299 research outputs found
Lane Collection - Lane Family Portrait at "Willowhurst", circa 1910
No full textLeft to right: Edythe Lane, Ernest Erastus Lane, Maude Lane, and Abbie Waldron Lane on the front lawn of Willowhurst, the Lane family home in Bedminster
Lane Collection - Lane Home "Willowhurst, circa 1900
No full textWillowhurst, the Bedminster home of Ernest and Abbie Waldron Lane from 1882-1909. The oldest section was built by Philip Van Arsdale circa 1752. Block 54 / Lot 4. Photo by Edythe Lane
Lane Collection - Lane Family Portrait, image 1 of 2, circa 1910
No full textA Lane family portrait by Edythe Lane. Seated in front, left to right: Abbie Waldron Lane, Ernest Erastus Lane. Their daughter, Edythe, is standing at far left in the white blouse
Lane Collection - Lane Home "Willowhurst", image 1 of 2, circa 1910
No full textThis picture depicts "Willowhurst" homestead and barns, home of Ernest Erastus and Abbie Waldron Lane. Photo by their daughter, Edythe Lane
Lane Collection - Portrait of Ernest and Abbie Lane, circa 1900
No full textPortrait of Ernest Erastus Lane (1852-1934) and Abby Waldron Lane (1856-1939). Photo by their daughter, Edythe Lan
Lane Collection - Lane Family Portrait, image 2 of 2, circa 1925
No full textThis portrait depicts the Lane family. In rear, left to right: Maude Lane, Edythe Lane Van Doren. In front, left to right: Edythe's son Lloyd Van Doren (b. 1920), Ernest Erastus Lane, Edythe's son Peter Van Doren (b. 1917), Abbie Lane
Lane Collection - Lane Home "Willowhurst," image 2 of 2, circa 1910
No full textWillowhurst, the Bedminster home of Ernest and Abbie Waldron Lane from 1882 - 1909, was photographed by Edythe Lane. The oldest section was built by Philip Van Arsdale circa 1752. Block 54 / Lot 4
From guerrilla theater to media warfare Abbie Hoffman\u27s riotous revolution in America: a myth
No full textThe following thesis is a discussion of the radical activist Abbie Hoffman\u27s theatrical work to revolutionize the United States. What the author does is explain the historical uniqueness of Hoffman\u27s theatrical techniques as tools for social change. What made Abbie Hoffman such a unique character from that already bizarre and devastating time in the United States known as The Sixties was his ability to infuse pot with politics, fun with social activism and cultural change with his contemporary means of communication. He was able to excite and activate a whole generation of people who would otherwise drop out of society rather than become involved by walking a thin line between being a revolutionary and being a clown. The thesis begins by focusing on Hoffman\u27s early guerrilla theater performances and proceeds to his larger, nationally focused demonstrations in Washington D.C. and Chicago. Each chapter extrapolates from the descriptions of the performances the theories which influenced the subsequent performance. The culmination of Abbie\u27s work is his highly publicized trial (with seven other defendants) in Chicago for the riots that took place there the previous year. What we are made to understand is that while Abbie and most of the other radicals of the time are often brushed off as stoned freaks with nothing to offer in the way of social improvement, it is exactly their ability to volley between being taken seriously and being overlooked which allowed them to get away with saying and doing so much
Minor physical anomalies in schizophrenia: Introduction to a new metric scale and results in samples from Ireland
No full textLetter from Katharine Lee Bates to Cora Stickney Harper : autograph manuscript signed, between 1899 and 1914
No full textA short note which mentions the Author\u27s Club, Abbie Farwell, and Robert Hillyer.https://repository.wellesley.edu/autographletters/1201/thumbnail.jp
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