his work have been produced, and the author has been the subject of million-euro publishing deals and of successive media scandals in France. His novels narrate a metaphysical mutation or paradigm shift through which humanity as we know it ceases to be the over-riding value or focus of our world when it comes into conflict with a competitor in the form of a post-human or neo-human species. It is the aim of this book to appraise the global significance of Houellebecq's novelistic visions while at the same time situating them within the context of French literature, culture and society.Includes bibliographical references (pages 203-209) and index.Sex and politics -- Work and leisure -- Science and religion -- Conclusion : humanity and its aftermath.Print version record.JSTO
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Séminaire Michel de Certeau (17)
No full textSéminaire dirigé par Christian Delacroix, François Dossé, Patrick Garcia et Michel Trebitsch. Enregistré par l'IHTP (Paris) entre 1994 et 2000
Séminaire Michel de Certeau (08)
No full textSéminaire dirigé par Christian Delacroix, François Dossé, Patrick Garcia et Michel Trebitsch. Enregistré par l'IHTP (Paris) entre 1994 et 2000
Séminaire Michel de Certeau (10)
No full textSéminaire dirigé par Christian Delacroix, François Dossé, Patrick Garcia et Michel Trebitsch. Enregistré par l'IHTP (Paris) entre 1994 et 2000.Document sonore non consultable : support endommagé
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